Sunday 6th July 2025
Blog Page 2173

Teddy Hall banned from crew dates

0

Students at Teddy Hall have been banned from participating in crew dates, following a series of embarrassing incidents.

Reports include stories of students stripping and stealing from different colleges whilst on dates with other sports teams.

Teddy Hall’s new sports representative, Marie Gorman, had emailed Stephen Blamey, the college dean, to request permission for a crew date to take place. In his response he told her that due to “sporting social excesses,” socials would be forbidden for all members of Teddy Hall sports teams.

Dr Blamey wrote in the email, “let me take this opportunity to warn you of a further pouring of cold water on sporting social excesses: ‘crew dates’ are to be banned, both in-coming and out-going…This is in response to the unruliness that such events so often give rise to,” The document was later circulated among students.

The captain of the college rugby club, Feargus Murphy, admitted that “our crew dates can get out of hand.”But he added, “banning them per se is not the right move. Sports teams going out for a curry together, onto a club – I can’t see a problem with that.”

One student at St Edmund’s said that the ban was mainly down to the behaviour of the college Rugby team at recent social eventst’s.

“At some point last year (our) rugby team got fined for stripping and trying to steal expensive crockery from St. Johns. Then last term the boys’ rowing team got kicked out of Trinity for doing pretty much the same thing,” she said.

An Ex-Captain of the St Edmund’s Hall rugby team said the dean was within his rights to put a stop to the socials, “the dean is obviously very against bringing the college into disrepute.”

He also admitted the team, including him, “behaved badly” at last year’s infamous St. John’s crew date after which they were fined.

The former sports representative for the college Caspar Le Fanu said that although crew dates had officially been banned, the idea of social events between sports teams was not over at Teddy Hall.

“Similar things will be going ahead under a different name, like ‘dinners’. They’re just not called crew dates,” he said, adding that the college authorities would find it hard to crack down on them.

The Ex-Captain of the rugby team agreed, saying: “You can’t stop them…there’s one this week.”

Dr Blamey declined to comment.

 

OUSU Women’s VP criticised over silence

0

Rachel Cummings, OUSU Vice President for women, has been strongly criticised following her refusal to condemn the invitation to Larry Flynt to speak at the Oxford Union.

Cummings would not comment on Flynt’s invitation to speak in 6th Week, citing OUSU’s co-operation with the Union regarding women’s issues as her reason.

Flynt, the porn tycoon responsible for ‘Hustler’ and ‘Barely Legal’, has had his magazines described as “somewhere between gynaecology and butchery” while the noted feminist Diana Russell has accused him of being “responsible for an immeasurable amount of sexual violence against women.”

Hannah Gascoyne, a first year student at Jesus College was critical of Cummings’ refusal to speak out against Flynt, “by running for her position in OUSU she volunteered herself to serve as a voice for the women of the university. If her work with the Union is silencing her on important issues, then there’s clearly a problem” she said.

Another female student, who wished to remain anonymous, wondered whether Cummings was “a fair-weather feminist” and called the Union’s decision to invite Mr. Flynt “backward and pathetic”.

Cummings defended her refusal to speak out saying, “OUSU has a good working relationship with lots of societies, as is only correct. Sometimes talking to the press isn’t the most effective way of creating change.”

In the past she has publicly criticised the Kukui nightclub for promoting a show featuring dancers wrestling naked in KY Jelly, calling it “unacceptable” and urging club organisers “not to use women in this way.” She has also attacked the Oxford University Conservative Association for using allegedly sexist publicity material.

Lewis Iwu, OUSU President, defended his organisation’s association with the members-only Oxford Union. He said that Rachel is “doing her job by having these close links with the Union. She’s representing the female population by making sure that she has a good relationship with the Union.

“I don’t think it’s a case of hating our enemies and not criticising our friends. We think there are several ways of getting change and gaining influence. She explained to me why she didn’t want to comment and I agreed.”

Cummings has been working with the Oxford Union on increasing female participation in the society. Union President Charlie Holt said this involved “ensuring that events in the Union are not just focused on our male members, and that efforts are made to represent women and men equally in debates.”

She was a member of the panel that appointed Kirini Kopcke as the first Oxford Union Women’s Officer, a role tasked with attracting women to debates and involving them with the running of the organisation.

Lewis Iwu said, “the Union acknowledges the fact that they don’t have enough women running for positions and that’s something that needs to be changed. They acknowledge that in previous terms there haven’t been enough female speakers invited.”

When asked whether the addition of Mr. Flynt to the termcard was likely to encourage female participation in the union, the OUSU President refused to comment.

Student loan interest rates drop

0

Students will now pay less money back on their loans, after the Bank of England slashed interest rates to their lowest rate ever.

The Bank cut rates to 1.5% last week, the lowest since its foundation in 1694, forcing the loans company to lower repayments. Recent graduates will now pay back their loans at 2.5% interest, half a percent less than a week ago.

Wadham undergraduate Rhian Petty said, “I never anticipated such a wonderful financial surprise.”

But news of the cut has been met with confusion by other Oxford students. Keble undergraduate Hannah Martin, said, “the interest cut is great, but some people aren’t aware that they are paying interest at all. There should be greater awareness of what we’re paying and how this will affect us.”

Oxford economics lecturer Christopher Bowdler said that the cut would benefit recent graduates most, as their loan repayments are reduced and they start to find themselves with a greater disposable income each month.

He said, “it’s rather like a reduction in mortgage rates. Authorities hope that by releasing this cash to [recent graduates] they will stimulate spending in the economic downturn.”

Martin Lewis, the ‘Money Saving Expert’ advises students not to worry too much about the exact rate of interest on their loan.

“There’s no ‘real’ cost because the highest you’ll pay is the rate of inflation,” he writes on his website. While graduates may be making savings now, “over the full term of borrowing, for most people, [the rate] should even itself out.”

The interest rate on student loans is influenced by two economic factors. The rate is either set at one percentage point above the Bank of England’s base rate or matched to the Retail Price Index measure of inflation. This calculates the increase in the cost of basic consumer goods each year and finds the average level of inflation from it.

The interest rate passed on to students is always whichever of these figures is lower, which until now has always been the Retail Price Index (RPI). The economic downturn has forced the Bank of England’s base rates below the RPI, creating the current drop in loan repayments for students.

The latest drop on the interest on student loans is the second since December, when the rate fell from 3.8% to 3%. It was previously set at 4.8%. The rules of the loans company insists that the interest on all student loans taken out from 1998 onwards is set at no more than one percentage point above the base rate.

 

Oxford Gossip website returns

0

Oxford Gossip, the infamous Oxford internet forum, reopened at the beginning of this week. The site, opened in 2003, provided a forum space for Oxford students to discuss the University’s social life and gossip.

It was forced to close in September 2007, following allegations of harassment and a failure to moderate the site’s content. The site has reopened with a new domain of www.oxfordgossip.co.nr. Nr stands for Nauru, a small island on the Pacific Ocean. It is thought that this is an attempt to protect the site from libel laws.

Matthew Richardson, the original founder of OxGoss, said that he knew nothing of the site’s relaunch.

Some students have argued the site is simply harmless fun, whilst others have stated that it had been used for the malicious targeting of individual students.

Katy Theobald, the President of OxWip said, “The anonymity of such a site allows people to post sensitive and potentially inaccurate comments.”

A University spokesperson said, “The Proctors have had no complaints about the revived website, but they would strongly advise students that anyone involved… is acting in a university context and must observe all the University’s regulations.”

Lewis Iwu, the OUSU President admitted “I had no idea the site was restarted.” However, he argued that the website had merits, “I think if used right, the website can be very useful. It will help people know what is going on in Oxford.” He added, “‘I think the website is fine to use, provided no one feels harassed or victimised”.

Niall Gallagher, a student at Worcester College, admitted that he used the forum before it was closed and added he had found it “quite entertaining”. He said, “it was maintained by the same sort of people generally – Union and OUCA. I was disappointed it closed. To a large extent it wasn’t malicious”.

His sentiments were echoed by Guy Levin, a Corpus Christi student who stated that the website was popular “because everyone was on it” and added that it was “amusing”.

However, another student stressed the site’s more negative aspects. He said, “the worst thing was threads like ‘The **** List’, naming and shaming all those people unfortunate enough to have got 3rds, and one Facebook hot or not thread, where OxGoss regulars would find what they thought were mingers on Facebook and emotionally abuse them for kicks. I understand it caused some serious distress to some of the people who were targeted. That was really low.”

Rosanna McBeath, OUSU’s Welfare VP said, “‘Gossip’ can be very harmful to individuals involved, especially when spread across the internet, with its wide reaching effects. I hope this time, the website is better controlled to prevent the problems that arose last time.”

Matthew Richardson explained “at its peak OxGoss was getting more hits than Oxfordstudent.com and Cherwell combined. It started to be used as a tool for national journos to spy on Oxford students and several national media outlets just quoted OxGoss directly in their stories.”

Another Oxford graduate, an administrator and a moderator of the old site said, “it was supposed to be a thing for my friends, internal fun.”

However, he admitted that “it got out of hand” saying, “it resulted in slander, affecting people’s employment prospects. We tried to moderate it but it always came back with people posting more and more”. After the site was closed in 2007, he said that both he and Richardson were “very, very relieved to see the back of it. It caused way too much fallout and loss of trust, particularly in Union circles.”

The website also attracted the attention of the University’s proctors who posted a warning to all students involved in the website or others like it.
This time round, Iwu called for restrained monitoring of the site, “I believe in free speech and the proctors should treat the website like the papers. They should just keep an eye on it and take up the concerns of students with a complaint.”

Bullingdon club revived

1

The Bullingdon Club has claimed to be enjoying a revival in membership, following a desperate bid to recruit members.

In 2006, the 200 year-old drinking society had only four members. In a bid to increase its ranks, it was “forced” to reach out to an ex-state school pupil. The student rejected the invitation.

The club has announced that it now has twenty members.

It is thought that the society’s recovery might be a result of its rebranding as the provisional wing of the Conservative party and its association with former members David Cameron, George Osborne and Boris Johnson.

Obama’s Oxford Bible

0

The Bible President Obama was sworn in on last Tuesday was printed by the Oxford University Press. It first belonged to Abraham Lincoln, who took the oath of office using it in 1861.

The Bible was published in 1853 and was purchased by the Clerk of the Supreme Court. He gave it to Lincoln when the President realised he had no Bible to swear his oath on.

The 1,280 page book was bound in velvet with gilt edges. It is frequently on display in the Library of Congress.

Four members of Obama’s government are Oxonians

Baldness cure in sight

0

An Oxford PhD student in Bio-Chemistry has claimed to have developed a new product to ‘make hair loss a thing of the past’.

The product’s means of preventing baldness are still secret as it has not yet been patented. The creator, Thomas Whitfield, said it should be available for purchase within the next 12 months.

Whitfield promises that the product will offer a favourable alternative to existing ‘inconvenient’ and ‘very, very expensive’ techniques.

The product, ‘TRX2‘, takes its first two letters from the Greek word ‘trichos’ for hair, whilst X2 signifies the ‘second generation of hair’.

Bringing it all back home

0

In the age of 24hour blog angst and the prevailing wisdom that we have all been ‘fucked up’ by our parents, or society, or something, it seems to have become quite OK to throw out the stiff upper lip, and let everyone about how we’re so miserable, or why on earth we just can’t seem to make a relationship work.

An unfortunate consequence of this has been a rash of indulgent singer-songwriters singing bland dirges that have more in common with 90s boy bands than folk and protest, the traditions that first inspired Woody Guthrie, and eventually Bob Dylan. However, it needn’t be the case that singing about personal experiences should mean sounding like James Morrisson.

Although folk singers had always sung politically motivated songs, it was surely Guthrie’s experience travelling with job-seeking migrants through the Deep South in the 30s that made his vaguely socialist agitations so direct and inspiring to so many.

However, as the folk-protest song exerted a greater influence over young people into the 60s, personal experience seemed to be less important. Often the concerns of these singers were universal – Bob Dylan, as the leader of that movement, has, much to his own disdain, been endlessly referred to as the ‘voice of a generation’ for his articulation of the dissatisfaction of counter-cultural America at that time.

Eventually, as Dylan began to feel constrained by his own revered status, he began to pioneer a far more introspective style. Joni Mitchell, Leonard Cohen and Patti Smith joined him in producing music that would come to be described (often derisively) as ‘confessional’ and ‘sensitive’. This change would coincide with considerable stylistic innovation, which set a new standard for the kind of originality that could occur in the singer-songwriter genre. In particular, Patti Smith’s daringly aggressive fusion of punk rock and accomplished, visceral poetry was influential with artists from Sonic Youth to KT Tunstall citing her album Horses as a significant influence.

These changes, while often motivated by a simple desire for ‘something new’, were not without their personal motivations. While the breakdown of Dylan’s marriage was the well documented starting point for much of Blood on the Tracks lyrical content, Joni Mitchell’s often improvised, free vocal noodling and startlingly optimistic lyrics were informed by a turbulent love life that lurched from divorce (her surname was taken from her husband) to the heart breaking decision to give up her child to adoption. The lines ‘My child’s a stranger/I bore her/But I could not raise her’, from ‘Chinese Café’ are probably her most overt ‘confession’ of this.

In another famous example, Leonard Cohen was recently forced to admit that his song ‘Chelsea Hotel #2’, including the lyric ‘Giving me head on the unmade bed’, refers to his short-lived affair with Janis Joplin.

It would be easy to label that first period of introspection a ‘golden age’ of the singer-songwriter, but with the recent successes of Elliott Smith, and now Bon Iver, it seems that the sensitive singer-songwriter is definitely back in. Smith’s infamous struggles with drug addiction and depression that eventually killed him contrast with his deceptively optimistic, pop-influenced song-writing, while Bon Iver’s experience in a remote cabin in Wisconsin is a well-documented influence on his soulful writing.

It’s hard to pinpoint where the line lies between indulgence and intimacy in singer-songwriters. For many songwriters, a new song is cathartic, a way of coming to terms with something personal. In the wrong hands, this can be awful – no matter how beautiful the subject of James Blunt’s notorious first single, I can’t sympathise with his mass-produced heart-ache. In the right hands however, a well written, personal song can resonate with our own experience, and provide something timeless in a way that more trend-driven pop music cannot.

As Guthrie’s wife once said, speaking to the crowd at one of her husband’s concerts in 1949, ‘It’s nice to think that a voice can be heard today that can communicate to you one thing, and twenty-five years from now will still mean something to somebody else’. She could not have been more right.

Bon Iver: Blood Bank

0

Blood Bank’ finds Justin Vernon returning to the recording studio, fresh from his victory lap touring the world on the back of his universally well-received debut album.

After tracks from For Emma, Forever Ago found their way onto ‘House’, and ‘Grey’s Anatomy’ among other mainstream US television shows, it is apt that Vernon’s latest EP should be named ‘Blood Bank’, and be so concerned with our biological humanity and mortality. Vernon’s is a refreshingly candid, unpretentious look at human relationships, perhaps the kind of perspective you might expect of the wood-chopping, impressively bearded American.

It’s difficult to write about Justin Vernon without mentioning his three month stay in the Wisconsin wilderness where he recorded most of his debut album, but in this case it’s justified – these tracks were written in the same creative burst. Their flavour is similar, and certainly the title track would nestle very comfortably anywhere in For Emma…

The rest of the EP however seems more like a collection of outtakes from that album, although their quality is still of an impressive standard. ‘Babys’, for instance, runs for five minutes around one, bright piano chord while Vernon chants about the ‘Carnival of Peace’ and the ‘summer coming to multiply’. It’s a bizarre image, but Vernon’s beguiling falsetto lends it a kind of optimistic substance – from his throat, the words sound impossibly heartfelt, and its easy to feel like you somehow know where he’s coming from.

We find Vernon in a quirky mood on the final track, ‘Woods’. While finding a new direction for Bon Iver’s sound was always going to be difficult, robbing Vernon’s voice of its organic, soulful quality seems a shame. The effect leads to some beautiful moments as Vernon harmonises with his band mates a cappella, and I’d be happy for Vernon to prove me wrong, but I imagine this sound will remain an enjoyable curiosity, the sort of thing that belongs on this kind of EP.

You won’t feel short-changed buying it, as the sound of Vernon’s quirkier side is refreshing, but equally don’t expect the epiphany that, for many, For Emma… represented.

In a similar way to Deerhunter’s Fluorescent Grey EP, which hinted at the stylistic shift away from Cryptograms’ psychedelic noise that they would eventually produce with their excellent Microcastle, Blood Bank hints at a number of possible directions – some more promising than others – that Vernon may be considering for the follow-up proper to For Emma, Forever Ago.
The EP is an ideas sandpit, a peek over Vernon’s shoulder. It ends too quickly to provide a full picture, but it should at least reassure any doubters that Justin Vernon, whether in his Bon Iver guise or not, will again be a talent to watch in the coming year.

Four Stars

 

Antony and the Johnsons: The Crying Light

0

In 2005, Antony and the Johnsons released their second album, I Am A Bird Now, to widespread critical acclaim, winning the Mercury Music Prize and infiltrating the mainstream. The sound of Antony Hegarty’s third release, The Crying Light, will be familiar to those who heard the second, but this is no criticism; the album is a triumph.
In terms of progression, the quality of Hegarty’s songcraft is a notable improvement here. At times on I Am A Bird Now, there was a lack of subtlety in the melodrama of the songs, which could exhaust the listener with the sheer weight of their emotion. While this work is still one of high melodrama, the execution is more mature, and the songs are more balanced. Carefully arranged orchestration features throughout, and is generally deployed tastefully for accent and emphasis. There is a patience in tracks like ‘Kiss My Name’ that was sometimes lacking from the album’s predecessor. The result is that the overall emotional effect is ultimately more substantial.
Hegarty is clearly a special talent; the best songs on this album would surely stir emotion in even the most dispassionate of listeners. The ethereal quality of the last album’s most effective track returns, and is supported by improved instrumental backing. ‘Her Eyes Are Underneath The Ground’ is full of beautiful, understated instrumental work, and the cello which closes the track is powerfully sombre.
Hegarty’s voice is familiar, but appears more well-rounded than before. ‘Aeon’ is a real departure from his melancholic style, seeing him in celebratory mode, at one point shouting, ‘Hold that man I love so much!’ in an unexpected highlight of the album.
The Crying Light is not a perfect album, there are times when the vocals and the music seems ill-balanced and the effect falls short of its intentions; where Hegarty aims to overwhelm he can sometimes alienate. I found myself irritated by the slurred vocals of ‘Dust and Water’; the intention there is a mystery, but the result is an unhappy confusion of sounds. Hegarty rarely misfires here, however, and ultimately the album has a great deal to recommend it.
The unexpected success of I Am A Bird Now was sure to bring with it a backlash to coincide with the release of Hegarty’s second album. For many, his acceptance as a mainstream artist was a difficult pill to swallow. From his affected vocal style to his unusual appearance, there was much to mock for the superficial observer. The album was, however, a stunning collection of powerful and distinctive works. This follow-up effort has been eagerly awaited by an enthusiastic fan-base. The success of the last album naturally meant that this one would likely be subjected to close scrutiny and unfair criticism.
Already reviews of the album appear to have taken a superficial attitude to The Crying Light, ignoring much of what is new to focus on the fact that much of what was strikingly novel last time remains a feature of the music now.
That the unusual nature of Hegarty’s sound is a familiar feature of his work by now should not in itself be the object of criticism. It is a lazy sort of journalism which fails to recognise that if Antony did not have such a distinctive style he would not be accused of sonic stagnancy. There is substance enough beyond Hegarty’s vocals to merit the more balanced criticism that will be afforded countless artists whose vocal styles vary little from record to record.
The unique sound Hegarty produces is a gift and its return is welcome. The power of the human emotion with which his voice drips is devastating when it combines most effectively with the music, and although at times it can simply be too much, the high-points of the album should justify suffering its excesses.