News
Opinion
Culture
Books
Film
Music
The Source
Columns
Arrogant, Offensive, Truth Twisters
Auntythetical
Behind The Screens
Brain Freeze
Haute Kosher
Hysterical Histories
Off The Rails
Pens, Paper, and Panic
Features
Innovation
Business & Finance
Science & Technology
Lifestyle
Food
Rusty Kate
Profiles
Sport
Search
UrbanObserver
Wednesday, February 5, 2025
Oxford's oldest independent student newspaper, est. 1920
Facebook
Instagram
Twitter
News
Opinion
Features
Profiles
Culture
Books
Film
Fashion
Theatre
Music
Art
Lifestyle
Sport
Print Editions
More
About
Puzzles
Search
News
Opinion
Features
Profiles
Culture
Books
Film
Fashion
Theatre
Music
Art
Lifestyle
Sport
Print Editions
More
About
Puzzles
Search
Franklin Nelson
Author's Latest
Search
Review: The Tempest – ‘exploit the comic potential in Shakespeare’s verse’
RJ Productions present an enjoyable rendition of Shakespeare’s last solo-authored play, whose strongest points lie in its subtler elements
Review: Lemons Lemons Lemons Lemons Lemons – ‘complex but never cumbersome’
With a compelling performance and effective use of lighting and music, Dromadaire Productions encourages us to consider the importance of communication
Review: Allotment – ‘as if the audience is intruding upon the sisters’ realm’
MuckyOven Productions present an intriguing play about gardening, sisterhood and the passing of time.
In Search of a Poet
Exploring the history and the hype behind the role of the Oxford Professor of Poetry
Rego’s Abortion Pastels: An artistic fight against stigma
The pastels of Paula Rego reclaim marginalised women from state-sanctioned shame.
The Intricacies of Married Life
Exploring the themes of illict love, friendship and bereavement in Tessa Hadley’s 'Late in the Day'.
Fantastic Cities: unveiling the complex realities, and fantasies, of urban life
A review of the Penny Woolcock exhibition at Modern Art Oxford
‘Black Men Walking’ – Review
An exuberant meditation on nature, belonging, and blackness
Beautiful Thing review – ‘Ruckus Productions has certainly made some noise’
Franklin Nelson is impressed by this rendition of a thoughtful, timeless coming-of-age drama
Follow us
Facebook
Instagram
Twitter