Verity Stuart
2017: The year of Jack Antonoff
Few producers expose the emotions of female artists like the man who has come to define pop
Popular
Wes Anderson’s films are nostalgic for the present
For Daniel Gonsales, Anderson’s playful films pair loneliness with joy.
Childhood’s Clarity in ‘The Ocean at the End of the Lane’
The Ocean at the End of the Lane opens with an epigraph from Maurice Sendak, “I remember my own childhood vividly… I knew terrible things. But I knew I mustn’t let adults know I knew. It would scare them.”
Oxford should not accept billionaires’ vanity projects
Oxford’s continued acceptance of donations by the super rich like Blavatnik is rotten to the core.
Top Five Must-See ‘Coming of Age’ Films
"‘Coming of age’ isn’t just an umbrella term for drippy films caught up in teenage drama"
The Taste of Success
Julia Alsop speaks to MasterChef finalist and Oxford PhD student, Nawamin Pinpathomrat
