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Keep Off The Grass
John Evelyn
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Keep Off The Grass
John Evelyn
Making the Weather: Six Politicians Who Shaped Modern Britain...
Oxford state school offer rate has decreased over the...
Revealed: Oxford Vice-Chancellor Tracey’s £47k expense claims
Tom Egerton: “There’s no point judging a prime minister...
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Oxford's oldest student newspaper
Independent since 1920
News
Comment
Features
Sport
Profiles
Life
Food
Culture
Books
Art
Culture
Music
Film
Stage
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The Source (Creative Writing)
Puzzles
Print Editions
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Cartoon
Keep Off The Grass
John Evelyn
Jacob Williamson
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Review: The Girl with the Dragon Tattoo
Jacob Williamson delves into the depths of David Fincher's mind in this murky thriller
Review: Hugo
Jacob Williamson is touched by Martin Scorsese's unexpected offering
Review: Moneyball
Jacob Williamson is impressed by this intelligent sports film
Review: My Week with Marilyn
Jacob Williamson is charmed by a hazy portrait of the cultural icon
Review: The Ides of March
Jacob Williamson is finds the ends justify the means in The Ides of March
Review: Midnight in Paris
Jacob Williamson is ultimately won over by Woody Allen's french fancy
Pictures speak louder than words
Jacob Williamson vents his frustration with subtitled films
Review: Crazy, Stupid Love
Jacob Williamson takes a look at the new comedy starring Steve Carrell and Ryan Gosling
Have they got news for you?
Jacob Williamson considers the future of print media after viewing Page One: A Year Inside the New York Times
No Benefits
Jacob Williamson doesn’t see the attraction in Justin Timberlake and Mila Kunis’ new romcom
From the Sublime to the Riddikulus: Part 2
Was the magic really there? Cherwell takes a look back over the
Harry Potter
film series and says... Yes. Well, maybe.
An American parable
Jacob Williamson takes a look back at
The Social Network
and thinks about why its issues and ideas will continue to matter
Review: The Tree of Life
Not exactly a review: Jacob Williamson struggles to come to grips with
The Tree of Life
Review: Submarine
Jacob Williamson weighs up Richard Ayoade's directorial debut
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