Thursday, May 15, 2025
Blog Page 904

University isn’t for everyone: stop pretending it is

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There’s nothing quite like the joy of receiving a university offer. It’s a feeling of validation which few other experiences in life can provide; the knowledge that after a calculated appraisal of your strengths and weaknesses, someone in an office somewhere has clicked the relevant button, or maybe put a little tick by your name if they’re particularly old school, and said yes, we want you.

But what if, after all that, you get there and it’s not quite what you thought it would be? Maybe the man in the dreary little office put a tick next to the wrong name after all. As quickly as the pride sets in when you first see that “something has changed on your UCAS track,” it bleeds away again, replaced instead with the niggling sense that you’re only just keeping your head above water.

It’s a feeling familiar to many of us, I’m sure. But for those who actually choose to leave university, it’s usually due to more than just the unpleasant shock of realising that uni isn’t quite like school.

The expectation placed on university as a logical next step from school has increased exponentially in recent decades. Rather than being something bright-eyed youngsters dream of, for many people a degree has become about as optional as school itself. The increasing numbers of school leavers going to uni is of course far from a bad thing, especially given the growing success of students from disadvantaged backgrounds. What the rising number of applicants does do however, is make it increasingly harder for individuals who don’t think higher education is for them, to fight a system which is continually pushing them towards it.

Fintan followed the conventional path, going straight from school to uni in September of 2014. He admits that he always had doubts, but the academic environment of his school made it almost impossible to break away from the rigid yellow brick road which led all the way to the Russell Group. This pressure is likely familiar to anyone who attended a school with a strong emphasis on academics.

Personally, I didn’t apply to uni until a year after I left school, being unsure of what I wanted to do, and wanting to take some time to nd myself on a beach in Thailand before resigning myself to three more years hard slog. But even this raised a few eyebrows from my teachers, despite my assurances that I fully intended to apply the following year. My head of sixth form made me ll out my entire UCAS form anyway, “just in case,” standing over me as I selected entirely arbitrary degree choices. It was clear that she would be signi cantly happier if I simply clicked ‘accept’ and sent o my application to these randomly chosen institutions, rather than taking some time to consider what was actually right for me.

Fintan was under even greater scrutiny during his application. He tells me how, “I attended a public school which gave me a scholarship, and I was expected to show the effectiveness of the scholarship in applying to a challenging subject at a Russell Group university.” In treating his degree choice as a barometer of his worthiness of a scholarship, his school placed an almost unbearable amount of pressure on him. Fintan ultimately left his history course at Glasgow University after less than a term, realising that, under the pressure to get into a suitably prestigious course, he had taken little time to really consider the ins and outs of university life, and the reality of devoting four years to a course largely composed of independent inquiry, as opposed to the heavily guided school experience.

The reality is that few people have a strong grasp of their sense of self at the age of 17. I certainly didn’t, and it’s become abundantly clear to me that simply picking your “best” subject in school and sticking it on your UCAS form is not always for the best. I’ve been lucky, I love my course and frankly I can’t imagine studying anything else, but the same can’t be said for everyone.

Eva, a former E&M student at Oxford, admits that she had her doubts about her subject choice throughout the application process, but was comforted by the fact the Economics is considered a “better” degree.

She says that a major part of the problem was the attitude of her school, where “there was more emphasis on the perceived employment value of your degree, rather than the fact that you’d actually have to study it from 9-5 for three years.”

This is perhaps not an unreasonable outlook taken by teachers and parents, wanting to give the younger generation the best possible start in a market increasingly saturated by graduates. However, the employability of any degree counts for nothing if that degree is never finished.

The commonly held belief that more traditionally academic degrees carry more weight is a tricky one. On the one hand, we all want to believe that we should follow our dreams and do whatever feels right for us, perhaps singing a Disney song along the way. But when degrees are increasingly becoming the norm, how are we supposed to make ourselves stand out from the crowd?

According to UCAS, young people are now 27 per cent more likely to enter higher education than they were ten years ago, an increase which shows no signs of slowing down. I can’t help but wondering, whether sucking it up and applying for a more “prestigious” degree, might actually do you better in the long run.

For some students, like Eva, taking time to reflect and determine upon the right path can make all the difference. Eva considers it “far more inspiring to speak to someone who is genuinely interested in what they do.” Having successfully changed courses, it is clear that for Eva, it was not university it- self that was the problem, but the pressure to apply before being truly prepared. It’s a fine line to tread—keeping the balance between happiness and employability. It’s an equilibrium that Jess struggled to attain in the years following her departure from school. Encouraged by teachers, she applied to St Andrews to study Art History, repressing her desire to go to do a more practical art and design course.

Despite achieving an A* in her art A-Level, Jess was worried that she wouldn’t be able to keep up if she went to art school, and “had very little positive encouragement from teachers to change my mind on this.” This seems shocking that the very people supposedly employed to “mould young minds” would discourage a talented pupil in such a way, but the reality is that many schools are more concerned with statistics than the individual. What is particularly notable about Jess’s story however, is that she says she was worried about missing out on the “university experience.”

This myth of the university experience is drummed into us from a young age, with popular culture perpetuating the idea that uni will be a non-stop dance party with all the greatest people you’ll ever meet. I think we can all agree that the reality is somewhat different. Jess
realised this by her second semester at university, when she was left feeling “unfulfilled by my course and […] like I was there to party and conform to expectations.”

Fearing that she had missed the opportunity to do what she really wanted, Jess left St Andrews and is now studying Art in Edinburgh.

Such a decision is admirable, but also leaves me wondering how many students there are, trapped in institutions up and down the country, who are desperate to make just such a leap of faith? University should be a privi- lege, not a punishment, but the increasingly unbearable pressure placed on young people to get a “good” degree, means that the reverse is often becoming true.

For our parent’s generation, a degree from a respected university offered an almost guaranteed fairy tale path to a bright future. Graduate unemployment figures prove that this is no longer the case. So why do “grown-ups” continue heaping pressure on our generation to follow the same join-the-dots route to happiness that they did?

While university works for many, it just doesn’t for others, and the presumption that higher education is the only indicator of intellectual success only serves to make those with legitimate reasons for not going to university feel like failures.

All in all, I think perhaps an easing up of pressure in school environments could do a lot of good, not only for students themselves, but for a society which is clearly vying for its own sense of intellectual validation.

Food diary: confessions of an Oxford food blogger

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If you’re worried about where you can find gluten-free food in Oxford, don’t be. There are many delicious cafes and restaurants around that will keep you fuelled on wholesome, delicious food. I’ll take you through some of my favourite places.

Breakfast: The Handle Bar Cafe is a long-standing favourite of mine. While they don’t serve gluten-free bread to go with your Full English (or the Vegetarian English, in which you get served plantain chips), even more importantly they serve gluten-free coconut pancakes! These are absolutely divine, and if you haven’t tried them yet, I wholly recommend you go and do so straight away—even if you’re not gluten-free. If you eat meat, definitely opt to have bacon with them! Because everyone knows that maple syrup and bacon is the actual dream combination.

Lunch: When Gloucester Green Market is open on Wednesdays, Thursdays, and Saturdays, this would always be my top pick for lunch. Plenty of the stands are marked as gluten free, and often dairy-free or vegetarian or vegan too. Authentic Spanish paella, arepas, and cuisine from all around the world is just waiting for you—always fresh, delicious, and affordable. I also love Alpha Bar in the Covered Market, with its awesome selection of salads, vegetables, pulses, meat/fish and the all-important dips (hummus with everything, please).

Afternoon Tea: The Organic Deli always has its fridge chock full of appetising cakes, many of which are gluten-free and several of which are also vegan. I am obsessed with their chocolate cake with its rich, indulgent ganache icing and the fudgy brownies. They also have fancy drinks like matcha lattes, and it’s a lovely cosy spot for a catch up with a cuppa. If you dare to brave the trip to Summertown, I would also highly recommend Modern Baker, who bake fresh, delicious cakes and brownies—if you need tempting, have a look at their Instagram account. They always have several gluten-free options, and have a shop section packed with gluten-free and vegan snacks.

Dinner: One of my favourite things about Turl Street Kitchen is how it changes its menu daily to reflect what food is in abundance, so that you can always be sure you’re eating the freshest produce. The meals are based around vegetables and high-quality meat and gluten doesn’t come into the equation—just check with your server to make sure. I’m also a sucker for ordering a bunless sweet potato burger at the Handle Bar. They also run monthly yoga dinners, where you’ll do a yoga session and then feast on an amazing gluten free and vegan dinner.

The gluten-free options in Oxford are really much more extensive than you might think, and I have found that restaurants are always happy to adapt to what you need, so long as you ask them politely.

Check out my blog at www.nomsbynaomi.com for healthy recipe ideas, all of which are gluten-free!

A melting pot of nature enthusiasts

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A little over a decade ago, in an unassuming parent’s garage in Oxford, Stornoway was born. Today, the internationally acclaimed folk four-piece have three albums under their belt and their journey together is slowly coming to an end with the announcement of their Farewell Tour in the spring of this year.

Despite the band’s formation seeming so long ago now, speaking to Oli Steadman, Stornoway’s bassist, I still get the sense that Oxford will forever hold a special place in his heart, with the first musical experiences of his youth directly tethered to the town and its strangely wonderful qualities.

Whilst Brian Briggs (vocals) and Jon Ouin (keys) met during freshers’ week, sowing the first seeds of what was to become Stornoway, Oli and his brother Rob moved to Oxford from South Africa: “We’re sort of immigrants in a way, we arrived in Oxford not really knowing anybody or having any roots.” He tells me “the music scene in Oxford welcomed us in”.

Thinking back to Stornoway’s rather odd beginnings, Oli is certain that no other music scene would have tolerated the band: “We were a band who for the first few years would wear dressing gowns on stage, we’d get strange sort of acrobatic routines going within our sets and … we were just a really ramshackle group. But it was the nature of Oxford’s scene, on both the town side and the gown side…that made it possible for a band like ours to form.”

Curious about the strong themes of the natural world running throughout Stornoway’s body of work, I ask whether this was mainly a result of Briggs’ background in ornithology. Oli explains that the band is primarily “in love with the poetic and storytelling side of nature…We’re convinced that the way in which to draw inspiration is just looking and appreciating.” The vivid imagery and lush instrumentation carrying many of Stornoway’s songs certainly attests to this focus on observation.

‘Lost Youth’, a track from their latest album Bonxie, samples bird song in an especially playful way, contrasting the heavier undertones of the lyrics, which describe a state of uncertainty in growing up and moving on.

Oli tells me this focus on nature is another way in which the band manage to harmoniously channel their differences as people: “All the members of the band have that obsession with nature but from so many different backgrounds, so while Oxford is a melting pot of people, the band is a melting pot of nature enthusiasts and pretty much bird geeks.”

The intense joy and emotional range of Stornoway translates especially well to live shows, where wild instrumentals are married together with stripped back moments of acoustic intimacy.

I ask what is most appealing about live shows. “The audience, if anything, is a centre of gravity in the musical relationship. The audience is where the emotion happens and where things are sort of authenticated.”

As a band with “some notoriety for obsessing over the small venues”, their last ever show at the Oxford New Theatre with a capacity of 1,800 is less a challenge and more an opportunity to truly leave their mark on the town which gave them life. Oli is excited to play to as many fans as possible, telling me that “[The New Theatre] is ten times the size of people we’d play to in our ideal gig but hopefully that will just make it more magical in some way.”

Stornoway’s down-to-earth, uplifting, and beautifully engaging sound will undoubtedly leave a yearning in the hearts of many. Promising to go out with an emotionally charged bang, Oli assures me that the Farewell Tour will be a celebration of Stornoway’s achievement: “We’re gonna want to do ourselves proud and put on an entertaining show for people.” I, for one, cannot wait.

Readers’ Photo Competition: deadline approaching!

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Calling all photographers, ‘grammers and anyone who has ever seen a pretty face!

Cherwell Visuals launches its second competition. The theme this time is portrait photography, and we’re accepting submissions of all types and levels, whether touched up or the original thing, a high-quality selfie or a group photo, whether your subject is formal or just buddies stumbling out a bop. Play around, discover some exciting light settings, choose between focusing on mise en scene or effects, find an old favourite: think about conventional portrait photography, about modern developments and everything that has to do with the creation of a person’s image, and send it all over with a two-line explanation to [email protected] !

The Visuals team will select the 5 best photos to publish in Cherwell‘s week 6 issue.

Submissions until fifth week, Wednesday 15 February.

Old&New: Turl Street’s tradition

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For twenty years, the Turl Street Arts Festival has challenged creatives to abandon traditional collegiate division and unite for a week-long showcase of the arts. Year on year, the festival has provided a platform for the leading literary, artistic and dramatic talent from Exeter, Jesus and Lincoln to celebrate and explore the exceptional fruits of their extra-curricular labour.

From Tolkien to le Carre, Alan Bennett to Dr. Seuss, the three colleges boast a peerless heritage. This is a sphere in which Turl Street stands alone; OX1’s central thoroughfare has hosted an incomparable embarrassment of creative riches.

The festival’s origins, however, were not found amongst these shining literary lights. In fact, for much of the mid-to- late 20th century, any notion of harmonious co-existence was undermined; an intense sense of rivalry gripped the participating colleges. The ‘Turl Street Dash’, a somewhat tribal pre-cursor to today’s artistic co-operation, saw each JCR invade, steal and vandalise their neighbouring adversaries. When the ‘dash’ descended into the infliction of injury and genuinely costly damage, the colleges came together to galvanise this destructive energy into an autumnal week of art and creativity.

In the twenty years since, this now-annual celebration has called for abstract exploration, with thematic threads spinning from ‘Pastoral’ to ‘Love’ across two decades of existence. This year’s conception, the ‘Zodiac’, is fittingly esoteric.

Whilst modernisation is undoubtedly on the cards, tradition has its place. So, as ever, one college will lead the event and the curation of its poetry, fiction, art and spoken word. For 2017, the baton falls to Exeter, the street’s oldest college, and this year’s copresidents Ed Wignall and Eleanor Begley.

For the festival’s anniversary offering, the committee have promised ‘concerts, workshops, exhibitions, plays, rehearsed readings, poetry. Wignall, a fourth-year classicist, encourages potential festival-goers to ‘witness for yourselves what’s possible when students stop grinding axes and start speaking the language of the arts’.

So it appears that Hilary will see this Turl Street institution come alive and perhaps, with its extensive budget and ambition, come of age.

The 20th anniversary Turl Street Arts Festival is running throughout fifth week, including an ambitious opening ceremony, writing and art workshops, a Cellar night and street fair. Like Turl Street Arts Festival 2017 on Facebook for more information on this fantastic programme of events.

The life and death of the millennial author

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You know the old stories. The ones in between the words. The ones that fill in the spaces between poems, between novels, between plays. The formative, catalysing, contextualising stories, that we only find if we delve deep into the lives of our favourite writers.

You know the ones I mean. Where Elizabeth Barrett ran away with Robert Browning after a courtship which began with Brown- ing sending Barrett a fan letter. She — later Elizabeth Barrett Browning—would come to immortalise their love in the sonnet beginning “How do I love thee? Let me count the ways”, or ‘Sonnet 43’.

What about this one? Where Steinbeck, social polemicist and great American naturalist author, wrote letters to his son in order to guide him through the trials and tribulations he would later encounter: giving him some sage advice about the heartbreak to come.

How we do know this? Because it is helpfully chronicled in the letters which the writers we study and adore sent to each other, or to their friends. Their correspondence now serves as what Gerard Genette calls ‘paratexts’: they have become a new way of viewing their work before or after the main text, allowing for more biographical detail or for a more contextualised reading of their contributions to the writerly craft. We know all about Milton’s piety, Woolf’s influences and Proust’s depression via their letters. Indeed, Alexander Pope even went to court when his letters were allegedly obtained and published against his will.

But consider your place in this. Yes, you, reading this. You, the budding writer who will define millennial literature. If it is indeed true that we all have a novel in us, presumably we all have enough comments and complaints and compliments to fill a compilation of our correspondence after our masterpieces are published.

Ordinarily, according to the literary customs with which we are familiar, your seminal post-post-modernist reflection on the selfie generation would be parcelled in a volume including your letters to your lovers and your friends and your parents, to shed light on what gave you that irrational hatred of the selfie stick.

Yet in the coming years, the years in which you will make your mark, this will be anything but the case. Not because you’re inept or dull, but because when you have a crush on someone, or when you want to send a congratulatory email to that poet whose work you really enjoyed in ASH, it will be via Messenger, binary which masks the words you chose with such care (or inebriation). When these paratexts are later collated into a compendium which could later reveal so much about the art you’ll one day produce, your good name will be tarnished by all those questionable messages you sent to your ex in the Bridge smoking area.

The implications are serious. If we know so very little about, say, Shakespeare, who lived before the days of easily-disseminated print records, what of us? It would appear that we are making a return to those days of literary mystery. Will someone study our sexualities based on fragments of drunken messages sent to that hottie you spotted in Plush and examine our work in light of it?

This isn’t necessarily a bad thing, though. Much of modern literary criticism is, as Ro- land Barthes helpfully pointed out, obsessed with the cult of authorial identity. He called for the “death of the author” so that the text is once again the be-all-and-end-all: he may, in a very roundabout way, have got his wish.

Because if we think about how our literary contexts might be shaped, the results aren’t going to be very satisfying to the reader. Perhaps a series of screenshots of drunk texts, or verbatim messages complete with time and GPS location stamps. The thought of reading the typo-ridden, hyperlink filled ruminations of this generation’s best and brightest doesn’t exactly make me tremble with anticipation.

However, the allure is never going to be your own. It will be for those who come after you. Regardless of paratexts and correspondence, the status of your work itself won’t be in question. You’ll still write that epic poem, or that visionary fantasy trilogy. And it is that which will lead some intrepid literary historians to trawl through Facebook’s archives, with permission from your estate, using your embarrassing password and the email account you made in Year Eight, to find the story of your life one way or another—as well as those high scores on Facebook football, and all those songs you posted on the wall of Burning Down the House to get cheaper entry into Cellar.

One way or another, your legacy will be preserved. The alternative, that we’re doomed to anonymity, is even more terrifying.

OxStu condemned as “fake news”

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The Oxford Student has suffered a major setback at the hands of the St Benet’s JCR.

Students of St Benet’s Permanent Private Hall (PPH), are locked in a battle with the non-independent university publication after it accused them, according to the motion’s proposer, of being “misogynistic Bullingdon members”, voted with a majority of 19 to 2 to “condemn the OxStu, and other fake news organisations, for being news that is fake, or fake news”.

The proposer told his JCR that passing the motion would “put us on the map and … will force the Cherwell to write pro Benet’s articles”. He went on to say that he “would like to condemn them [OxStu] and all other fake news like BuzzFeed, BBC, CNN, etc”.

Following the vote, St Benet’s student Sam Hodson told Cherwell: “Oxford fake news media outlet the OxStu has been messing with St Benet’s with so-called ‘banter’ for too long now. The only banter is their terrible organisation. Sad!”

The article in question appears to be neither archived nor existent on OxStu’s website. Instead the three items listed when a search is performed for articles including ‘Benet’s”, heap praise on the PPH for finally admitting female students in 2014, returning to OUSU membership, and fielding a candidate in an old race for Treasurer of the Union Society.

Hodson concluded: “Let this pronouncement mark the day we put the “edict” back into St Benedict”, an allusion to the PPH’s well-known Benedictine heritage.

Speaking to Cherwell, the proposer of the motion said: “For me, the only valid source of information nowadays is Cherwell, by whom we stand wholeheartedly. Let this be a warning to all crooked institutions who undermine and disrespect Benet’s… We will take you down.

“Anyone who says St Benet’s isn’t the biggest college in Oxford, anyone who says that we don’t have the best co-ed in town, or anyone who says they don’t know where Benet’s is – you are fake news.”

St Benet’s is a permanent private hall of 64 students.

The motion comes at a time of growing concern over the prominence of so-called “fake news”. The term was used to describe a multitude of deliberately false articles shared on social media in the run-up to the US election in November.

More recently, President Trump used the term as a means of denouncing CNN for reporting on rumoured CIA reports allegedly proving the President had consorted with Russian prostitutes.

Harry Forbes, a fresher at Magdalen, told Cherwell: “The words ‘fake news’ are bandied around far too much. Starting as a serious attempt by the left-wing media to silence anyone with a dissenting view, it now seems that anyone who disagrees with a media outlet deems it to be ‘fake news.’”

Forbes added: “From my experience of student journalism, it is probably a largely accurate one.”

The Oxford Student did not respond to a request for comment.

Somerville’s dank memes

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Somerville JCR last Sunday passed a motion mandating their secretary to include a “memes section” in their weekly notices.

The college’s JCR voted by a majority of 23 to 3 in favour of including “exactly five of the dankest memes” as a part of the JCR notices, which are sent weekly to students by email and contain information about college life.

The motion, tabled by Somerville JCR president Alex Crichton-Miller and seconded by secretary ‘KJ’ Kim, expressed the belief that students ought to be “encouraged to read the weekly notices”, resolving that this objective “may perhaps be achieved through memes”. The motion described the JCR notices in their previous form as “not fun, nor widely read”.

In its final version, the motion invites students to submit memes either by email or over Facebook to the JCR secretary who will then select five, including one “top meme”, the proponent of which will be awarded a “prize of three bop juice tokens”. Students are limited to one volunteered meme per week and memes need not necessarily relate directly to Somerville.

Questions over whether the introduction of memes to JCR literature will improve student involvement have divided students within the college.

One second-year Biochemist at Somerville, who wished to remain anonymous, told Cherwell that the change will likely prove “a great way of increasing the readership of motions subsequent, as people will pay more attention, even if only for the memes”.

However, this student added: “The idea that such a political college with so much attention to politics and ‘political correctness’ needs ‘dank memes’ to increase readers is ironic”, and was a sign that “most motions are irrelevant to the majority [of students]”.

A second-year Somerville biologist told Cherwell that he was “surprised that [the JCR] want to use memes” since they “seem to get offended by anything”, suggesting that future memes might be a fresh source of “controversy”.

“Hopefully it is a step towards the right direction, where, through memes, the people will eventually be able to throw off the yoke that the JCR offence-fanatic division holds over the institution.”

Ada Pospiszyl, one of the administrators of Facebook page Oxford Dank Memes Society, told Cherwell: “If they were to be Somerville related memes then it would be a very effective way to get people to engage with college news – reading the secretary’s notices would help you create more relevant content.

“It definitely isn’t a sign of dumbing down, quite the opposite. It’s not like there was ever a moment in the history of Oxford when people were genuinely interested in JCR politics, and introducing memes to the notices is a very clever way of potentially changing that and getting more people involved.”

This sentiment was echoed by the Facebook meme-page Memebridge, who told Cherwell the move could “be useful to provide some element of political engagement, but only if done correctly.” They reflected further that while memes “do provide a way to get people talking about things they wouldn’t normally consider… the fact that memes are being seen as a way to get people talking about college things is probably a sign that people aren’t engaged in it enough.”

Oxford’s Tinbergen Building to close following asbestos discovery

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The Tinbergen Building, which houses the Department of Zoology and Experimental Psychology, is set to close from Monday 13 February due to a major asbestos discovery.

An email sent this afternoon to all undergraduate students by Professors Kia Nobre and Ben Sheldon, Heads of Department for Experimental Zoology and Psychology, reassures students that they believe there to have been no risk to their health.

However they state that the majority of remaining practicals this term will be unable to go ahead, and that all lectures will be relocated for the remainder of the term.

The email reads: “As many of you will remember, over the past few months we have been surveying the building in order to be able to plan the removal of asbestos from areas of the building where it is unlikely to be disturbed.

“This week, more asbestos has been discovered in the building’s radiator housing units in more accessible parts of the building.

“We immediately want to reassure you that we do not believe there is, or has been, a health risk to ordinary users of the building, and more than 200 air quality readings, taken since September 2016, support this belief.

“However, this new asbestos which has been identified this week cannot be removed from these areas while the building is occupied. The University has, therefore, decided to close the building while these works are undertaken.

“This work will be carried out by licensed contractors, but regrettably we do not expect the building to reopen for around two years.”

A senior source in the department told Cherwell that the electrics and mains water need to be taken out before work can go ahead. The source also said that considering the state of the building, it could just be demolished.

Oxford University’s Pro-Vice Chancellor for Planning and Resources, William James, later informed Cherwell that the building’s demolition would be “one of many possibilities which we will be considering.”

He said that the University had been aware of asbestos contained in the building for some time, but that in recent weeks they had “been discovering more deposits of asbestos that we thought had already been recovered.”

James said he was confident that students’ lessons, lectures, and crucial laboratory work would be able to be “running well” from next Michaelmas term, although this may involve students being forced to move to other sites such as the Chemistry or Mathematics departments.

Degree requirements meaning students must complete a set amount of laboratory work may be dropped, the Pro-Vice Chancellor said, as the University attempts “to find a way of amending regulations so that nobody’s degree or progress will be affected by this process”.

A full set of practical classes will not be able to run for the second half of term. William James described the educational benefits which will be lost in the coming weeks for affected students as “a disappointment”.

Henry Grub, a first year Biological Sciences student, told Cherwell: “The department café was also giving away all the chocolate and sweets that they had stored—people are literally walking into lectures 20 mins late with boxes of chocolate. The café’s been looted.”

“The real problem is for the researchers. I saw many postdocs carrying all their research out of the building at some pace—they basically have the weekend to gut the building. Everyone’s in total shock.”

The building, located on South Parks road, is currently being refurbished and expanded by construction firm ISG.

The Tinbergen Building was built in 1970, named after Nikolaas Tinbergen—a former academic at the University and a joint recipient of the 1973 Nobel Prize for Physiology or Medicine.

Suzie Field-Marshall, a third year Biological Sciences student at Merton College, told Cherwell: “As a finalist, whose lectures all take place in Plant Sciences, this won’t actually affect me that much—my tutorials will probably just take place in individual tutor’s college rooms rather than their offices in the department.

“It’ll inconvenience first year undergrads and DPhil students most, I imagine, as they’ll need to find alternative labs to do their practical work.”

Second year biologists have been voicing their reactions via Facebook.

One user wrote: “I love the concrete behemouth [sic] that is the Tinbergen building”.

Another wrote: “It was home! I feel like I’ve just been kicked out of home”.

However, one first year DPhil student was more ambivalent, saying: “It was an ugly building anyway”.

 

Additional reporting by Felix Pope and Jack Hunter. 

Oxford man arrested after 164 stolen bikes found in back garden

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Thames Valley police have arrested a man suspected of handling stolen goods, after 164 bicycles were found in his garden.

The man, 48, was seen by police handling two bikes on Monday afternoon near his home in Littlemore, a suburban district of Oxford.

The police discovered that the two bikes he was carrying were stolen, and are currently in the process of checking the other 164 bikes found in his garden. The man has been placed on bail until 8 May while the police continue to investigate.

On Tuesday, Thames Valley Police tweeted: “160+ bikes seized as a re- sult of a house search following the arrest of a male in Oxford. If we nd yours, we will be in touch. #TVP”

Charlotte Molony, a third-year linguist from St. Catherine’s College, told Cherwell: “Bike theft is a serious problem in Oxford and most cyclists I know have had at least one bike stolen. It is a form of organised crime and it is positive to see the police taking measures against it.”

First year Chemist Eleanor Frew commented: “So many of us cyclists rely on our bikes to get around, and saving 20 minutes a day getting to and from lectures can help out more than we realise. Having this taken away is an added stress in the already hectic life on an Oxford student, so my heart goes out to all affected.”

Pembroke student Julia Cockcroft, who has been a victim of bike theft in the past, said: “my bike was stolen from outside Pembroke College entrance (I had left it there whilst I popped into college rather than taking it securely inside college) during my prelims in 2015 and I had been using it to get to all of my exams up in Summertown. I know recently we’ve had an incident of someone tailgating a student into college and stealing a bike too!”