Thursday 30th April 2026
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Council rejects Regent Park’s plan to convert Oxfam into MCR

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Oxford City Council has rejected an application by Regent’s Park College to convert the Oxfam Bookshop on St Giles’ Street into its Middle Common Room (MCR), citing local regulations limiting city centre ground-floor units to specific uses such as retail, culture, tourism, and entertainment.

Regent’s Park told Cherwell that the College is “reviewing our options in light of the council’s decision”, and that the proposed change of use of the building was intended “to provide a larger, fit-for-purpose MCR and dedicated postgraduate study space to meet the needs of its expanded postgraduate body”.

The College told Cherwell that the site currently occupied by the Oxfam Bookshop “represents the best opportunity to provide an accessible, above-ground MCR within our existing on-site buildings”. The site at 56 St Giles is part of the College’s estate and is currently divided between the bookshop, which has been running since 1987, and student accommodation.

The change-of-use proposal claimed that the building was not in the city centre as officially defined and that college activities on the site would not “lead to detrimental effects” such as artificial lighting, construction, or “impact upon the significance of the heritage asset”. In their rejection of the application, the City Council did not dispute that it was unlikely that “any harm would arise from the change of use itself”, but noted that the site was, in fact, part of the city centre area by the standards of the Oxford Local Plan 2036. 

Local regulations set out acceptable uses of buildings in central Oxford, particularly in reference to sustainable development, designated heritage assets, and “ensuring the vitality of centres”. The Council documents also summarised objections to the proposal from members of the public, who noted an “effect on character of area” and “loss of community asset”, alongside fears of “noise and disturbance” and difficulties with accessible access. 

The current Regent’s Park College MCR was established in 2005, when the College had a graduate community of only 30 members, and is located underground in a former storage basement with no windows, as noted in their planning application. The College cited the fivefold expansion of the graduate student body over the past two decades and the inaccessibility of the site as reasons why the current MCR was “wholly unsuitable”. Regent’s Park’s planning application also referenced how “the University has drawn attention to the importance of suitable, inclusive facilities for postgraduate students, and the College must respond”.


The rejection of planning permission comes after Jesus College successfully converted the former Burger King on Cornmarket Street into student accommodation in 2025. Other colleges also have plans for new developments in the near future, including Magdalen College, which will be demolishing a 1960s building to construct more student housing.

Does ‘Euphoria’ no longer speak to our generation?

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Should I have been watching Euphoria’s first season as an innocent, bright-eyed 14-year-old? Probably not. At the time, I thought that the chaotic lives of the characters were what I could hesitantly expect as I got older. Little did I know that I was actually destined to be a neek aiming at Oxford, but the point still stands. While I couldn’t relate to Rue’s drug-fuelled crash-outs, or Cassie and Maddy’s fights over Nate, the angst and vulnerability of the ensemble cast spoke to me, and certainly to millions of other teenagers around the world. Coupled with a Petra Collins-esque aesthetic and the familiarity of Zendaya from her Disney days, Euphoria was bound to resonate with Gen Z. So, why was the recent premiere of the third season so underwhelming?

Set several years after the second season, season three of Euphoria sees the cast of troubled teenagers in their early adulthoods, pursuing careers and supposedly dealing with the same insecurities and relationship problems they faced in high school. We are transported from a gritty yet glittery haze to a desert straight out of Breaking Bad, with a complete overhaul of the show’s aesthetics and creative direction. Town festivals and house parties are swapped for meth labs and strip clubs, but many of the characters are invested with the same immaturity as before, while their audience has grown up in the meantime.

While ‘Euphoria Sundays’ are as popular as ever on X, the behind-the-scenes chaos plaguing the show is just as notorious. Just last week, season one and two composer Labrinth announced that his music would not appear in the third season, after being treated “like shit” by associates of the show. Although it is unclear exactly what happened between Labrinth, HBO, and writer Sam Levinson, the absence of Labrinth’s unique score has changed the feel of the show entirely. To add fuel to the fire, Labrinth also released music on the last ‘Euphoria Sunday’, leading fans to speculate that this was originally meant for the show. What was once a common thread between years-apart seasons is now an awkward Hans Zimmer-filled placeholder, lacking a clear vision. When the third season hinges entirely on the premise of a time-jump, aesthetic and thematic continuity is needed more than ever, but highly publicised fallouts like these only weaken the show’s identity.

Additionally, while it is yet to be seen whether major players from past seasons will return, several fan favourites are confirmed to have left the show for good. Actors Angus Cloud (Fezco O’Neill) and Eric Dane (Cal Jacobs) sadly passed away in 2023 and 2026, respectively, with Dane’s final scenes as Cal airing posthumously in the upcoming season. Other cast members are also said to be missing from the third season, including Algee Smith (Chris McKay), Barbie Ferreira (Kat Hernandez), and Storm Reid (Gia Bennett). Most shocking, however, may be that lead actor Hunter Schafer (Jules Vaughn) did not appear at all in the season premiere. An overhaul of characters does not bode well for the series, especially given the countless allegations of a toxic working environment, including from Oscar-nominated actor Colman Domingo.

These issues point to a wider problem with the show’s production, which has resulted in the loss of Gen Z’s attention: simply, too much time has passed. While Skins, a comparable British TV show, grew annually with its audience, Euphoria has taken six years to develop just three seasons, which can be a risky outcome for a coming-of-age drama. The four-year gap between the second and third seasons can be felt in the performances on screen; Jacob Elordi, in particular, does not seem to have his heart in it anymore. Why would he? After Oscar and BAFTA nominations, and partnerships with Hugo Boss and TAG Heuer, Euphoria may now be little more than a contractual obligation, instead of a significant step up from The Kissing Booth. Watching Elordi and Sweeney engage in pet play (yes, really) in the new season’s first episode is excruciating, devoid of any sexual chemistry or enjoyment. Thankfully, Zendaya’s excellent performance as chaotic, masc lesbian Rue is the saving grace of the show, proving the bittersweet point that her carefully-crafted character has been let down by the show’s writing.

If the aesthetic, cast, and music of the first two seasons were irrevocably stripped away to reveal a bland artistic landscape, the writing suffered an even worse fate. Admittedly, Euphoria was never a feminist masterpiece, and much can be said about the reliance of the early seasons on Sydney Sweeney’s naked body. But, fundamentally, they had something to say about the exploitation of women and the sexual politics of teenagers. Whether it was Rue’s drug addiction, Cassie’s abortion, or Maddy’s experience of domestic violence, Euphoria was never afraid to deal with hard-hitting issues and explore the emotional effects of adversity.

Fast forward to season three, and the picture is very different. Sexual scenes are ramped up and appear to be fetish content more than anything else. Rue’s reintroduction to the series sees her working as a drug mule, smuggling fentanyl from Mexico to the United States – naturally, this requires that we watch her swallow large balls of drugs, while sticking her fingers in her mouth, gagging, and salivating intensely. Likewise, Cassie attempts to fund her wedding by becoming an OnlyFans model, which obviously means that the audience must see her creating fetish porn. There is no critical lens held up to their actions, as there perhaps would have been in the past. No exploration of how it may feel for Rue to be exploited in this way, no exploration of Cassie’s relationship with her body. Rather, we are met with scenes designed to shock, disgust, but also arouse, perhaps a manifestation of the writer’s fantasies – the same writer who directed The Idol in 2023, which was critically panned for its sleazy approach to “shocking” sexual themes.


The demand for a third season of Euphoria was high, given that season two had ended on a cliffhanger, and the plot had captured the hearts of Gen Z. Yet, the time taken for this season to materialise failed to account for the audience’s dwindling desire, and the principal actors’ introductions to high-brow, award-winning cinema. A lack of interest from the audience seems to have been matched by a lack of interest from the actors themselves, including the few who chose to stay on at all. The show refuses to grow with its audience, instead pandering to the lowest common denominator of horny men turned on by Sydney Sweeney. If season three continues in this way, what could have been a powerful yet hilarious representation of youthful angst and drama will have literally lost the plot.

Magdalen College Choir to admit girls for first time in 500-year history

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Magdalen College has announced that girls will be admitted as choristers for the first time in the Choir’s history, marking a momentous change for one of the University of Oxford’s longest-standing choral traditions.

The Choir, established under the College statutes of 1480, has until now included only boy choristers, drawn from Magdalen College School, who sing the treble line alongside adult clerks. Informator Choristarum Mark Williams told Cherwell that the introduction of girls as choristers represents “a very significant change… quite a turning point in our long history”. Some adult female clerks have been admitted in recent years.

The decision follows Magdalen College School’s planned transition to co-education from 2027. From that point, choristerships will be open to both boys and girls aged 8 to 13. The first girls are expected to join the Choir in September next year, with a fully mixed treble line anticipated by 2031.

This change will also be reflected in the College’s May Morning tradition, when the Choir sings from the top of Magdalen Tower on the 1st May to welcome the coming of spring. Williams told Cherwell: “The first girls will sing as trebles from the top of the tower on May Morning 2028, and the first fully-mixed cohort of trebles will sing the May Morning ceremony in 2032.”

Williams described the choristership as “a demanding experience, but also a hugely formative one”, involving daily rehearsals and services alongside academic study. He told Cherwell that the College has “a duty to create an environment in which boys and girls can grow and flourish alongside each other”.

The College has also indicated that it consulted with other institutions that have introduced mixed treble lines. Williams said these conversations suggested that such changes have “brought benefits to the boys, and to the whole group”, as well as enabling girls to access opportunities previously limited to them.

The move aligns with broader developments in the UK choral sector. Over the past three decades, many cathedral and college choirs have introduced provision for girl choristers, and there are now more girls than boys singing as choristers nationally. Within Oxford, ensembles such as the girl choristers of Merton College and Frideswide Voices at Christ Church have become established parts of the city’s choral landscape.

Magdalen College has also pointed to earlier steps towards greater inclusion within its musical life. Its first female organ scholar, Anna Lapwood, came to the College in 2013 and has since gone on to a highly successful career. 

Magdalen has also announced measures aimed at widening access. Choristers are educated at Magdalen College School, with the College currently covering two-thirds of fees. Under new arrangements, additional bursaries will be available, with the possibility of full financial support. Williams told Cherwell this means choristerships could be open “to any child, regardless of sex or the financial means of their family”.

The College stated that the changes are intended to expand access while maintaining the Choir’s existing commitments to daily chapel services and musical standards. To support the transition, the College will expand the number of chorister places to 18.

‘The only woman in Hall’: Gender and college governance

When Baroness Alexandra Freeman became Principal of Hertford College last month, she did not initially realise she was the first woman to hold the role. It was a detail that, she says, came as a surprise, given that Hertford had begun admitting women in 1974, amongst the earliest of the formerly all-male colleges to do so. The significance of this fact has emerged gradually since. At one of her first gaudy dinners, she hosted some of the college’s first female students, including its first female JCR President. “I was really surprised how much it meant to them to have a female Principal”, she reflects. “More than one said that they had wondered whether it would happen in their lifetime.”

That sense of something both long overdue and yet only newly realised runs through Oxford’s recent shift in college leadership. Women now make up 47% of Heads of House, a figure that would have been difficult to imagine even a generation ago, and the University itself is led by a female Vice-Chancellor. At a glance, the change appears to be substantial. But it isn’t evenly distributed. 13 colleges have never had a female Head. Nine current Heads are the first women to hold their roles. And among the Permanent Private Halls, there has yet to be a single female Head. The result is a pattern that feels less like a clean transition into the modern day but rather a series of staggered steps, shaped by the histories of the individual institutions. 

Timelines and trends 

The emergence of women in senior college leadership is, in many ways, a recent phenomenon, best understood by considering the long individual institutional histories of each college. Women’s colleges have, unsurprisingly, a long history of women in senior leadership roles from their founding, with male heads historically the exception rather than the norm. St Anne’s and St Hilda’s, for example, have both only ever had one male Principal. Lady Margaret Hall’s first male Principal, Duncan Stewart, took the position the same year that the college became co-educational.

In most other colleges, however, many of the first female Heads were only appointed towards the end of the 2010s, with 13 colleges appointing their first female Heads since 2015, as though the University as a whole is, belatedly, catching up with itself. While most male colleges started to admit women in the 1970s, changes in gender inclusivity have been gradual, often just layered onto existing structures. Colleges admitted women as students, gradually appointed women as fellows, and at last saw these changes reflected at the level of leadership. The delay between these stages can’t be ignored and highlights just how much historical influences and entrenched norms still shape colleges today. This can also help explain why colleges like Hertford, early adopters of co-education, have nonetheless only recently appointed their first female Heads. 

But this acceleration hasn’t produced uniformity. Some colleges, such as Mansfield, have moved quickly, appointing multiple female Heads in succession. Others have yet to appoint one at all. Despite being amongst the first male colleges to go co-ed, Wadham has never been led by a woman. Brasenose and Jesus have only just appointed women as their Heads of House, both of whom will take up their roles later this year.

The persistence of the ‘first woman’ phenomenon is revealing. These appointments are often framed as milestones; celebrated by colleges as markers of progress that signal a break with the past. But they also point to how long that break has taken, and how dependent it remains on the particular trajectories of individual colleges.

Yet these appointments also reflect larger trends within the university culture. The fact that the initial appointment of women to these roles is clustered, for instance, suggests that many colleges may be attempting to keep pace with one another. The growth in leadership inclusivity during the late 2010s also means that many of the first female Heads of House faced the additional challenge of responding to the COVID-19 pandemic, which Dinah Rose, President of Magdalen College, described as “tough for everyone” regardless of gender.

These changes also illustrate broader societal trends in women’s professional leadership in academia and beyond. These changes have also resulted in the way in which women hold themselves in positions of power. Rose noticed these shifts firsthand: “In earlier years, [women] often adopted a rather stiff and formal persona, perhaps compensating for some anxiety about whether they’d be accepted in their role. It is a joy to me now to be friends with a number of senior women who are funny, irreverent and relaxed, as well as being brilliant and accomplished. It seems to me that they own the space of leadership in a way that was more difficult for an earlier generation.”

The appointment 

These patterns are shaped, in part, by how Heads of House are selected. Most rely on internal elections among fellows, others on appointment processes involving the University Council, and in certain cases – most notably at Christ Church – the position is decided by an external authority. The Dean of Christ Church is appointed by the Crown on the advice of the Prime Minister. 

In theory, the internal election approach is a more democratic form of governance, but in practice, it can often reproduce the existing imbalances which have become deeply embedded within higher education. Fellows – often the group responsible for electing Heads – remain disproportionately male in many colleges. At Balliol, for example, whose first female Master, Dame Helen Ghosh, took up the post in April 2018 and remains in the role today, less than a quarter of fellows are women. Similarly, at Jesus College, whose first female principal will assume the role this August, less than a third of the Governing Body are women. Where leadership is determined internally, it is perhaps unsurprising that outcomes tend to reflect these underlying demographics.

This is not necessarily the result of explicit bias. Instead, it is perhaps better understood as a form of pipeline inequality, where imbalances in representation at junior levels accumulate, resulting in a lack of diversity in senior leadership. Academic career progression, fellowship appointments, and informal networks all play a role in shaping this pipeline. In many cases, these dynamics are subtle: the product of long-standing imbalances, uneven progression rates, and the weight often placed on particular forms of academic experience or institutional familiarity.

The result is a landscape in which progress depends less on overarching institutional reform than on the internal dynamics of individual colleges. Even where colleges attempted to widen the field, appointments remain shaped by internal culture as much as formal criteria. As Helen King, Principal of St Anne’s, notes, each college brings its own “personality and values and history” to the process, with governing bodies weighing candidates differently depending on what they see as most important at a given moment. Whilst search processes – often outsourced to headhunting agencies – may begin with a broad pool, decisions are ultimately made within comparatively small groups, drawing on shared understandings – both explicit and implicit – of what leadership should look like.

King is cautious about drawing firm conclusions from this, emphasising the complexity of the system itself. Fellows, she says, approach these decisions with a strong sense of responsibility, weighing a range of factors. “Different fellows put different weights on different things”, she explains – whether that is academic record, leadership experience, or the ability to represent the college’s identity. But that breadth of consideration also means that no single factor – including diversity – is ever likely to be decisive on its own. 

What’s in a name?

Language offers another window into these dynamics. Across Oxford, the titles given to Heads of House vary widely: from Warden to Provost, Master to Principal, and President to Dean. Whilst these distinctions often appear superficial and ceremonial, they reflect deeper histories of authority and institutional identity.

Older colleges tend to retain titles such as ‘Warden’ or ‘Provost’ whilst newer or reformed colleges have tended to adopt terms like ‘Principal’ or ‘President’. The variety of Oxford college titles is particularly notable, as 20 of the 31 colleges at Cambridge use the term ‘Master’ to describe the Head of the college. The only college in the Oxbridge system to use a title that is gendered feminine is Girton College at Cambridge, which has used the title ‘Mistress’ since the college was founded in 1869.

Issues of language extend beyond titles themselves. In some college statutes, such as those of Keble College, the Head is still referred to using explicitly male pronouns. Elsewhere, especially amongst former women’s colleges, the reverse pattern is clear with female pronouns regularly used as the default in these governance documents. While subtle, the use of gendered pronouns may change the way students and faculty of colleges understand how accessible leadership pathways may be to them.

At the same time, it is also notable that simply having more gender-inclusive titles does not always correlate to actual gender inclusivity in appointments. For instance, of the eleven colleges that have never appointed female Heads, only one uses the gendered title of ‘Master’. At Cambridge, where the term ‘Master’ is used much more often, there also does not seem to be a significant practical connection between the gender of the title and the gender of the title holder. This is not to suggest that the title of leadership roles is unimportant, but it does appear that, in practice, the gendering of a title may not limit the gender of the appointee.

Lived experience

These historical contexts can often be highly significant in determining the experience of current-day female Heads – although the wider picture remains more nuanced. Freeman notes that even before taking up her role, she had “already heard stories” of discrimination within the university. Rose, in comparison, suggested that leading a college represents, in some respects, a “refreshing change” from other institutional environments, noting particularly her previous experience as a barrister in which she was “conscious of the need to establish my credibility in court in ways that men don’t have to”.

Professor Lady Sue Black, President of St John’s College, described Oxford as “a good standard for other institutions” as women have many roles in senior leadership within colleges and across the university. However, Oxford lags slightly behind Cambridge, where only 5 out of the 31 colleges have never had a female Head, about 16%. Rose also noted that her position as a female Head of a formerly all-male college puts her in “some striking situations” such as when she “presid[ed] over an all-male gaudy of alumni who matriculated before the College became co-educational in 1979. On at least one occasion, I was the only woman in Hall, apart from members of the choir and the serving staff”.

An ongoing process

Viewed in isolation, the rise in female Heads of House suggests meaningful progress – compared to even just a decade ago, the landscape has changed significantly. Fundamentally, women are no longer the exceptions with college leadership in the way that they once were. And yet, the persistence of the ‘first woman’ phenomenon points to a process that’s still largely incomplete, with around a quarter of colleges having never appointed a woman as Head. Oxford also has yet to appoint a female Chancellor – a reminder that some of its most visible positions of authority remain shaped by tradition.

This unevenness is also visible beyond gender. Whilst the number of women in leadership has increased, progress across other forms of representation, such as ethnicity and religion, remains limited. Baroness Valerie Amos became the first-ever Black head of an Oxford college upon her appointment as Master of University College in September 2020. She remains the only Black Head of House to have ever led an Oxford college.

At the same time, the positive changes in the inclusion of female Heads speak to what Professor Dame Julia Black, Warden at Nuffield College, describes as a “transformed” landscape for women in leadership roles. Speaking about the entirety of her professional career in academia, Black also emphasised that the shifts in inclusion are also highly intentional: “This change hasn’t happened by accident, however, but is the result of a concerted effort by an extraordinary number of people in multiple sectors over a long period of time. So it’s essential to keep supporting women to be successful leaders.”

There really is no smoke without fire

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Preoccupation with one’s appearance is to be expected when starting at University. New wardrobes and even newer anxieties combine as the daunting concept of Fresher’s Week approaches. Coming from a working-class background, these feelings are inevitably amplified when starting at an institution like Oxford. One only wishes to fit in – a daunting challenge in a University drenched in tradition, history, known for its generational wealth and privilege.

We look to what we can control: our appearances, subtle behaviours. We want to put forward our best selves, but also feel confident with the people around us. But there are certainly some behaviours that you would never expect to carry social meaning. Nicotine, for me at least, was certainly not one of them.

Growing up in a deprived seaside town, my classic night out before university might include some drinks in our sticky local Wetherspoons before shuffling across the road to an equally grubby nightclub. Not before a quick pit stop at the brightly lit ‘Vape Selection’, where a cash-only lemon and lime Crystal Bar awaited us. This route was well-trodden, as many an LED light and fruit-flavoured puff marked the darkened club. Rarely, if we were fortunate enough to afford a pack (or more realistically, leech from someone else), the rogue Malboro would make an appearance. 

There was something exclusive about the cigarette, how when someone lit one up, the herds would come running. I found myself enjoying being that person with the packet, as I would exchange bizarre details about my life with strangers in the club’s smoking area. ‘Smoking socially’, in all senses of the term, gave me a buzz. As an extrovert, I was happy to be a part of the 11.6% of 18-24 year olds who enjoyed a late night fag and a deep chat. 

While I had always viewed smoking as a luxury, largely down to its price, I had never viewed anyone any differently for puffing on a Superking or an Elf Bar. There was no hierarchy, nor was it a marker of identity. But university changed that. 

The vape, in Oxford, is practically extinct. Or rather, it is hidden. I noticed how friends who did enjoy a Lost Mary would do so discreetly: a quick inhale before it disappeared hurriedly into a pocket. But the cigarette, on the other hand, was a different story. 

People seemed proud to smoke. They would gather in groups, almost parading their cigarettes, as they dramatically lit one up for a friend. Whether in a pub garden, outside a bar, or simply walking down the street, I would see the same calculated raising of the filter to the mouth, a deep, slow puff, before the cathartic, eye-roll that came with the exhale. It was almost choreographed in its performance. It was alluring, with something frankly sexual about it. 

The return of early 2000s beauty and fashion is nothing new. Clothes are branded with Y2K labels in shop windows, while unhealthily skinny bodies walk down red carpets. ‘Heroine chic’ is back, as dark circles, hollow cheekbones, and malnutrition are flaunted as a physical ideal – particularly for women. Health is not in. Instead, we see something darker and grittier in these trends… certainly exacerbated by frequent paparazzi shots of Paul Mescal, Sabrina Carpenter, and Charli XCX taking a drag. 

However, what struck me was not the universality of this ‘trend’. People have always mimicked celebrities: that is old news. But it was this distinction between the chic, glorified, and even fetishised cigarette, versus the villainisation and trivialisation of the disposable vape that I could not comprehend. Until university showed me its roots in classism. 

The average vape’s bright colouring, cheap price (averaging around £3-5), and sweet flavours make it uncool. A lesser commodity compared to cigarettes, which comparatively average at around £13-20 per pack. I joked with friends about how people were able to afford this lifestyle on a student budget, as I rationed my pack of 20 to last as long as possible. But not only this, I found it hilarious the way in which people paraded around with their cigarettes in Oxford. They were treated like some kind of armour, a status symbol, while I watched my friend shamefully rush their lemon and lime back into their pocket. 

Despite Gen Z’s hyperexposure to the damages that cigarettes can cause via campaigns throughout the 2010s, it was clear that this performance was a symptom of something different. A broader aesthetic desire to appear scruffy, frazzled, and messy, in a way that mimics the working class but conveniently excludes the implications of that. It was poverty porn at its finest – the performance of class as style.  

I grew up with a single mum ashamed of her smoking, a feeling which certainly influenced me as I was told to “stay away” from cigarettes, that I would be broke from my first puff. Cigarettes were never glamorous – they were a burden, both financial and physical. I would never have imagined that, in a different context, they could become something to display with pride.

And yet, here they are – no longer hidden behind cupped hands or apologetic glances, but held aloft, aestheticised, transformed into something aspirational.

What feels most jarring is not the smoking itself, but the selective romanticisation of it. The same act that signified struggle in one context becomes style in another. The difference is not the cigarette, but who is holding it.

In the end, the smoke may dissipate, but its signal is all too clear.

Where is the best vegetarian lunch in Oxford? 

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For those of us still hung up about the loss of Leon, the answer to the question of where to find a quick, high-quality vegetarian lunch may not be an obvious one. This week, I set out to find out. 

I chose to rank independent (ish) cafés in the centre of Oxford, because I’m lazy enough not to want to walk far from college, but enthusiastic enough to want to support local businesses over chains. My rubric was uncodified and unclear, but what I was after, approximately, was a cheap, tasty, and filling vegetarian lunch. Honourable mentions (options no worse than the following list, but too obvious to be worth including): a Taylor’s baguette, a last-minute punt for Itsu maki, and a classic Greggs vegan sausage roll. 

5. The Schwarzman Centre 

Stay with me. What it lacks in ambience it makes up for in ease. Plus, there’s the added bonus of being able to eavesdrop on conversations between Google executives (true story) whilst you do the reading for your seminar 20 minutes prior. Its main drawback is that it will cost you about £10 for a full lunch. Not one for everyday. It’s also slightly embarrassing to turn up to your 2pm class and respond, when asked about the stain on your shirt, that it is butterbean purée. 

4. Organic Deli Cafe

Tucked away in the alley between Tesco and Gloucester Green lies a fab little café with plenty of veggie options – no less than five different options for sourdough sandwiches! Once again, the drawback here is the price (although I sympathise with the challenge of being a small business owner in the current economic climate), as one such sandwich costs nine Great British pounds. I will say, though, that the Organic Deli’s (£4) chocolate cookie was one of the best things I have ever eaten in my life. A cookie can be a lunch; it’s a subjective concept. 

3. The Alpha Bar 

One of my all-time Oxford favourites is the Alpha Bar, located inside the Covered Market. I’ve tried and enjoyed both the build-your-own bowls and the hot meal options, many of which are vegetarian, hearty, and delicious. If tofu is your protein of choice, then the Alpha Bar is the place for you. I will also note, though, for accompanying carnivores, that on this particular day the Alpha Bar was also serving coq-au-vin and beef rendang curry. But once again, it’s just not the kind of thing you can afford to rely on regularly (affordability is coming, stay tuned), since a small bowl costs £8.

2. Gloucester Green 

“This was the no-brainer. This was the banker, this was the one that couldn’t fail, this was the one that’s never failed” – Gary Neville, I would imagine, if he ever visited Gloucester Green. If you want my specific recommendations, the £7 vegan momo from Momo King are insanely good. £7 appears to be the going rate, and for that price, you could also get the vegan plate from Ceylon Spicy, or the gnocchi from Polentista Italian, if spice isn’t your thing. Since my last visit, it seems a stand devoted to tiramisu has also appeared, which is also a vegetarian option. As I say, lunch is a subjective concept. But I am forced to discount points on account of the difficulty of finding seating during busy months, and the unpleasantness of eating outdoors during the cold, quieter months. And if, like my sister, you possess a mortal fear of birds, this is one to avoid altogether. 

1. Salsas del Sol 

We’ve made it. The GOAT. £6 to fill a small bowl, which I can personally attest fits enough for a filling lunch (especially if you detour to the Organic Deli for a cookie, then you’re really cooking). Pictured above is my most recent effort, which also serves as proof of their leniency regarding overfilling. The serving station is refilled with fresh options for your bowls or pitas, which include halloumi, aubergine, mushrooms, and chickpeas, as well as a whole host of different grains and salad bases. You can help yourself to sauces, and there’s no surcharge for hummus. If you are a vegetarian who hasn’t been to Salsas del Sol yet, trust me, I have found your new favourite lunch.

Exclusive: Oxford Union announces Trinity term card

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Cherwell can exclusively reveal that former Home Secretary Sir James Cleverley, President of Goldman Sachs John E. Waldron, and rapper Tinie Tempah are all set to speak at the Oxford Union this term. 

The debating society will see political figures such as Prime Minister Kamil Idris of Sudan, who, late last year, proposed an initiative to end the Sudanese civil war to the United Nations. Other speakers include the UN Special Rapporteur on the Occupied Palestinian Territories, Francesca Albanese, journalist Mehdi Hasan, and the US Senator for Vermont, Bernie Sanders, who is set to appear virtually. 

In addition to this, the Union will host dance coach and TV personality Abby Lee Miller, who gained notoriety on the American reality television show Dance Moms, as well as the former Welsh footballer Ian Rush.

The Trinity term card will include a debate on “whether today’s youth activism is driving meaningful political change or increasingly slipping into performative visibility”. This will see speakers such as Oxford content creator Oliver’s Oxford, Director of the Good Law Project, Jolyon Maugham, and British politician Fiona Lali. 

A debate on “whether Israel has ever sincerely pursued peace with Palestine, or whether the peace process has been more symbolic than real” will feature University of Exeter Professor Ilan Pappé, General Secretary of the Palestinian National Initiative, Mustafa Barghouti, and former Israeli politician, Einat Wilf.

There will also be a visit from the controversial Reform Party candidate in the highly-publicised Denton and Gorton byelection earlier this year, Matt Goodwin, who will speak in a debate “on whether Reform is a credible governing force capable of delivering change, or a protest movement better suited to opposition”. He will be joined by speakers including the former leader of the Scottish National Party in Parliament, Ian Blackford, and Liberal Democrat politician Josh Babarinde. 

The Union’s term card will also include social events, such as an Al-Andalus-inspired ball taking place on 29th May, and a Union House Party promising cheap drinks and beer pong on 9th May. 

In addition, on the 23rd-24th May, the debating society will host The Prince, a play written by Oxford graduate Kofo Braithwaite that follows a fresher’s involvement with the Oxford Union. 

Regarding the forthcoming term, Union President Arwa Elrayess told Cherwell: “I’m so proud to present the Oxford Union’s Trinity 2026 Term Card… I hope this term is defined by substance, strong governance, and real momentum.”

On being an introvert

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As a university characterised by exemplary achievements, Oxford tends to cultivate an environment where you feel you must perform at your best in every aspect of life – and your social life is no exception. This pressure is more apparent than ever to the introvert. College activities like attending BOPs, or even meals in hall, can start to feel like checking off a box, one that proves you are meeting the minimum social criteria expected of an adequate student. Hearing other people in your accommodation getting ready for Indie Fridays while you’re watching Friday Night Dinner alone is enough to make anyone feel like they are somehow failing. And yet, despite this ever-present pressure to socialise, some of us find ourselves deliberately choosing the latter option most evenings. 

Moving from home to a new city, meeting new people, and adjusting to new routines can be a jarring transition for any student, but above all the introvert. After hearing one of my (more extroverted) friends thrive during her university’s freshers’ week, I hoped that my experience would be just as positive. But, as someone who prefers spending most of my time alone, spending day after day talking to multiple strangers, the challenge of not  instantly forgetting their names proved to be taxing. Although meeting as many people as possible is a perfectly reasonable way to settle in at university, I quickly tired of the repeated “what is your name?” and “what do you study?” cycle. In fact, I found myself oddly frustrated at this sensible series of initial questions. I could not understand how so many people seemed to be having the time of their lives with people they barely knew; this is where the introversion-extroversion distinction became so clearly apparent to me. 

Most people acknowledge these terms in an overly simplified way, with the prevalent stereotypes being that extroverts are the ‘life of the party’ while introverts remain the ‘wallflowers’ (that is, if they attend the party at all). The reality is more complex than this: introverts don’t necessarily avoid social interaction but rather prefer the company of a smaller group in an environment that is not so overstimulating, resulting in a general reluctance to go into any potentially overwhelming situations. It stands to say that a bustling place like Oxford tends to favour the extrovert. I distinctly remember having a conversation where I was complaining to a friend about the concept of networking, to which she responded networking is “just talking to people”, not realising that is, in fact, the part I find offputting. 

It’s not the talking that introverts hate, though. Rather, it’s the constantly being surrounded by people, the expectation that you join various societies and go on regular nights-out, while also getting to know everyone in your college. Suddenly, you go from being in the comfort of family members and friends to living in a building with close to 100 other students, all of whom you have never met. With everyone forming friendships so quickly, it can be hard not to feel that you are falling behind, and no one wants to be seen as boring. Despite the reputation of Oxford being a rigorously academic place, saying to people that I was looking forward to visiting the libraries more than meeting new people brought judgemental looks from some of my peers. This, in addition to the romanticisation of university as the ‘best years of your life’, when it is not an environment that is catered towards you, can leave an introvert feeling out of place. 

Although university is widely expected to be the pinnacle of your social life, it is often described as a lonely time for a lot of students. An article recently published by The Guardian reported that two thirds of university students experience loneliness at university, with many attributing this to the set-up of their accommodation not encouraging social interactions. Perhaps this is unsurprising. With greater independence also comes the greater responsibility to seek out friendships in a more intentional manner, rather than relying on school settings to facilitate this. Yet Oxford’s collegiate structure and regular events seem to compensate for this transition – many people find their friendships from being part of the same college, a characteristic that most other universities lack. And despite being an introvert and feeling largely content alone, all humans require some social interaction. Oxford does feel like it promotes some performative sociability. Being part of a college community means you are constantly confronted with people who seem to have more friends, are part of more societies and go to more events than you, furthering the feeling that you should be doing more – a feeling that I expect is not unfamiliar for most Oxford students. However, the college communal set-up does have its benefits, as it does encourage connection and serves as a helpful reminder to introverts that there is value to having friends to share the highs and lows with. 

Even with that in mind, it can feel natural to be envious of extroverts in such a setting. There feels like an invisible boundary between the people who thrive in Oxford’s social climate and those who find it overwhelming. Outside of university, the separation is rarely this distinct. Instead, we have to adapt to the situation we are presented with, which is why I, one of the most introverted people I know, am often assumed to be an extrovert by my peers. Yet Oxford is not exactly optimal for extroverts either: long hours studying alone in a library, with nothing but the sound of occasional coughing, are likely to be much more difficult for those who prefer to be surrounded by the chatter of their peers. And during life after Oxford, there will be situations in which being an introvert is beneficial. It is likely that the transition to living alone and being more independent after university will be much easier for the introvert than the extrovert. In my experience, there is some comfort in knowing that no matter where you go – to another university or another country (or both as I am intending to do) – you will be able to shape your experience as you please, without relying on the presence of others as an extrovert might do.

So, to any introverts, do not fret about Oxford being the best years of your life. Whilst it is important to embrace the ‘university experience’, you will have many years ahead of you to soak in your own company without the constant pressure to present a thriving social life. My advice would be this: do try to  go on the occasional pub trip or night out (it’ll do you good, I promise), but also remember that an evening alone reading, crocheting, or simply rotting in bed, can be an evening well spent.

Oxford University Press and University of Pennsylvania Press announce open access agreement

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Oxford University Press (OUP) and University of Pennsylvania Press (Penn Press) have struck a two-year agreement granting University of Pennsylvania (UPenn) students open access to hundreds of OUP journals.

OUP is the largest university press in the world, publishing over 500 journals across a range of academic fields. The agreement also allows UPenn-affiliated authors to publish with open access in OUP’s hybrid and fully open journals without paying article processing charges.

According to the Royal Society, open access to published academic journals increases readership, citations, and accessibility to non-academics. OUP has described open access as a key part of their “mission to achieve the widest possible dissemination of high-quality research”, noting that open access articles have the greatest number of policy and patent document mentions, relative to volume of output, in comparison to other major academic publishers.

The University of Oxford also engages in similar “publisher deals” with presses around the world, enabling open access to articles in otherwise subscription-only journals for Oxford-affiliated researchers and students. Under these agreements with individual presses (e.g., SAGE, Taylor & Francis, and Cambridge University Press), Oxford departments pay publishing costs on behalf of their researchers.
OUP’s and the University’s partnerships with other academic presses and universities have also facilitated the growth of Oxford Academic, which brings together over 50,000 books and 500 journals on a single platform. The platform has expressed an intent to adapt to the changing landscape of academia, such as the introduction of an AI Discovery Assistant and the newly added capacity to gift limited-time access to journal articles.

The uncapped agreement places no limit on articles published open access, with Penn Libraries noting such deals have already enabled around 60% of its research output to be freely accessible.

Proctors criticise University policy on buildings, AI, and staff payment

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The University of Oxford’s Proctorial Team has criticised the physical decay of buildings, staff pay, and university policy on the use of artificial intelligence in their traditional end-of-term Oration shared in the Oxford University Gazette.

The Oration is given annually by Proctoral team, composed of the Junior Proctor, Senior Proctor and Assessor, as they end their year-long term. The address evaluates the issues affecting the University and the decisions made by its governing bodies. The Senior Proctor pointed to a pattern of “slow decay, masked by the wearisome efforts of those affected to find mitigations and accommodations.” He noted that “when we are finally forced to act, when the mask cannot be maintained, the remedies are costly, and the harms to the University serious, and unavoidable.”

The Oration painted a worrying picture of the University’s buildings, claiming that many have now reached a state of “planned obsolescence”. Discussing the Thom Building on Parks Road, where the Department of Engineering Science is located, the Senior Proctor said: “For many years, the decay within the building has been metaphorically masked, as damp academics did their best to keep things functioning.” Discussing the University’s “digital estate”, the Assessor critiqued Oxford’s “flagship” Digital Transformation Programme, which “has been unable to deliver new software tools as fast as new demand rises”.

They warned that without further “funding for investment”, the University’s estate could restrict Oxford’s ability to remain at the top of global University rankings.  The concern reflected a similar issue identified by the 2023 Proctorial Team, who argued: “We as an institution failed to ‘see’ what was blatantly obvious – that these buildings are simply not fit for purpose.” Oxford Estates Services did not respond to Cherwell’s request for comment.

The Proctoral team also identified concerns about faculty wages and competition. The Associate Professor position was noted as “especially challenging” in terms of pay, workload, and career structure, making the role “a predicament and not a position”. The Senior Proctor warned: “As pay continues to slide, even if we remain competitive nationally, we will cease to be so internationally.”

The team raised further doubts about the University’s attempts to tackle the growing challenge of AI, criticising Oxford’s “startling” decision to roll out access to ChatGPT Edu to all students, the first university in the UK to do so: “Oxford … is left floundering in the wake of rapid technological change, trying to adapt its activities and governance to what many of us see as a fundamental threat to higher education.

“We share the disquiet of many colleagues that the rapid distribution of such licences by the University sent a powerful signal to our students that AI usage was being promoted in problematic ways.” 

The Junior Proctor also criticised the University’s lack of a streamlined administrative response to AI use: “There is too much emphasis on not stifling local initiatives; too little concern to concentrate appropriate coordinated oversight in a single responsible senior committee.” The Proctors claimed to have seen little evidence that the University has got to grips with the threat AI poses to the teaching, assessment, and admissions processes. They describe faculties “scrambling to develop protocols” on AI that “suit their own disciplines”, while simultaneously lacking the money needed to do so. 

The Junior Proctor stated that his experience with the AI governance group (part of the University’s Digital Governance Unit) has “emphatically not reassured me that the University has appropriately got its metaphorical arms around the challenge”. 

The Assessor highlighted the “crucially important” responsibility of the proctoral team “to put discussions into a wider context, connect the dots and steer strategy and policy decisions to better outcomes, not through hard power, but through better arguments and by asking questions, sometimes uncomfortable ones.” In response, a University spokesperson told Cherwell: “As is the case every year, the demitting Proctors’ Oration makes important contributions to many issues which are being actively considered and addressed across the University.”