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Why we need Gender Equality Week

The words ‘better late than never’ came to mind as last Sunday saw the launch of Oxford’s first ever Gender Equality Week. Considering it is nearly 50 years since the original women’s colleges were granted full collegiate status, it might not seem unrealistic to hope gender inequality in Oxford was a thing of the past. Unfortunately a brief look through the issues raised by the schedule of events tells otherwise.

Workshops encouraging women to get involved in all forms of student politics highlight a significant problem in Oxford. Though full of capable, intelligent women, there is a massive deficit of representation at the core of most prominent organisations. The Union, OUSU and many of the political societies seem to have performed a feat of time travel and returned to an era where women take on gender-specific roles and not much else.
The Positive Discrimination debate on Wednesday was a reminder that this matter goes further than the University. In parliament, only 20% of MPs are women. Considering the fact that women have now tipped the balance to make up 51% of the UK population, this can hardly be called representative. Yet there seemed a noticeable reserve in the chamber and a lack of willingness to face the matter head on. The same slogans and jargons were bandied around as have been heard so many times. But for all the talk, where is the action?

To really change these inherent imbalances requires more than altered rules and constitutions. It will need a shift of attitudes. The knowledge of the opportunity will not be enough to cause more women to run for an election; of any sort. Whilst women have all but gained equality on paper, they do not experience it. The saying goes that ‘it’s a man’s world’ and in many cases this is still true. Women are caught in the middle. If they act as a man would, they will be treated as overly hostile and aggressive. If they act in a feminine way, they may be brushed aside or even condemned for ‘exploiting their femininity’. A woman in politics must forsake any identity beyond that of the politician itself. Personal lives always face scrutiny, but the criticism meted to women is often far more judgemental, or even spiteful, than that faced by men.

Consider for a moment the US elections – whose family did you know the most about? Quite possibly Palin’s, teen pregnancies and all – but would the same deluge of criticism have befallen a male candidate? Equally, though denigration of her $150,000 expenses bill may not have been unwarranted, this type of expenditure wasn’t entirely inexplicable. Though comments on the dowdiness, datedness or daring of women politicians clothing are common enough, it is doubtful whether anyone even noticed Obama’s most recent choice of suit. At the other extreme, after the French election Nicolas Sarkozy issued briefcases to all his MPs containing complementary grey tie regardless of gender. Perhaps this is symbolic of the identity confusion women still face in the political arena.

Gender Equality Week was a fantastic opportunity to discuss these problems and encourage them to be addressed head-on. Unfortunately though, whilst women can be enabled to act, the responses to those actions are somewhat beyond their control. Gender identity should not need to be sacrificed in order to succeed. Equality does not and should not imply uniformity – as many think it does. Women and men are not the same, so they should not be expected to act the same.

Until the political process and all the speculation and criticism attached to it concede to this, the true aims of the Week will not have been achieved.

 

Snow Patrol: A Hundred Million Suns

Quite possibly, pretty much all of Music’s greatest disasters are due to bands who think they are producing ‘art’. There is nothing wrong with carefully crafted, purposeful music, but 4 and half million albums (see Eyes Open) can give a man a lot of misplaced confidence. A Hundred Million Suns isn’t a completely awful album, but it sure isn’t galactic, as the overly-ambitious title suggests. All that remains is the feeling of being a little cheated.

At times in A Hundred… Snow Patrol seems a bit afraid to be Snow Patrol. Back in the day, you listened to them for their gloriously rousing pop-rock choruses, but they seem rather absent here. Lightbody’s vocals are still starry-eyed and whispery in the album’s softer points, but a large proportion of the time the ‘Patrol are content being neither tender nor epic.

There are nods towards some greater experimental goal, a bit of a drone here, a few processed beats there, but these are pretty much absent from the main body of the music. This is no Kid A, and once they’re gone, you’re just left with more four-square Coldplay-by-numbers.

Every so often, Snow Patrol do manage to breath out and embrace the loveliness of their older songs, with heart-warming results, such as on ‘Crack the Shutters’ but these are rare moments whilst the rest seems to be happy going nowhere special. Similarly, the clichéd and unimaginative lyrics do little to raise the game of the album, helping to drag it further towards the middle of the road.

Whilst it has its moments, A Hundred Million Suns feels a little like a mid-life crisis in an album. The Alternative became the mainstream, and now it doesn’t quite know what to do with itself.

In conclusion: Occasionally sparkly, however inconsistent and unfortunately rather forgettable.

2 stars

 

Oxford don embroiled in Obama smear

An Oxford University don was the subject of a last-ditch attempt by the Republican Party to prevent Barack Obama’s election as US President this week.

The Democratic Party nominee secured a landslide victory in Presidential polls on Tuesday, seeing him elected to the White House as America’s first African-American President.

However, just nine days before voters cast their ballots, leading Republicans made a last-minute effort to derail the Illinois senator’s campaign by trying to prove that his autobiography had in fact been ghostwritten by a former terrorist.

The academic recruited for the task was Dr Peter Millican, a philosophy professor at Hertford College who has developed a computer program that can detect when works are by the same author by comparing favourite words and phrases.

Terrorist memoirs?

Dr Millican was contacted by Robert Fox, a Californian businessman and brother-in-law of Chris Cannon – a Republican congressman from Utah. He was offered $10,000 dollars to analyse alleged similarities between Obama’s bestselling memoir “Dreams from My Father” and “Fugitive Days,” a work by William Ayers.

Mr Ayers, now a university professor in Chicago, co-founded the radical group Weather Underground which carried out bombing campaign against public buildings during the 1960’s and 70’s.

He became the source of much attention during the US presidential race after it emerged that he and Senator Obama had once served together on a charity board, sparking Republican attack adverts accusing the Democratic nominee of “palling around” with a terrorist.

Dr Millican confirmed on his website that he had received a call from Mr Fox on October 26th detailing the offer.

“extremely unlikely”

“He was entirely upfront about this. He offered me $10,000 and sent me electronic versions of the text from both books,” he said.

“I thought it was extremely unlikely that we would get a positive result.”He added that further analysis of the two works had confirmed to him that the allegations were completely untrue, highlighting that it would have been “very surprising” for Ayers to write Obama’s life story before he had even penned his own.

“I would be astonished if anything came to light to reverse this verdict. The next leader of the free world did not get his impressive first book written by Bill Ayers.”

When asked to comment, Congressman Cannon said that he merely recommended the computer testing of the books, although he did doubt whether Obama had written his autobiography.

“If Ayers was the author, that would be interesting,” he said.

 

Feisty Hall halt Pembroke

This is a game that Pembroke should have won and they were visibly the better side for much of the match. However, Teddy Hall proved that they should never be written off and produced an outstanding second half performance to set up a thrilling climax to the event. This was college rugby at its finest, though slightly marred by the high penalty count, as both teams demonstrated the passion and skill that separates the first division form the lower leagues.

From the kickoff an early handling error from Hall set up a scrum centre field, but the Hall pack established their scrummaging credentials by winning possession against the head and were rewarded by the fist penalty of the afternoon, which fullback Will Stephens kicked to give Hall an early lead.

Pembroke were undaunted however and both sides threw themselves into the match scrapping for every ball. The breakdown proved problematic, particularly for Hall who were repeatedly penalised for not staying on their feet, clearly struggling to come to terms with the new regulations. Both sides played the territory game, frequently kicking to the corners but strong lineout performances from both packs limited the amount of quick ball available for the backs. Pembroke began to string the phases together, their backline firing far more effectively than Hall’s with inside centre Joe Thornton making some powerful runs. The scrum proved its worth in this game, both in attack and defence, the quality of scrummaging reflecting the abilities of both packs.

Pembroke were clearly in control as the half progressed and camped in the Hall half only heroic defence prevented them from scoring several times. What’s more, Pembroke seemed to be getting under their opposition’s skin as tempers flared and Hall gave away another penalty for going over the top in the ruck just inside their own half, and surprisingly outside centre Tim Horrocks opted to go for the posts producing a sublime kick to finally give Pembroke their first score. Hall compounded their problems when a player was sin-binned for yet another ruck infringement, Horrocks stepping up for another long range attempt which fell agonisingly short.

Hall had a chance to clear their lines from the 22 drop-out but a player was outside the 22 when the ball was kicked which saw them defending a scrum back from where the ball was kicked. This silly error cost them dear as with a man down the pressure from Pembroke finally told, Thorton linking well with fullback Etiene Ekpo-Utip who danced through the Hall defence to score the first try of the match. As the half time whistle blew all the momentum was with Pembroke as the fight seemed to be fading in Hall.

However, someone found the right words at half time and Teddy Hall made it clear they were not beaten from the restart, immediately forcing a Pembroke error to set up a scrum in the opposition’s half and only poor hands in the backline prevented them scoring. Hall had calmed down over half time, and were conceding fewer penalties, but another infringement at the breakdown saw Horrocks put Pembroke further ahead. Both sides were firing on all cylinders now, the Teddy Hall backline finally functioning fully, but neither side seemed to able to convert pressure into points as the tackles came in hard and fast.

Hall seemed to be gaining the upper hand in the war of attrition and won successive scrums against the head to put themselves in great field position on the five metre and allow number eight Charlie Southern to go over for the try. Sparked by this score both sides upped their game producing the best rugby of the match thus far, Pembroke’s dominance long past as both sides matched each other man for man. Hall, playing to their strength, adopted a narrow game plan, keeping it in the forwards and once again pushing into towards the line and the pressure on Pembroke only increased when they had a player sin-binned for dragging the scrum half into a ruck.

A man down in the final stages of the game Pembroke produced some monumental try line defence to keep Hall from crossing , time after time driving them back, both sides providing a fitting finale. Finally Pembroke won a turnover and only had to put the ball out of play to secure victory. Yet the unthinkable happened as a cruel gust of wind caused the ball to drift infield.

Slick Hall hands moved the ball across the backline to replacement wing John Waldron who eluded the stretched and tired Pembroke defence to score in the corner. To add insult to injury Stephens kicked the tricky conversion and the final whistle blew bringing an end to a great contest. Pembroke can take a lot from their performance but Hall’s tenacity separated the teams in the end.

Election night in Wadham

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    Iranian minister sacked after Oxford forgery

    Iran’s parliament has voted to sack Ali Kordan after he admitted that his Oxford degree in Law was forged.

    According to reports 188 MPs, both conservatives and moderates, out of a total of 247, voted to remove Kordan from office.

    Now Iran’s former Interior Minister, Kordan came to international attention in August when Oxford University released an official statement denying that Mr Kordan had ever received a Law degree from the institution.

    Copies of the degree were later released onto the internet via Iranian political websites and the diploma was revealed to be a crude forgery riddled with spelling and grammatical errors.

    At the time, Oxford University confirmed that the academics who ‘signed’ the diploma had all held Oxford posts, but never in the field of Law, and they would never have signed degree diplomas either.

    The vote to expel Kordan from parliament comes after 20 Iranian ministers called for his impeachment last month.

    capitOx Investment and Banking Conference 2008

    Panel: Ian Carnegie-Brown, Managing Director, Investment Banking Division, Credit Suisse

    Henry Elphick,  Managing Director, Investment Banking Division, UBS

    Alistair Mullen, Head of Flow Interest Rates Distribution, BNP Paribas

    Gregor Bamert, Director, Investment Banking Division, Barclays Capital

    4th Week

    More accurate than last week’s summary. Anyway. We have a situation.

    This week’s singles are by the likes of Scouting For Girls, Tony Christie, Leona Lewis and Fightstar. They don’t even deserve hyperlinks. Far worthier is this story about Bon Jovi, a security guard and a golf buggy.

    Meanwhile, Britney Spears’ comeback single Womanizer sounds like a lite-pop lovechild of Stephen Hawking and MIA, but is nowhere near as good as that description seems. Arch-rival Christina Aguilera‘s Keeps Getting Better is boring and trenchant from the first few seconds. ‘Super bitch’? Nothing so exciting. This is all so tired and plodding. Nothing’s worth a second star so far.

    I should really set out my intended disquisition on what makes the perfect pop song, as an antidote for this dross, but the knowledge that this stuff will make people rich has depressed me too much for this week. Instead, I’ll content myself with chucking in some tracks actually worth hearing, here, here and here.

    Top Of The Ox: Local Band Of The Week

    Music should either be good or interesting; a failing of this week’s singles. The Keyboard Choir, however, combine both qualities. Rare indeed. This local collective finally have an album out on Brainlove Records. It’s mindfuckingly good ambient/electro/avant-garde stuff that ranges from heavy club beats to sublime chillout. I recommend Skylab as the easiest route into their world…

    Belle and Sebastian: The BBC Sessions

    It would be fair to say that live albums either work or they don’t. Generally they don’t. They can frequently end up as self-indulgent, commercially-orientated attempts to capture the minds and money of a dedicated few; the sub-standard live offerings of Bowie and Led Zeppelin spring readily to mind.

    Of course, Belle & Sebastian are not just any old band. For a start they are purportedly Scotland’s greatest – they were named as such in ‘The List’ magazine, yet have reached semi-cult status without sacrificing their distinctive baroque-pop sound for commercial success. And regardless, this is not just any old live album.

    Taken from BBC sessions spanning a twelve-year career, this is effectively a greatest hits album without the commercial intent and with much more interest for new and old fans alike, with new tracks and surprising takes on old favourites. The opener, “The State I Am In,” is taken from their debut and introduces Murdoch’s tender lilting voice that fires through unexpectedly cutting lyrics. And that’s just for starters.

    Experimenting in spoken word, the laid back “Shoot the Sexual Athlete” is one of four previously unreleased tracks that add another layer of intrigue to the harmonies that characterises all B & S work.

    The alternative version of ‘Lazy Line Painter Jane’ is a more subdued and less polished offering than the previously released track, but even more personal, the recording sound quality dragging the listener into their beautiful world.

    Elsewhere, Isobel Campbell’s haunting vocals on “Nothing in the Silence” seem a fitting way to mark her exit from the band in 2001.

    The entire record is one of harmony, the intimate sound of the sessions stripping back songs that offers an opportunity to appreciate what Belle & Sebastian do best – write fantastic songs and play them magically.

    Four stars