Kate O'Sullivan, Author at Cherwell

Out of the Frame: Botticelli’s La Primavera

Approaching the end of term and after a period of delay, spring has finally sprung. It is a time of the year which is...

Out of the Frame: Gericault’s Raft of the Medusa

The act of representing the truth is something which is made more complicated than it needs to be: we post pictures of ourselves after...

Out of the Frame: Holbein’s The Ambassadors

Just as the modern media exploit images to convey particular themes and rouse responses, the painters of the past were careful in choosing what...

Out of the Frame: Praxiteles’ Aphrodite of Knidos

As long as humanity has existed, art has followed in its wake. Whether to tell a story, send a political message, decorate an environment...

Review: Bridge Theatre’s A Midsummer Night’s Dream

Set in the mystical woodlands surrounding Athens, with its cocktail of magic, love triangles, and donkey-human hybrids, Shakespeare’s A Midsummer Night’s Dream has always...

Review: Endgame – ‘Nothing is funnier than unhappiness’

A literary map of Oxford

Should we judge a book by its cover?

Blood is compulsory: The films of Martin McDonagh

Kate O'Sullivan

Out of the Frame: Botticelli’s La Primavera

Out of the Frame: Gericault’s Raft of the Medusa

Out of the Frame: Holbein’s The Ambassadors

Out of the Frame: Praxiteles’ Aphrodite of Knidos

Review: Bridge Theatre’s A Midsummer Night’s Dream

Explore

Follow us