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UrbanObserver
Wednesday, February 5, 2025
Oxford's oldest independent student newspaper, est. 1920
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Mark Barclay
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Review: Copenhagen
Mark Barclay tackles quantum theory and self referentiality at the Pilch
Review: A Midsummer Night’s Dream – OUDS Summer Tour
Mark Barclay loses himself in the OUDS Summer Tour production in London
Escher and the contradiction
Mark Barclay surveys the first ever Escher retrospective
Proximity: Review
Cherwell has a convert to contemporary dance
Preview: Proximity
Mark Barclay tries to hide the fact he's a terrible dancer with fancy words
Review: Breathing Corpses
Mark Barclay admires the ambition of this innovative production
Somerville fights gender binaries
JCR passes provisional motion to replace ‘he’/’she’ with ‘they’
Review: Pentecost
Mark Barclay wishes more productions go where this one dares to go
Review: If Alice
Mark Barclay reviews his favourite show of the term this far
A view from the Cheap Seat- Third Week MT 15
'Youth... a time when an actor becomes an actor' - except if you are Cherwell Stage Critic Mark Barclay
Profile: Ingrid Betancourt
Mark Barclay explores the life of the Colombian politician Ingrid Betancourt
Ruffian on the Stair
Mark Barclay is amused and appalled. Which is the right response?
A View From the Cheap Seat
Failed Actor, Super Bitch critic Mark Barclay takes us through second week's theatrical offerings
A View from the cheap seats
List of potential plays for MT15, notes
Michaelmas Highlights
All the latest gossip on what's hot on the Oxford stage this term
Remembrance of theatre past
Mark Barclay wistfully recalls the idealism of freshers’ week
Why social media doesn’t promote social justice
Mark Barclay argues that social media ultimately fails to tackle the world's problems
Was Cumberbatch right?
Mark Barclay asks why nobody questioned Benedict's latest outburst
Video and Theatre
Mark Barclay explores the possibility of a symbiosis of video and theatre - or an invasion of one by the other
Teenage flicks right through the night
Marc Barclay questions how exactly adolescent audiences are keeping cinemas open in the dark days of piracy and Netflix
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