Avril Lavigne
 Under My Skin
 Out Now Avril Lavigne is a strikingly attractive woman. Her huge dark
 eyes, lank hair and ripped jeans make her the perfect
 ‘alternative’ preteen crush. She is so attractive, in
 fact, that she is positively diverting. Which is more than can be
 said of her music.  For those with extremely short memories, Radio 2 picked up her
 debut single ‘Complicated’ back in 2002 and unwittingly
 created a phenomenon. Fourteen million copies of her first album
 Let’s Go later, and she returns with her sophomore effort,
 Under My Skin. Lavigne is now at the same crossroads faced by
 artists like Alanis Morissette, who sold a similarly staggering
 number of her debut Jagged Little Pill. Her follow-up Supposedly
 Former Infatuation Junkie took a risk in exploring a less
 commercial sound. Lavigne has taken no such a gamble.  Under My Skin feels distinctly like a retread of Let’s
 Go. There is the merest hint of a heavier direction thanks to the
 crunching guitars on ‘I Always Get What I Want’ and
 ‘Freak Out’. Production duo ‘The Matrix’ have
 been replaced after a wrangle over song-crediting by Chantal
 Kreviazuk, most recognizable for songs featured on Dawson’s
 Creek.  Whilst the guitar amps have been turned up, lyrically Lavigne
 is back in the same safe territory – the traumas of being a
 teenager. First single and album highlight ‘Don’t Tell
 Me’ describes the perils of an oversexed boyfriend and is
 probably a reference to Lavigne’s vow of chastity.
 ‘Forgotten’ describes the end of a messy relationship,
 and ‘Fall to Pieces’ tells of becoming emotionally
 dependent on someone else. It’s as generic and as universal
 as any record label executive could want.  Lavigne has a writing credit on every song, but this is no
 guarantee of quality. ‘Slipped Away’, dedicated to her
 dead grandfather, does her no favours, (“I miss you/I miss
 you so bad/I don’t forget you/Oh it’s so sad”).
 Poetry it ain’t. Lavigne is a talented singer , but the
 overall impression is of a pretty face acting as a front for the
 boardroom, targeting a specific demographic. There is nothing
 that suggests Under My Skin won’t shift another few million
 CDs to a misunderstood youth. The irony is that the record
 companies understand them enough to produce albums perfectly
 targeted to prise away their pocket money.ARCHIVE: 5th week TT 2004 


 
                                    