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Stop Me If You’ve Heard This One Before: Week 1

Rufus’ second column of the term looks at the poem Spring by Gerard Manley Hopkins.

Nothing is so beautiful as spring —

When weeds, in wheels, shoot long and lovely and lush;

Thrush’s eggs look little low heavens, and thrush

Through the echoing timber does so rinse and wring

The ear, it strikes like lightnings to hear him sing;

The glassy peartree leaves and blooms, they brush

The descending blue; that blue is all in a rush

With richness; the racing lambs too have fair their fling.

What is all this juice and all this joy?

A strain of the earth’s sweet being in the beginning

In Eden garden. — Have, get, before it cloy,

Before it cloud, Christ, lord, and sour with sinning,

Innocent mind and Mayday in girl and boy,

Most, O maid’s child, thy choice and worthy the winning.

Now more than ever, hope is vital and for poets, nothing symbolises hope more than spring; for after the darkness of winter, its warmth and colour make for earth at its most beautiful and hopeful. This week I found a suitably hopeful poem, Spring, from a Victorian poet otherwise known for his poems of profound melancholy – Gerard Manley Hopkins.

Unless you’re on a bus or in a Pret, I’d like you to read this poem out loud since it’s the striking vocal quality of Hopkins’ poems that’s best about them. This poem feels so swift and smooth and exact when recited aloud that it feels like the words are practically aching to leave your mouth. This is a testament to Hopkins’ incredible ear for language.

You could almost read these two stanzas as entirely separate poems. One is an ode to nature and the other to God. To Hopkins, though, these and one and the same. His love of God is what makes him so attuned to the natural marvels that surround him. I always find myself coming back to Hopkins; his finely-honed ear for sounds and rhythm as well as the vividness of his imagery are a joy to read each and every time.

Jacob Rees-Mogg, Madeline Argy, and Philip Wang to speak at Oxford Union

Image Credit: UK Parliament and EdwardX via Wikimedia Commons

Cherwell can exclusively reveal three new speakers for the Oxford Union this term. Addressing the Union this month will be politician Jacob Rees-Mogg, internet personality Madeline Argy, and comedian Philip Wang.

Conservative Member of Parliament Jacob Rees-Mogg will speak on the debate motion “This House does not know what Labour stands for” on Saturday, 10 February. Rees-Mogg is known for his conservatism and Euroscepticism, previously chairing the European Research Group and serving as Minister for Brexit Opportunities and Government Efficiency. Dubbed the “Honourable Member for the 18th century,” he currently sits as a backbencher after having served in Liz Truss’ cabinet. 

Philip Wang, who will be speaking at the Union on 26 February, is a stand-up comedian known for his appearances on Taskmaster and Have I Got News for You. His comedy focuses on his own life and his mixed British-Malaysian heritage. Wang’s acting work includes Wonka and Horrible Histories

Madeline Argy is a media personality and host of the podcast Pretty Lonesome. She has a large following on TikTok and Instagram where she posts content centred on her personal life. Online, she is known for her candid persona and honesty in videos – she often discusses her therapy and relationships with her family. Argy will address the Union on 28 February.

The speakers were not announced on the original HT24 term card, highlights of which can be found here.

Empireworld: How British Imperialism Shaped the Globe (Sathnam Sanghera, 2024): Review

Poster from the British Empire in WW1, showing a British lion being followed by bears representing other countries. Captioned "Following in the Footsteps of the Dear Old Dad".
Image Credit: WW1 Poster 1914-1918/Public Domain via Wikimedia Commons

Over the last few years there has been a resurgence of interest in the history and legacy of the British Empire. Views on the subject are split between two very distinct camps. One side holds that the Empire was “a jolly good thing” – advocates of this view include Niall Ferguson and Nigel Biggar, who dress themselves up as revisionists while bleating the same centuries-old myths about free trade and civilising missions. Those on the other side – including Kehinde Andrews and Shashi Tharoor – claim just as fervently that the Empire was unequivocally evil and wreaked pure havoc on all its colonies.

Sathnam Sanghera’s new book ignores the two factions and aims to provide as objective an account of the Empire as possible. From the preface onwards he distances himself from the ongoing “culture wars”, and claims that colonial history is so complex that it can never conclusively be proven to have been either “good” or “bad”. All that can be done, he argues, is to grasp the huge scope of imperial legacies; removing them from the world would be akin to “getting the ghee out of a breakfast-time masala omelette”.

Empireworld is exhaustively researched. 200 of its 450 pages are taken up by bibliography, notes and index, though in places it reads more like a travelogue than a piece of historical writing. We are treated variously to Sanghera at Kew Gardens, Sanghera having omelettes for breakfast, Sanghera getting his first pedicure, Sanghera meeting influencers at 5-star hotels, and so on. The glib, chatty prose – especially when sharing a chapter with brutal accounts of slavery, indenturement and settler violence – also feels incongruous.

Yet once you look at the substance of the book, there is no doubting its power. Sanghera’s evidence includes first-hand accounts, newspaper records, history books, interviews, and naked statistics that speak for themselves. (During the Boer War, 14.5% of the entire Boer population, mostly children, were killed in British concentration camps).

The chapter on “The Colour Line” is especially insightful. Allowing for the usual objections – such as how the concept of “race” barely existed before the nineteenth century, and how Britain was always “theoretically” non-racist and pro-equality – Sanghera explores the lasting racial tensions that the British fomented in almost all of their colonies. A disgusting quote is given from Winston Churchill’s testimony to the Peel Commission on Palestine: “I do not admit that the dog in the manger has the final right to the manger, even though he may have lain there for a very long time”. Then there were the blatant double standards in law enforcement which pervaded all colonial administrations. Sanghera gives some especially sickening accounts of violent settlers committing the worst atrocities and being let off scot-free by the courts of their countrymen. It seems to make a mockery of claims of “rule of law”, but he points out that for all the land-grabbing that was legalised by “land belonging to no one” clauses, there were also constant legal attempts to prevent atrocities and corruption (e.g. the impeachment of Warren Hastings). Sanghera makes a constant effort to show both sides.

Aside from the well-known physical and economic legacies of the Empire, some attention is given to the lesser-known environmental impacts. He uses accounts of climate disasters ranging from the 1770 Indian famine to the 2022 floods in Pakistan to show how the Empire left a carbon footprint for the ages. At the same time, he insists, again trying to show both sides, another result of the Empire was environmental conservation. Often, the very people who hunted wild animals to the verge of extinction went on to set up foundations for the preservation of endangered species. On a similar note, showing the dark side of good causes, there is a section of the book detailing the historically fine line between charity organisations and colonial missionaries. Even in recent conflicts in Afghanistan and Iraq, the line has never been unblurred.

It is impossible to cover every detail of Empireworld in a short review – just as it is impossible to cover every detail of British colonialism in 250 pages.

Judging purely by what is included, Sanghera may be right to reject the reductive “balance sheet” approach to the Empire’s legacy. At times, however – such as when he equates Niall Ferguson, a downright apologist for colonialism, with Shashi Tharoor, whose Inglorious Empire (2017) is one of the most persuasively written and accessible books on the subject – there is a feeling that one side does have the moral high ground, and that Sanghera’s BBC-style attempt at objectivity may in fact distort our understanding of Empire. If ever one side of the colonial legacy had to be prioritised over the other, it would have to be the “bad” over the “good”. 

Without confronting the wrongs of the past, the wrongs of the present will go on unabated. It is a fact that the British Empire’s loudest defenders today are the very people who cheer on the neo-colonial projects of the twenty-first century. (Tony Blair, a few years before invading formerly British-mandated Iraq, wrote a speech proclaiming: “I’m proud of the British Empire”). The facts should be known and history should be confronted. That is why Empireworld a necessary handbook – if not the very best of its kind.

Oxford University Short Film Festival 2024 – Day 1

Image Credits: Oxford University Short Film Festival
Image Credits: Oxford University Short Film Festival

A steady stream of people has been filing into Keble’s O’ Reilly Theatre until, now, it’s almost full. 

It’s the first night of the Oxford University Short Film Festival, during which student short films are screened every night from Monday to Friday, culminating in an afterparty on Saturday.

‘It’s a really great turnout,’ one of the people scanning tickets on the door, Steph, tells me.

The passion for film in the room is obvious: the audience contains many of the cast and crew members of the short films being screened. They are keenly talking with others about their work, and are equally keen to meet other people who are passionate about film.

After a quick introductory speech, the lights dim and the first film begins…


Je Veux Danser

This is a wonderfully shot film made by the Oxford alumni production company Accidental Donkey, about a lovesick young Parisian. Of course, like any great romantic film, our young Parisian meets someone special, and the film follows their strangely sweet first meeting. It features a brightly coloured sequence – with notes of Hitchcock’s Vertigo – as characters’ faces almost seem to pulse with light. The shot composition is great, with a personal standout being some lovely shots of French streets towards the start of the film. Overall, a great start to the festival.

Playing With Fire

For the second short, we return to Oxford. The film follows two parallel storylines: both about a film being made; one set in ’80s Oxford, the other set in the present day. In the 1980s storyline, an actor struggles with sexism on set; in the present day, filmmaker Fallon examines the meaning of feminism and justice. The cuts at the end which attempt to combine the two storylines, with scenes showing film-stock combusting, is a great and punchy end to an engaging film.

Hardwicke Circus: The Prison Gig

This film follows a small jobbing band from Carlisle as they hold a workshop in a men’s prison. The film stands apart from the rest in the lineup for its use of a documentary style, with interviews with band members interspersed throughout the first part of the film, and use of lighting and cinematography reminiscent of old documentaries or home video footage. The second half of the film features some great musical performances.

Project: Engine

This follows a self-educated engineer as he tries to pitch his invention, a hydrogen-powered car engine. What follows is an engaging exploration of one man trying to pursue his dream in the face of big business, with some almost thriller-like elements – especially towards the end.

Pursuit

This short follows a student at a formal being stalked. This is combined with an excellent soundtrack, especially during the scenes where the student is followed around, which excellently ratchets up the tension. Equally interesting is the film’s exploration of the after-effects of stalking: we see first-hand how the incident can profoundly affect someone.

Overall, the first night of the festival was a great showcase of student filmmaking across Oxford and beyond, with films from a wide range of genres.

Ethics concerns over Oxford University Press journal study based on Uyghur DNA

Image Credit: Jonas M via Wikimedia Commons

Oxford University Press (OUP), a department of the University of Oxford, is facing scrutiny after a study published by one of its journals was flagged for using DNA collected from the Uyghur population in Xinjiang. Two further studies by Chinese researchers, published by the same journal under OUP, are also under investigation for potential violations of ethical standards. 

The three studies in question were published in Forensic Sciences Research, a journal owned by the Academy of Forensic Science, which is a part of China’s Ministry of Justice. OUP announced that it would take over the journal in August 2022, and appears to have officially run it since January 2023. OUP did not offer more information on the acquisition. 

The papers were initially flagged by Yves Moreau, a professor of engineering at KU Leuven, a Belgian University, where he has spent the past five years investigating Chinese researchers’ collection of genetic data from vulnerable groups. The papers include one published in June 2022, before the journal’s acquisition by OUP, that analysed DNA samples taken from 264 Uyghur people. 

The study states “All biological samples were taken with written informed consent” but experts maintain concerns about ethically obtaining consent. Maya Wang, an associate Asia director at Human Rights Watch, told The Guardian: “Given how coercive the overall environment has been for the Uyghurs [in China], it’s not really possible for Uyghurs to say no [to the collection of DNA].”

The study was partly supported by a research grant from Xinjiang Police College. The author of the paper, Dr Halimureti Simayijiang (a Uyghur name), is affiliated with the Xinjiang Police College and the University of Copenhagen. Another of his studies, published in 2019, was retracted after its DNA samples, also from Uyghurs, were found not to be covered by proper ethics approvals. The 2019 study’s stated purpose was to assist police in identifying suspects using genetic sequencing. 

A second study, published in December, 2023, involved 50 “bloodstain” samples taken from Xibe ethnic minority individuals. 

OUP stated: “Each of our journals has a board of editors who make independent decisions about the articles they publish, following industry standards on peer review and research ethics.” The study states that ethical approvals came from “the Ethical Committee of China Medical University”. None of the researchers was based there at the time of publication. 

A third study, also published in December 2023, also involves Xibe samples. Authors of both studies, Fei Guo and Yang Xin respectively, were both based at the Criminal Investigation Police University of China, Shenyang. 

The Forensic Sciences Research journal also published DNA profiles of the Xibe participants, likely breaching rules of consent under the UK General Data Protection Regulation (GDPR). 

The OUP stated: “We agree that these articles warrant further investigation. We are undertaking that investigation at the moment.” They are not taking down the articles while the investigations are ongoing, but “will be publishing expressions of concern” alongside each of them. 

This comes after a series of similar controversies in science journals surrounding Uyghur consent. In 2021, David Curtis of University College London resigned as editor-in-chief of the journal Annals of Human Genetics after his publisher, Wiley, refused to publish an article suggesting that academic journals should take a stance against China’s human rights violations in Xinjiang. He said he could not trust claims that participants in Chinese studies had freely given their consent. 

In 2021, after Moreau raised similar concerns about Uyghur consent in papers published by the journal Molecular Genetics and Genomic Medicine, also a subsidiary of Wiley, nine members of the editorial board of the journal resigned

UK universities have been accused of compromising their integrity for financial benefits from cooperation with China. A July report by the Intelligence and Security Committee of Parliament stated that an estimated 120,000 Chinese students in the UK “are responsible for generating almost £600m [annually] – a very significant proportion of universities’ income. China is actively using this income as leverage to gain political influence and control and to direct the narrative.” 

The University and Vice-Chancellor were approached for comment but directed questions to the OUP. 

Pink Week 2024

Image Credit: Daniel Stick

Since 2016, Oxford Pink Week has taken place every year during the last week of January. A student-run initiative supporting breast cancer charities, it raised over £25,000 in 2023 and is expected to do so again this year.  

Special events were held from 28 January to 3 February with the aim of raising awareness for breast cancer. The President of Pink Week 2024, Sam McCarthy, told Cherwell: “Pink Week provides a perfect opportunity to educate within the University.” The 2024 committee took steps toward this goal by sharing informative resources on social media and planning various events, most notably the Pink Week Ball, which raised £13,966 last year.

This year the fundraising efforts will go toward five Oxford based and national charities: OUTpatients, Breast Cancer Now, Oxford Breast Buddy Group, Black Women Rising and CoppaFeel. These charities strive to reduce the risks of diagnoses as well as to advocate and support patients. 

The Pink Week 2024 committee chose to support these charities in particular due to their work with specific groups, such as the LGBTQ+ and Black communities. Sam McCarthy told Cherwell: “it was very important to us that the charities did reflect a wide range of demographics and emphasise the notion that breast cancer doesn’t discriminate.”

The scope of events this Pink Week ranged from socials within colleges to university-wide activities. St. Hugh’s College and Hertford College, among many others, held formal dinners and Pink Week-themed bops. Many colleges also got involved with pub quizzes and bake sales. 

Oxford Pink Week 2024 also organised numerous joint events with many University societies, including Oxford Feminist Society, Oxford Taylor Swift Society and ALTS Ice Hockey Club. Gaspard Rouffin, the head of events, noted: “It’s always a bit tricky to find venues willing to support a charity with a very low budget.” However, the events included “a comedy night with the Oxford Imps, a pyjama party with SwiftSoc, a survivor’s talk with the Women’s Campaign and, of course, Tuesgays.”

The 2024 committee hoped these events would be not only fun and accessible, but also impactful to raise awareness for breast cancer. Sam McCarthy emphasised to Cherwell: “Breast cancer is an issue that is close to home and it’s something that a lot of people are affected by.” Indeed, one in seven females in the UK is diagnosed with breast cancer and around 400 men die from the disease every year. Oxford Pink Week 2024 is thus an important initiative for many people, and the fundraising efforts are set to make a difference for a worthwhile cause. 

New Kazakh language program to be offered at the University of Oxford

Image Credit: Daniel Stick

On 26 January, the University of Oxford signed an agreement with the Kazakh Ministry of Science and Higher Education with plans to launch a Kazakh language program at the University.

The delegation, including Minister Sayasat Nurbek and officials of major higher education institutions in Kazakhstan, met with the Associate Professor of Comparative and International Education, Professor Maia Chankseliani.

Professor Chankseliani told Cherwell: “We explored potential collaborations aimed at supporting Kazakhstani higher education and research. Such interactions with policy-makers are essential to ensure that our research and teaching remains focused on policy impact.”

This meeting follows the release of the Oxford Qazaq Dictionary, a four-year endeavour of over 50 linguists which seeks to preserve and digitise the Kazakh language. Published in late 2023, the first edition consists of 1,300 pages with over 60,000 words. This dictionary will serve as the basis for the incorporation of Qazaq into the Oxford Global Languages platform and thus is a key to joining the global linguistic community.

Professor Chankseliani also shared that Minister Sayasat Nurbek presented a copy of the new Oxford Qazaq dictionary as a gift, while she shared one of her recent books, Building Research Capacity at Universities: Insights from Post-Soviet Countries. 

Having claimed independence from the Soviet Union in 1991, the Kazakh government is looking to increase the use of its own state language. It has implemented a language policy concept between 2023-2029 which addresses boosts to the development of the Kazakh language. A draft law on media is also in the works. The Minister of Culture and Information, Aida Balayeva said: “[This law] stipulates an increase in the share of the state language in television and radio from 50% to 70%”

Ticket reselling attracts controversy as college balls sell out in seconds

Queen's Ball via Wikimedia Commons

As ball season approaches, the popularity of several commemoration balls has skyrocketed since previous years, leaving hundreds of would-be attendees scrambling for tickets and causing controversy over ticket reselling on online platforms like Oxtickets. Balls being held at Corpus Christi, St. Peters, Univ, and Pembroke have already sold out, putting thousands of students on waiting lists. 

Tickets released last Thursday for Pembroke’s Ball were particularly difficult to score. Given that the upcoming ball will be the first held at Pembroke in nearly five years, an unusually large number of would-be attendees were seeking to buy tickets, leading ball organizers to sell tickets first to current Pembroke students on 17 January before releasing tickets to alumni and students at other colleges on 25 January. According to Pembroke Ball President, Ariff Castronovo, general release tickets sold out in just twelve seconds, leaving over 1,200 people on the waiting list. This follows a pattern set by other ball releases this year. In Michaelmas, Corpus Christi students petitioned their JCR to release more Corpus-only tickets after tickets sold out in under five minutes. 

Almost immediately, online platforms like Oxtickets, a Facebook marketplace site where students buy and sell tickets to Oxford-based events, were flooded with dozens of posts looking to buy ball tickets for well above the prices set by colleges.  In response, Pembroke’s ball committee announced that given concerns about price-gouging, name transfers on non-guest tickets were not allowed, telling Cherwell: “As per our original T&Cs, name changes are only possible for guest tickets. That means that it is not possible to change the name of the principal ticket holder in a booking”.  The ball committee also clarified that reselling tickets on Oxtickets or elsewhere was a violation of the Pembroke Ball’s T&Cs and would result in the cancellation of the sold tickets. 

Castronovo expressed concerns about the fairness of reselling, stating: “I strongly believe that it is not fair for people to be able skip the queue of many hundred other would-be attendees simply because they can afford to pay more.”

Plans approved for new student accommodation on Magdalen Street

Jaggery via Wikimedia Commons

The Oxford City Planning Committee has approved a proposal to partially convert the iconic Oxenford House building on Magdalen Street, directly above the burger chain Five Guys, into a student accommodation block.

The upper floors of Oxenford House will be repurposed for 55 ensuite study bedrooms. The development plan includes proposed roof extensions to both the front and rear of the building, cycle racks on the ground floor, and a bin storage area in the basement.

The question of which college will eventually use the new building has not yet been decided, but private providers of student accommodation and Oxford University have entered discussions, with six colleges expressing a “strong interest” in taking out a long-term lease on the building, according to Arron Twamley from the real estate consultancy Bidwells.

At a Planning Committee meeting on 23 January, the new development was welcomed by most committee members, although some expressed concerns about the proposed waste collection arrangements. 

Alex Hollingsworth, Councillor for Carfax & Jericho Ward, said at the meeting: “You end up with a great sea of bins stuck outside in the open air [in Friars Entry], perpetually contaminated and frankly a disgraceful mess, which I hope one day will get resolved.”

While he declared his overall support for the proposal, Hollingsworth emphasised that this would be conditional upon laying out a “very robustly worded and policed” waste collection policy for the building.

Oxenford House was built in 1965 to 1966 and is considered a rare surviving example of mid-20th century architecture in the city centre. However, in recent years, the building has been mostly vacant. 

The basement of Oxenford House was converted into a restaurant in 1968, and was most recently occupied by Fever nightclub, which shut down in 2021. The second to fourth floors of the building formerly housed the British Study Centres School of English but are now unoccupied. The Oxford Centre for Hindu Studies, which currently occupies the building’s first floor, has secured new premises in the city following the proposed development.

New exhibition reinterpreting colonial records from Bodleian archive opens in Weston Library

Image Credit: Ian Wallman

A new exhibition has opened in Weston Library’s Blackwell Hall as part of a collaboration between the Bodleian Libraries and British opera singer Peter Brathwaite. The collection aims to provide audiences with a humanising perspective on history, utilising Brathwaite’s own family history as both enslaved people and slave owners, and will be open until 7th April. 

The theme of the collection is “Mischief in the Archives,” referencing the common label “mischievous” used for enslaved individuals who attempted to resist oppression and assert their humanity. To symbolise this visually, Brathwaite created a ceremonial costume depicting the trickster god in Caribbean folklore, which represents “his own role in the story.” 

During a previous talk in November as part of the We Are Our History conversations, Brathwaite revealed that using the Bodleian’s collections, he was able to trace back his family history. He found his roots in the British-owned Codrington plantations in Barbados, where some of his ancestors were slave traders and others enslaved.

This exhibit is the culmination of that research, juxtaposing content from the Bodleian archives against artefacts from Brathwaite’s own family collection. It aims to “challenge preconceived racialised narratives the archives have long muted,” bringing to life names only remembered in colonial records and restoring a human aspect to them.

Brathwaite noted that the work was “pain-staking,” and that the “visceral violence” in the historic papers was often a struggle to handle, but it was worth it in light of the “little nuggets” he could dig out from the collections. “If you move away from the data, you can find the people behind the numbers.”

The items displayed include Barbados plantation accounts and letters from John Brathwaite, the owner of a plantation, as well as objects belonging to Addo Brathwaite, Peter’s fourth great-grandfather and freed slave originally from Ghana. According to Jasdeep Singh, who leads We Are Our History, the creation of this “counter-archive” aims to “take a fresh look at the imbalance of [the Bodleian’s] collections […] and the impact of the colonial era in the libraries.” 

Singh said, “By sharing this platform with Peter to engage critically with our collections, this display embodies our commitment through the We Are Our History Project to learn, adapt and represent overlooked stories and experiences within our archives.” 

Brathwaite is known for his work in opera, having sung for groups including the English National Opera, Danish National Opera, and Philharmonie de Paris. He also published a work titled “Rediscovering Black Portraiture” in April 2023, a collection of portrait recreations which “reclaims Black history and art.”