Friday 24th October 2025
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6 Wildlife Destinations Perfect for Students to Rejuvenate and Recharge

Planning to take a break from your studies and make the most of the limited holiday time at hand? Wildlife holidays offer the right escape for students seeking adventure, fresh air, and a break from lecture halls and library walls. 

From the thundering hooves of rhinos in India’s national parks to the roaring lions of African savannahs, each wildlife location promises a hands-on encounter with nature that feels like a story waiting to be lived.

To make it even better, you can add in budget-friendly safaris, student accommodation, guided tours, and immersive workshops with local conservationists, and you’ve got a holiday that’s thrilling, educational, and unforgettable. 

Choosing Naturetrek allows you to make the most of wildlife holidays, whether you are taking pictures of exotic birds, hiking through lush wetlands, or spotting elusive big cats. With the right wildlife destinations, you can make the most of your wildlife adventures and mix it with excitement, knowledge and adventure. 

Here are 6 wildlife destinations where students can go to rejuvenate and recharge across the globe.

Cairngorms National Park, Scotland

If you are in the UK, Scotland’s Cairngorms National Park is perfect for students looking to escape lecture halls and stretch their legs in wild, untamed landscapes. From misty valleys where red deer roam to craggy peaks watched over by golden eagles, every trail feels like an adventure waiting to be discovered. 

With endless forests to explore and scenic paths that wind past sparkling lochs, the Cairngorms mix rugged beauty with peaceful moments of reflection. Students can hike to viewpoints that reward them with panoramic vistas, explore quaint villages dotted with cosy cafés and pubs, or try wildlife spotting with a camera in hand. 

Whether you’re climbing mountains, wandering through pine forests, or simply soaking up the crisp Highland air, Cairngorms National Park offers a refreshing break from the city, a chance to reconnect with nature, and memories that last long after term ends.

Kruger National Park, South Africa

There is no doubt that South Africa remains one of the top destinations for wildlife and nature enthusiasts. Kruger National Park is the ultimate playground for those craving adventure and unforgettable wildlife encounters. This is where you can enjoy wildlife without compromising on safety, comfort and convenience. Kruger is one of the popular national parks in South Africa, where you can spot Africa’s Big Five along with other animals and birds. 

The park’s vast landscapes, acacia-dotted plains, winding rivers, and golden sunsets make every moment a memory waiting to be captured. Students can join guided safaris or self-drive routes, spotting the Big Five while learning about conservation efforts from passionate rangers.

Evenings can be spent in affordable campsites or lodges, sharing stories around a campfire under a starlit African sky. Whether photographing exotic birds, tracking wildlife footprints, or simply soaking in the vastness of the savannah, Kruger delivers adventure, awe, and stories students will be talking about long after the trip ends.

Jim Corbett National Park, India

If you are exploring Asia, India is one of the top destinations for nature and wildlife enthusiasts. India has plenty of national parks and tiger reserves, making it a great choice for those interested in big cats. Jim Corbett National Park is famous for its Bengal tigers, leopards, and vibrant birdlife. 

While you are here, you can make the most of jeep safaris that offer a chance to spot creatures and birds. The park’s dense forests, winding rivers, and open grasslands make every trek and safari drive a thrilling experience. Students can join morning safaris to catch animals at their most active, wander through nature trails, or visit watchtowers to scan the horizon for elusive tigers. 

To make it better, there are budget-friendly forest lodges and guesthouses that make it easy to stay close to the action, while nearby villages offer a taste of local culture and cuisine. Whether tracking footprints in the mud or photographing colourful birds, Jim Corbett provides adventure, discovery, and memories students will treasure long after their holiday ends.

Yellowstone National Park, USA

Those who want a combination of education and adventure can opt for the Yellowstone National Park. This is a must-visit for students seeking a mix of wildlife, adventure, and jaw-dropping landscapes. From bison grazing in vast meadows to bears roaming forested valleys, every corner of the park is alive with nature’s spectacle. 

The nature here is equally interesting, as you can enjoy bubbling geysers, steaming hot springs, and cascading waterfalls, and it feels like stepping into a living postcard. If you are looking for adventure, you can head out for hiking trails that allow you to learn more about the park’s unique ecosystems. With plenty of epic things to do in Yellowstone National Park, you can always have a busy itinerary to keep you engaged. 

If you are interested in landscape photography, you can simply pause at a scenic viewpoint to watch the sun cast golden light across the mountains or capture it on your camera. With multiple affordable hostels and campsites, students can stay close to the action, while nearby towns offer cafés and diners to refuel after a day of exploration. 

Okavango Delta, Botswana

Botswana has remained among the top African countries where you can head for wildlife holidays. For various students wanting to explore and learn about nature and wildlife, the Okavango Delta is a dream destination. With meandering waterways, lush wetlands, and hidden lagoons, this is a playground for hippos, crocodiles, elephants, and a dazzling array of birds. 

If you are looking for adventure and excitement, you can take a mokoro ride or boat safari, which feels like stepping into an untouched world where nature sets the pace. There are plenty of things to do in the Okavango Delta that can keep you busy and entertained throughout your holidays. 

Students can glide silently through narrow channels in traditional dugout canoes, watch elephants drink at the riverbanks, or photograph vibrant birdlife as the sun casts a golden glow over the delta. Budget-friendly lodges and camps provide a base for early-morning safaris and late-evening stargazing sessions. 

Corcovado National Park, Costa Rica

If you are looking for stunning wildlife holiday destinations, Costa Rica is one of them. With plenty of national parks and green spaces, you can make the most of the limited time you have. Corcovado National Park is ideal for students looking to dive into one of the most biodiverse rainforests on the planet. 

While you are here, you can witness howler monkeys swinging overhead and scarlet macaws streaking across the canopy, offering you an immersive jungle experience. As you hike through the national park, you come across hidden waterfalls, winding trails, and misty rivers, making exploration both thrilling and serene. 

You can stay in affordable eco-lodges and campsites, let students stay immersed in nature, while group activities encourage learning, photography, and hands-on conservation experiences. This ensures that you can make the most of your wildlife expedition in Corcovado National Park. 

‘A dangerous moment of repression’: How is the US higher education crisis affecting the UK?

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Over the last year, universities have become flashpoints of protest and backlash. Student protest is nothing new, but the heavy-handed government response is notable. In the US, President Donald Trump’s administration has utilised the federal government’s power against higher education institutions, particularly those in the Ivy League. Spending cuts, attempts to deport international students, and allegations of civil rights violations have all been leveraged to influence the way universities work. Much of this has been in reaction to pro-Palestine protests, as well as a broader right-wing suspicion of university ‘indoctrination’.

Far-right figures in the country echo a Trumpian attitude to ‘woke’ universities, and high-profile protests have taken place in the UK. So, is the state of higher education in the US a sign of things to come for the UK, and for Oxford? Will similar tensions translate to similar government action, and similar university response?

Existing tensions

Universities have long been a target of the far right, with familiar claims made on both sides of the pond: that they are places of indoctrination, that they are inhibiting free speech, and that they are being ruined by diversity initiatives. Allegations of anti-semitism on campus, in relation to pro-Palestine protests, have also been raised.  

In a climate of rising anti-intellectualism, British institutions have not been exempt from these accusations. Nigel Farage, the leader of Reform UK, has suggested that anyone who is an EDI officer should “look for another job”. Zia Yusuf, Reform’s head of policy, similarly stressed that universities had become “indoctrination camps”. This echoes Trump’s attack on higher education diversity initiatives, and marks deepening ties between the British far-right and the MAGA movement. 

One of the most prominent voices in this special relationship is James Orr, the associate professor of philosophy of religion at the University of Cambridge, who has been considered the “intellectual mentor” of US Vice President JD Vance. Orr is an outspoken critic of the “dogmas of EDI” that, in his words, “distort decision-making at every level of the modern university”.

The 19-year-old Warwickshire County Council leader George Finch recently accused universities of being “conveyor belt[s] of communism” where students are taught a “coercive curriculum”. Finch, who chose not to pursue any education beyond sixth form, argued that “you’re being told what to think, you’re being told what to say”.

I spoke to Annelise Orleck, a history professor at Dartmouth College, about the current crisis facing universities. She rejected the accusation that she is indoctrinating her students: “We teach our students how to think, [we] give them critical tools to think and ask questions in ways that make the current powers that be uncomfortable.” Orleck, who has taught at Dartmouth for over three decades, reflected that there were problems facing higher education, but they were not the ones being identified by the far right: “It has been said of universities, even before Trump took over, that they are… hedge funds and weapons portfolios with a sideline in education, so they can write all that off in their taxes.”

The crisis

Widespread student protests in both the UK and the US have set these tensions alight. On International Workers’ Day, 1st May 2024, faculty members joined Dartmouth students at a pro-Palestine protest. In the rural New Hampshire town of Hanover, state police were called to break up the demonstration. As Orleck, the former chair of the Jewish Studies department, took out her phone to record the protest, an officer slammed her to the ground. Her arrest, caught on video, went viral

Recalling the night of her arrest, Orleck said that the protesters “had no idea what was beginning”. In Orleck’s words, she was arrested for “trying to fulfil [her] responsibilities as a teacher and protect [her] students”. She considered that the experience “marked the beginning of this assault on peaceful protest and freedom of expression on our campus and on many campuses across the country”. 

Trump’s pledge to “fire the radical-left accreditors that have allowed our colleges to become dominated by Marxist maniacs and lunatics” culminated in a battle between the administration and the United States’ oldest university, Harvard. In April 2025, $2.2 billion in funding was frozen by the government as the President demanded that Harvard be audited to assess the “programs and departments that most fuel antisemitic harassment or reflect ideological capture”. In response, Harvard sued the administration. 

The State Department revoked the visas of around 300 international students (as of April 2025), and attempted to block Harvard from enrolling more. The administration has also used its financial power over universities, cutting diversity-related research grants while offering a preferential funding plan to all universities and colleges that adopt certain policies. They involve requiring ‘single-sex spaces’, capping undergraduate visas at 15% or less, and abolishing units that “punish” or “belittle” conservative ideas.

In the same month as the Dartmouth protests, Oxford Action for Palestine (OA4P) set up encampments at the Natural History Museum and the Radcliffe Camera. The University threatened legal action if they didn’t leave, a move that Cambridge had already pursued. A few weeks after the arrest of 89 students and staff at Dartmouth, 17 student protesters were arrested in a pro-Palestine sit-in at Wellington Square. Thames Valley Police have since dropped the charges, and the University recently stopped disciplinary measures against the students. 

While far-right rhetoric against universities is intensifying, government action has not yet followed, and certainly not to the extent seen in the US. The Labour government has not publicly criticised any universities, nor used its powers to intervene into university matters. No matter what Reform says, the party is not in power. No matter how strongly it states its stances, it cannot match the firepower of the Trump administration because it does not have access to its tactics. Even if it did, they may prove less effective against Oxbridge. Oxford’s colleges are financially autonomous of the University, and the University itself has independent sources of income, like research and donations. But with 36% of undergraduates admitted in 2024 being international, Oxford is similarly vulnerable to a crackdown on visas. This presents an ominous picture for what may happen if Reform do as well as they are projected to at the next election (projected to be the largest party, but 25 short of a majority). Much depends on how universities and other institutions choose to respond to governmental pressure.  

Response

In response to increased government crackdown, US colleges quickly sprang to Harvard’s defence. Over 600 institutions signed an open letter from the American Association of Colleges and Universities (AAC&U) as “one voice against the unprecedented government overreach and political interference now endangering American higher education”. Calling for “constructive engagement”, the letter demanded the protection of their shared ideal of the “essential freedom to determine, on academic grounds, whom to admit and what is taught, how, and by whom”. All Ivy League colleges signed the letter, except Dartmouth. 

Sian Beilock, the President of Dartmouth, defended her decision in an email to students and faculty, claiming that open letters are “rarely effective tools to make change”. Two years prior, she signed an open letter as president-elect to support diversifying the semi-conductor industry. Dartmouth, unlike its peers, has continuously stressed their neutral position, staying away from the political limelight. “We can do better by staying focused on what we are: educational institutions, not political organisations”, wrote Beilock. The exact same rhetoric was employed during her address to the matriculating Class of 2029: “We’re not a political organisation.” 

Beilock’s actions gained praise from conservatives and members of the Trump administration. Despite claims of neutrality, the former chief counsel at the Republican National Committee, Mathew Raymer, has been appointed as Dartmouth’s Senior Vice President and General Counsel. In an op-ed titled ‘Trump Is Right About Birthright Citizenship’ in The Federalist, he argues that children “born to aliens” should not have birthright citizenship. As the new head of the college’s Office for Visa and Immigration Services, this calls into question how apolitical Dartmouth truly is. 

Dartmouth has yet to face direct funding cuts, unlike other elite colleges, such as Columbia and Cornell. For supporters of Beilock, her unprovocative strategy towards the Trump administration has paid off. The college’s international students have by and large avoided becoming the next target of the administration – as long as they don’t protest. 

When I asked Orleck about Beilock’s actions, she said it seemed to be a “strategic decision”, however, she added that “collaborating with fascism, in the end, is never a good idea”. Perceived as having perpetrated a betrayal against Dartmouth’s Ivy League peers, close to 3000 alumni condemned Beilock’s refusal to sign the AAC&U letter in a petition. 

“Appeasement can feel safe and easy – if that means giving in to the demands either of student protesters or of vocal donors”, wrote Beilock in The Atlantic in September 2024. It is difficult to overlook the irony at play. Choosing the “safe and easy” option, Dartmouth appears to have appeased the Trump administration.

But the power of the administration was not unlimited. Judge William G Young considered that the Trump administration had acted unlawfully in its deportations. In a September ruling, the Massachusetts federal judge held that non-citizens hold the same free speech rights as citizens under the US constitution, and that the targeted deportations infringed upon this right. Similarly, Judge Allison Burroughs overturned Harvard’s funding freeze. The administration is appealing both cases, and much will hinge on the pro-Trump Supreme Court’s treatment of the issue. These rulings suggest that the bark of government pressure does not always match its bite. Appeasement may be an unnecessary step in the long run.

Oxford impact 

As the far right’s potential assault on higher education in Britain looms large, we must then ask: how has Oxford acted in the face of an increasingly global threat to higher education? Unlike Dartmouth’s decision to stay under Trump’s radar, cowing to the administration’s demands at the cost of academic integrity and the safety of their students and staff, British institutions must not merely protect their reputations but fight to ensure our institutions foster a diverse and inclusive culture. 

In response to the protest that took place in Oxford, eleven Jewish faculty members wrote an open letter to the Vice Chancellor and the Chief Diversity Officer, urging the University to “drop disciplinary proceedings…against the 13 students who occupied Wellington Square”. The signatories pushed back against the idea that pro-Palestine actions in Oxford were related to antisemitism, saying: “antisemitism is a serious and ongoing threat, but there is no credible evidence that the encampment, in which Jewish students were also actively involved, led to a rise in antisemitism or that it was experienced in a uniform way by Oxford’s highly diverse Jewish community.”

In Dartmouth, Orleck echoed the sentiment in the letter, arguing that “the problem is weaponizing antisemitism as an excuse for cracking down on speech and speech rights and the right to peaceful protest”. Orleck said: “We’re in a dangerous moment of repression and as a Jewish woman…and a Jewish Studies scholar and a Jewish historian, I find it really, really frightening that it’s being done in the name of protecting against antisemitism.” 

The University of Oxford’s Chief Diversity Officer, Tim Soutphommasane, has made it clear that “the UK is not the US”. Recognising this distinction, he says, is “a critical starting point for any approach we have. And we should be very mindful of allowing culture war excesses from the US contaminating the public culture here”. He has warned that British universities “can’t be sucked into a vortex of culture war politics”, arguing that “public institutions in the UK, including universities, have an important role in promoting equality of opportunity and social understanding”. 

Last year, Oxford launched the Equality, Diversity and Inclusion Strategic Plan as the institution “strive[s] to be a leader on equality, diversity and inclusion in society”. Addressing the four areas of culture, diversity, work and leadership, the plan seeks to “strengthen a culture of belonging”, “increase staff and student diversity and representation”, “ensure teaching, research and engagement practices are inclusive” and “support academic and professional leadership”. Clear targets were outlined, including increasing the proportion of BME and female professors. Working alongside the LGBTQ+ group, a racial and religious inclusion ‘task and finish’ group was established. More work is clearly necessary to see improvements within Oxford, but the administration’s dedication to EDI initiatives provide a stark contrast with Dartmouth’s appeasement in the face of government pressure. 

Where next? 

“I’m constitutionally optimistic”, Orleck said wryly when I asked her about the future of higher education. Nonetheless, I am unconvinced that she has faith in her optimism. Her attempt to remain positive does not seem successful: “I want to be a purveyor of radical hope. That said, I and everybody else I know… is very worried.” 

The UK often feels shockwaves from political actions in the US, but the difference between Dartmouth and Oxford’s reaction to increasing anti-diversity rhetoric shows that there is still a place for resistance. The outcome of cases brought by universities provide a chance for optimism, and a reason against immediate appeasement. As universities brace for what may be an existential threat, let us only hope that Oxford can one day become a “purveyor of radical hope”.

Image Credit: Kenneth C. Zirkel, CC BY 4.0 via Wikimedia Commons

“NOR GLOM OF NIT?”: ‘Going Postal’ reviewed

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“NEITHER RAIN NOR SNOW NOR GLOM OF NIT CAN STAY THESE MESENGERS ABOT THEIR DUTY.” It is this (somewhat incomplete) motto of the Post Office setting that captures in a sentence the irreverent humour of this charming version of Going Postal, this year’s Oriel Garden Play.

Going Postal is a novel written by Terry Pratchett in his fantasy Discworld universe, with this performance using a pre-existing adaptation for the stage by Stephen Briggs. It follows the story of conman turned postman extraordinaire Moist von Lipwig (Maggie Kerson), whose criminal alter ego, Albert Spangler, is hanged at the beginning of the play, before miraculously surviving. It is Danann Kilburn’s cold, imposing Lord Vetinari who ensures Moist survives in order to offer him a choice: work for him to rebuild the Post Office, or die. He is taken by his parole officer, the robotic but endearing Golem Mr Pump (Lydia Armstrong), to his new job, and events rapidly escalate from there.

Cast performances were a standout aspect of the play. Maggie Kerson’s portrayal of Moist von Lipwig was replete with self-assured, effortless charm. This did morph into a more emotionally genuine portrayal, following Moist’s character arc of becoming more than just a “totally untrustworthy” individual. Kerson was able to project effectively even in the noisier environment of a garden play, sustaining frenzied mannerisms as Moist’s plans to one-up competitors, such as the Great Trunk Company, become ever more hare-brained and desperate. Kilburn’s humourless Vetinari also casts a looming shadow over the play, the “tyrant” who gets things done whatever the cost. Another highlight was Paul Becsi as Reacher Gilt, a Disney-esque villain with the unctuous affect of a suave American executive, equipped with a gem-encrusted cane and eye-patch to boot. He and the board members of the Great Trunk Company proved entertaining antagonists, comic but still carrying an edge of peril, all empty smiles and hinted threat.

The ensemble maintained an equally high standard of quality. From Samuel Forrest’s loveable, pin and stamp-obsessed Stanley, crotchety old “junior post-master” Groat (Chris Morson), and Lara Machado as the bemused and deadpan Dearheart, Pratchett’s colourful cast of characters were brought to life with aplomb. The sprawling nature of Pratchett’s plot required considerable multi-roling, but the costumes and portrayals were varied enough between characters that distinguishing who was who was relatively easy. 

Perhaps the most electrifying moment of the play came in the climax, with nearly the entire cast arranged in factions onstage. Alone, the costumes were impressive. But together as one, it was a slice of Discworld manifest before you. Clothing of especial note included Lipwig’s gold outfit later in the play, with golden trainers (adorned with little wings) and a similarly coloured winged hat that certified his role as a Hermesian messenger. 

The quality of costume also extended to props. The easel placed downstage left produced some amusing physical comedy, with characters replacing it alternately with a black square, a photograph portrait of Reacher Gilt, and the bastardised motto of the Post Office, among others. Every change brought more frustration, thus becoming an effective recurring gag. The newspapers, too, were printed to be readable from a distance, giving the world a touch more materiality.

I was left more ambivalent by the staging, however. At times, I could not help feeling that the set would have benefited from some of the intimacy of a traditional studio. The actors did much to fill the space, as it were, but the stage’s sparseness became most apparent during transitions. The minimal set design (usually one table and chair planted centrally downstage), while creatively used, contributed to this sense. The greatest potential issue came in the sense that the logistics of the garden play setting were slowing down a show reliant on its flow and continuous action to stop its three-hour span (while always eventful) from dragging. 

Some scenes, though, did benefit from the greater scale offered by the garden play. Director Teddy Farrand noted how the production could “use all of [the quad] for the frontage of the post office – we could have Moist crossing the whole quad rather than just a small studio theatre. I was really excited about that just because I think Discworld’s a bit random, it’s antiquated.” Indeed, one of the funniest moments came when Moist did just that, hurling himself offstage and pelting across Oriel Quad to close off the first half of the show.

What was nonetheless most impressive about the staging was its avoidance of that notorious trap of black-box theatre – a feeling of disconnect from the wider world of the play. Going Postal evades this not only by having its characters interact regularly with the college setting outside the stage, but by also feeling like the stage is simply a fragment of a wider world. What Farrand succeeds in is the sense that Discworld is a living, breathing entity, something that would be just waiting for you if you were simply to peek backstage or in the wings.

This play was generally accessible to those without knowledge of Pratchett’s Discworld series. Admittedly, Farrand acknowledged “being a little bit untraditional”, having “taken a few leniencies” with the original source material both in terms of necessary cuts and in staging the beautiful madness that is Pratchett’s world. Bar some ambiguities over just exactly what the “clacks” of the Great Trunk Company are, for the most part an audience member can follow along with no knowledge of Discworld and have as much fun as the most committed fan – for whom I am told there are still knowing jokes to be caught.

What Going Postal manages to tantalisingly capture as it gets into its stride, much like the character of Lipwig himself, is the underlying magic and bizarre, chaotic wonder that fuels Pratchett’s Discworld. Farrand’s passion for the franchise is always evident throughout the show, and such passion and enthusiasm go a long way in theatrical terms. “The mail must be delivered!”, Lipwig cries at one point – and so too does Going Postal, in the end, deliver.

On Gravel and Quads: Woolf’s Oxbridge in ‘A Room of One’s Own’

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Virginia Woolf’s extended essay A Room of One’s Own is probably the most important 20th century piece of writing concerning women’s place in literature and education. It illustrates the power of the patriarchy in schooling through a simple, but very familiar, allegory of grass and gravel. 

It was thus that I found myself walking with extreme rapidity across a grass plot. Instantly a man’s figure rose to intercept me…His face expressed horror and indignation. Instinct rather than reason came to my help, he was a Beadle; I was a woman. This was the turf; there was the path. Only the Fellows and Scholars are allowed here; the gravel is the place for me.

In Woolf’s imaginary ‘Oxbridge’ (a fictionalised version of Oxford and Cambridge representing all their men’s colleges), turf is not reserved for men explicitly but for Fellows and Scholars, who nonetheless must be male according to the rules of admission. The Beadle is so confident that Woolf is not a Fellow or a Scholar precisely because she appears as a woman. 

‘Turf’, then, represents the status quo, the system of men’s colleges that ensure women are relegated to the gravel. In maintaining the status quo and removing any woman from Oxbridge’s turf, women’s education must necessarily be secondary, for “turf is better walking than gravel”, and without the anchoring of turf and the patriarchal power systems it reinforces, one is removed “from any contact with facts”. Gravel, in Oxbridge, is the preserve of those not worthy of grass, which includes commoners, scouts, and, of course, women. 

A Room of One’s Own was originally a series of lectures delivered at Girton and Newnham Colleges in Cambridge, and Woolf continues through her fictional Oxbridge to these women’s colleges. Here, “not a penny could be spared for ‘amenities’; for partridges and wine, beadles and turf, books and cigars, libraries and leisure”. Unlike at the men’s colleges, where turf is an ‘amenity’ available only to the upper classes, at Girton and Newnham College, and Somerville College, and Lady Margaret Hall – all amalgamated into Woolf’s fictional college ‘Fernham’ – there is ‘grass’ instead. Here, “somebody was in a hammock”; the grasses of the garden are “wild” and “unkempt”. The women’s colleges of Oxford and Cambridge reclaimed the turf for themselves by making it not just available for everyone, but by treating it as ‘grass’: wild, natural and unkempt, rather than repressive turf.. 

This is a tradition that, even today, is maintained in the former women’s colleges of Oxford and Cambridge. The pristine turf of Christ Church and King’s College cannot be walked on even by the scholars and fellows any more; they are instead to be admired from a distance, with the modern equivalent of Woolf’s Oxbridge beadles, the college porter, ready to steer all trespassers back on to the gravel. At Somerville, Lady Margaret Hall, and other similarly relaxed colleges known for being more progressive than their central compatriots , grass is to be walked on and laid upon. 

This reclamation is a hundred years in the making and resists “300 years in succession” of tradition. There seems no greater, seemingly innocuous, reminder of the strides women’s education has taken in the ninety-seven years since Woolf wrote A Room of One’s Own than the ability of students at some colleges to have sunny picnics on the quad, where once gravel would have been their lot.

Dear Reader,

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It has been so long since last I felt 

your fingertips tracing my pages,

cascading shivers across my spine. 

I have missed your smile,

and the way your laugh 

reaches your eyes;

I would do anything 

to kiss your happiness.

Stay awhile, please,

let me calm your racing mind, think 

of me as the moon, pulling 

your cool waves of calamity 

into tides. 

I will listen, and wrap up

your worries like gifts 

and cradle them close until 

they dissolve at sunrise.

Pause for a moment dear reader, 

Stop and stay please, 

Do not glance to the other pages, allow me 

to savour the memory of your face, tuck it away 

for a rainy day, and breathe a sigh 

of incandescent happiness. 

I guess this is goodbye dear reader,

come back to me someday

when you’re pink with pleasure,

or grey and blue, 

and I’ll always be there for you.

Perhaps it was coincidence not fate

that brought us together this way,

but I hope you treasure these moments,

mull them over in your mind 

and think of me sometime,

It’d be a shame 

If this was our last goodbye,

Cillian Murphy does it again

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Since his generation-defining performance in Oppenheimer (2023) two years ago, Cillian Murphy has shown little interest in playing it safe. Having collaborated already on the understated, unflinchingly raw historical drama Small Things Like These (2024), he has joined forces once more with Belgian director Tim Mielants. The duo first met filming the third season of Peaky Blinders, beginning what has quickly blossomed into a rich and dynamic creative partnership.

With Steve, Murphy has once again proved himself a force to be reckoned with. Playing the headmaster of a residential home for troubled boys in conflict with the law, he brings star-power to a film which otherwise might have felt flat. His performance is subtle and multi-layered, alternating between quiet moments of anguish and outbreaks of frustration. The deep emotional pain which underpins Steve’s drive to help others is palpable throughout, as he tackles the numerous daily challenges he encounters in his job, in particular his attempts to help the brilliant but troubled Shy (Jay Lycurgo).

In adapting his book Shy for the screen, Max Porter has made the unusual decision to change the perspective of the drama from Shy to Steve. In doing so, he has created a film which, rather than undermining the achievements of the book, arguably strengthens them by examining how it might feel to be on the other side of things. Steve thus approaches the staff of the residential home with a much greater level of detail, turning them into more relatable figures. We are introduced, for instance, to Steve’s struggles with the injuries he sustained in a car crash, his guilt at the effects of the crash, and his resulting struggles with substances and alcohol, all of which are interwoven into his daily sense of mission.

Steve is also, of course, a topical and timely examination of how society treats those who differ from the norm. It is forthright in the way it advocates for the possibility of a solution for troubled boys which focuses on rehabilitation rather than punishment, but it is also realistic in acknowledging the limits of such proposals. As Steve puts it, “I mean it’s chaotic, right, but we think it’s working, and if you lock these kids up and throw away the key…we feel we’re doing something as an alternative.”

As with his previous film Small Things Like These, Mielants has chosen a theme which speaks to the needs of the marginalised. Exemplified by the behaviour of the news crew who come to film at the school, many in society view the kind of troublemakers Steve cares for with a mixture of horrified fascination, righteous indignation, and apathy. The deep dedication and love Steve and his team show towards the boys is moreover contrasted with the unthinking indifference of higher-ups when they decide to close the home half-way through term-time.

Mielants declines to give his audience easy answers to difficult questions. The positives of the boys’ personalities are highlighted, but their behaviour at times is difficult to make excuses for. At the same time, Porter’s screenplay emphasises, with for instance the character of Shy, the deep trauma underlying many of the boys’ antisocial actions. It seeks to make the audience care about them on a personal level, so that they become more than just statistics, but at the same time avoids dealing with moral absolutes. The benefits of such a Finnish-style system of rehabilitation are highlighted, but so too are some of the issues with it.

The audience thus walks away from the film without a complete sense of closure. It is designed to raise questions and provoke discussion, rather than to put forward a manifesto for change. Steve seeks to highlight the remarkable work done by those working in the field, and the ways that that work might sometimes not receive the credit it deserves, while also emphasising that no one should be seen as beyond hope of rehabilitation. At the same time, however, it does not shy away from questioning its own assumptions, and is stronger because of it, proving that a nuanced look at such issues is the most effective way to tackle them.

Overall, Steve is another huge achievement for Murphy, his production company Big Things Films, and his new partnership with Mielants. While he is supported by a top-tier cast who waste no time in demonstrating their talent, especially an exceptional Lycurgo, the film ultimately belongs to Murphy. His dedication to smaller, independent productions, and his frequent remarks about the value of acting as an art form, make clear the way in which he wants to contribute to cinema. Given the success of Small Things Like These and Steve, that contribution has never seemed more valuable.

What will the Schwarzman Centre mean for music at Oxford?

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The new Schwarzman Centre for the Humanities, located in Oxford’s Radcliffe Observatory Quarter, opened on 30th September. 

Alongside teaching provisions, such as seminar rooms and the new Bodleian Humanities Library, the centre has various state-of-the-art performance and rehearsal spaces: a concert hall, a lecture hall which doubles as a drama theatre, a black box experimental performance space, a music studio, a recital hall and dance studio, and practice rooms that are available to be booked by music students. The performance spaces will be accessible for Oxford University Music Society (OUMS) ensembles and Oxford University Drama Society (OUDS) groups through a centralised booking system, which currently states that bookings are only available from January 2026. Additionally, the centre will be the new home of the Bate Collection of Musical Instruments and Archives. The faculty’s heirloom gamelan has already been moved into the recital hall. 

These spaces open up a huge range of exciting possibilities for performances by both students and professionals. Placing the humanities together in one building creates new pathways for collaboration between disciplines. The architects have paid detailed attention to the acoustic capabilities of the building: the concert hall was designed by Arup Acoustics to be completely soundproof, and the hall is connected to the black box theatre so that sound can be fed in, allowing for interdisciplinary performance. 

The Oxford Cultural Programme will be putting on a range of events, such as concerts, spoken word, dance, theatre, and art installations. Some of these will be in collaboration with the ten new Cultural Fellows that the centre has appointed. Concerts to look out for include the BBC Singers with composer Eric Whitacre, a concert with the London Gay Big Band, a performance by composer Anna Clyne, a music and spoken word performance with Kim Stanley Robinson and Brian Eno, and one by the Aurora Orchestra, known for playing complex classical repertoire from memory. The Sohmen Concert Hall isn’t quite big enough for a modern full-scale symphony orchestra, so the Aurora won’t be able to play its famous rendition of Stravinsky’s Rite of Spring, but will instead be treating audiences to a memorised performance of Mozart’s Symphony No. 41, ‘Jupiter’, and later of Bach’s Magnificat, amongst other works. 

There will also be collaborations between student ensembles and professional musicians, such as Oxford Sings: Carmina Burana (with Conductor Benjamin Nichols, Oxford Bach Choir, and Merton College Choir), as well as Splendour and Majesty (with the University’s Schola Cantorum and His Majesty’s Sagbutts and Cornetts). It is promising that the Oxford Cultural Programme is enthusiastic about giving students a chance to perform with visiting musicians, and to participate in masterclasses and workshops. 

The centre will open fully for teaching on 13th October, the start of Michaelmas term. Unfortunately for students like me who are entering their final year at Oxford, the Cultural Programme and access to the new performance spaces will only begin in April 2026, and the music studios are expected to open in week 4 of this term. 

The reception area outside the Sohmen Concert Hall features a bar downstairs and a cloakroom upstairs
Image Credit: Grace Greaves for Cherwell

Nonetheless, it’s clear that the Schwarzman and the Oxford Cultural Programme are looking to situate Oxford as a cultural centre on a global scale. With its bar, cloakroom, and modern architecture, the basement housing the concert hall and other performance spaces are reminiscent of London venues like the Southbank Centre and the Barbican. The upcoming events by the Oxford Cultural Programme further emphasise the centre’s desire to be at the cutting edge of new developments in the fields of the arts, humanities and performing arts. 

This is exciting for students who will have chances to witness and get involved with an expanding professional musical landscape. It’s also essential that the Schwarzman Centre continues to provide spaces for the rich student music scene that already exists at Oxford.  As long as the centre adheres to its stated aims – providing for current students and setting graduates up to “thrive in often complicated and rapidly transforming workplaces” – it should be an important new resource for student musicians in Oxford. 

Oxford alumnus Richard Robson awarded Nobel Prize in Chemistry

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Brasenose College alumnus Richard Robson has been awarded the 2025 Nobel Prize in Chemistry for his research into the development of metal-organic frameworks (MOFs). Robson, now a professor at the University of Melbourne, was recognised by the Royal Swedish Academy of Sciences alongside Professor Susumu Kitagawa from Kyoto University and Professor Omar M. Yaghi from the University of California, Berkeley.

MOFs, a novel type of molecular architecture, combine metal ions and organic molecules to form crystalline frameworks with large cavities, allowing other molecules to move in and out freely. Since their discovery, MOFs have been used to extract water from desert air and to trap and store carbon dioxide, among other applications. 

Speaking to Cherwell, Robson described the award as “a great honour and pleasure”. Robson, who matriculated in 1955 to study Chemistry at Brasenose and later earned his DPhil from Oxford in 1962, first began exploring what would become MOFs in 1974. While building atomic models for his students in Melbourne, Robson realised that the models’ connection points determined the resulting molecular structure, leading him to wonder whether molecules could be designed to assemble into pre-determined shapes.

Continuing his interest, Robson combined copper and a four-armed organic molecule to create a crystalline framework with large cavities in 1989 – the first of what would later be coined by Yaghi as an MOF. In a paper published in the Journal of the American Chemical Society later that year, Robson outlined the novel architecture and its potential applications.

Within a year, Robson had proven his own ideas: he demonstrated that MOFs could allow for the exchange of ions, laying the conceptual foundation that future researchers – particularly Kitagawa and Yaghi – would build upon.

Professor Stephen Faulkner, Head of Oxford University’s Department of Chemistry, told Cherwell: “I am delighted to see the work of an Oxford Chemistry alumnus recognised with the Nobel Prize. This award serves as an inspiring reminder of the extraordinary impact our students and researchers can go on to make in the world.”

A spokesperson for Brasenose College told Cherwell: “We are immensely proud to congratulate our alumnus on being awarded the Nobel Prize in Chemistry. It is a joy to see one of our own excel in a field to which they have devoted so much of their life. Professor Robson’s work represents an incredibly impactful contribution to advancing humanity’s understanding of the chemical world, and Brasenose is delighted to see it receive global recognition.” 

With this honour, Robson joins 57 other Nobel Laureates who studied or taught at Oxford, including two from Brasenose.

Counterprotesters turn out for ‘women’s rights’ event

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A demonstration organised by the campaign group Let Women Speak (LWS) took place today at Bonn Square. Around 100 counterprotestors also assembled, including members from the Oxford Green Party, Stand Up to Racism, and Oxford for Trans Rights (O4TR).

Although largely peaceful, two arrests were made under suspicion of a Section 5 Public Order offence – which concerns the use of threatening, abusive, or disorderly words or behavior, or the display of threatening or abusive writing. One of these individuals was later de-arrested.

Chief Inspector Jade Hewitt said: “I am pleased to say that the protests were peaceful and we worked with the organisers and partners to allow lawful protest to take place.”

Thames Valley Police enacted a Section 34 dispersal notice in Oxford’s city centre following the protest. Chief Inspector Hewitt said that “the purpose of this is in order to reduce the possibility of public harassment, alarm or distress and to prevent the risk of crime and disorder in the area”. She added that “we do not take these decisions lightly, but believe that in enacting this notice, it will help to reassure the local community that we do not tolerate antisocial behaviour.”

During the event and the counterprotest, police officers separated the groups on either side of Queen Street, with some disruption to traffic. Members of the Oxfordshire Patriots, a local right-wing activist group, were also seen in the area.

Willow Lock for Cherwell
Willow Lock for Cherwell

The original event was advertised by LWS as a “free speech event” and was anticipated to feature speeches critical of transgender rights. The event attracted a crowd of around 40 supporters who were holding Union Jack flags and banners which read “human female”.

Counterprotestors handed out flyers to members of the public, chanting “we don’t want your culture war”. Speakers from LWS responded, saying “no woman has a penis, no man has a vagina”. As well as transgender rights, the groups also clashed on issues including national borders and fascism.

The counterprotest was partly organised by O4TR. In an Instagram post ahead of the protest, O4TR called for its members to “rally in number to show that we will not tolerate transphobes and racists on our streets”.

Speaking after the event, an O4TR spokesperson told Cherwell: “counter-protests such as today’s are vitally important – not only on defending trans rights, but in fostering unity and hope at a time when right-wing politicians seek to turn us against one another on the basis of our origin.”

Councillor Max Morris, Green Party member of Oxford City Council, attended the counterprotest, telling Cherwell: “I was at today’s counter-protest to resist the far right and Posie Parker’s hateful rhetoric, both in a personal capacity as a non-binary person and as a local councillor.

“Oxford City Green Party councillors, candidates, and supporters have been showing up routinely to stand in solidarity with our diverse communities. At the last council meeting, we successfully called on Oxford City Council to stand with minority groups in our city and oppose the division stoked by the far right.”

LWS is an international movement founded by Kellie-Jay Keen, an anti-transgender activist also known as Posie Parker. Parker describes herself as women’s sex-based rights activist. The organisation seeks to defend “the rights of women” which it defines as “adult human females”.

Willow Lock for Cherwell

Ahead of the demonstration, a spokesperson from LWS told Cherwell: “We’re coming to Oxford at the request of local women, who also assist with organising the event. Our events are free speech and open mic, this means any woman can come and speak.”

The spokesperson added that LWS “gives voice to mothers, midwives, survivors, students, teachers, and countless others who know firsthand the importance of clarity in language, law, and single-sex protections”.

A plant and poster sale was also taking place at Bonn Square during the protest, with large crowds making their way through the Queen Street and Bonn Square area, including students in sub fusc who had recently matriculated.

Live reporting by Willow Lock, Conor Walsh, and Arina Makarina.

Somerville holds ground-breaking ceremony for new Ratan Tata Building

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Somerville College has held a ground-breaking ceremony for the Ratan Tata Building, a new 700m² academic hub in the Radcliffe Observatory Quarter. The building will house the Oxford India Centre for Sustainable Development, as well as spaces for teaching and learning. 

Planning consent for the building was granted last month, with construction planned to commence from April next year. The project will take around 18 months, with completion planned to coincide with the 2027/28 academic year. The building will occupy the last plot for development in the Observatory Quarter, which is also home to the new Schwarzman Centre for the Humanities.

The ceremony was attended by Vice-Chancellor Irene Tracey, High Commissioner of India Vikram Doraiswami, and Natarajan Chandrasekaran, Chairman of the Tata Group, whose recent donation to Somerville was the largest in the College’s history. 

Chandrasekaran was awarded a Foundation Fellowship – Somerville’s highest honour for philanthropy – in recognition of the Tata Group’s support for the project.

Catherine Royle, Principal of Somerville College, commented : “Somerville has always gone its own way and blazed new trails. That’s why Somerville is proud to be playing a key role in Oxford University’s growing relationship with India.” 

Royle also described the building as bringing together “everything that is unique about our College”, adding: “it’s creative and it’s ambitious, but it’s also an example of living our principles of partnership and sustainability.”

The building is named after Ratan Tata, the late philanthropist and former Chairman of the Tata Group, making it the first building within the University to be named in honour of an Indian. 

Chandrasekaran said: “Mr Ratan Tata believed absolutely in the power of education to create a brighter future. In creating a permanent home for the Oxford India Centre for Sustainable Development at Somerville College, we see Mr Tata’s vision taking shape in a place he admired, in a form that will create a lasting bond of scholarship and hope between the University of Oxford and India.” 

Designed by Morris+Company, the Ratan Tata building will feature six tutor rooms, two research rooms, multiple seminar spaces, and a “chai ideas” room, described as a flexible shared space. The design incorporates Passivhaus principles, including a low-carbon timber structure and air-source heat pumps. A key feature is the Oculus, a large circular opening above the main entrance which will bring natural light into the building, while also glowing outward at night.

A spokesperson for Somerville told Cherwell that the College had “hosted a week-long internal consultation for students, fellows and staff” about the building, which included “360 feedback” that would be “fed into future planning discussions”. 

The spokesperson added: “Students are also kept informed about ongoing developments to the building through the attendance of JCR and MCR representatives at both Finance Committee and Governing Body.”