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UrbanObserver
Sunday, February 23, 2025
Oxford's oldest independent student newspaper, est. 1920
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Anoushka Kavanagh
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A woman weaving herself into history
Hypnotising acidic colours scream out for Anoushka Kavanagh’s attention
Life Divided: The case against black tie
Anoushka Kavanagh formally disagrees with formal attire
A little creativity can change a lot about the way we protest
Anoushka Kavanagh reports on the art-activist collective creating playful new forms of direct action
Pastel pink speculums, embroidered condoms, and art for reproductive freedom
Anoushka Kavanagh explains why protest art is now more important than ever
Rhetoric and realism in ‘Raphael: The Drawings’
Anoushka Kavanagh is impressed by the Renaissance master’s gift for story-telling and imaginative flare in the Ashmolean’s new exhibition
Don picks up Royal Society prize
Oxford mathematician Andrew Wiles awarded the Copley Medal
A new era of repressive state censorship dawns over Russian art
Anoushka Kavanagh dispels the religious disguises of violations on creative and political freedom
A tempestuous tribute to a perplexing artist
Anoushka Kavanagh is confronted by an ouevre permeated by emotional and creative conflict in Giacometti’s retrospective at the Tate Modern
“Careless” press pigeonholes artists that deserve far more
Anoushka Kavanagh warns against letting Brexit derail the conversation around race and art
Acting out against commoditisation in art
Anoushka Kavanagh considers resistance to the shifting role of the consumer
Rebels, romance, punk and fashion houses
Anoushka Kavanagh explores the subversive tradition of black clothing in history
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