News
Opinion
Culture
Books
Film
Music
The Source
Columns
Arrogant, Offensive, Truth Twisters
Auntythetical
Behind The Screens
Brain Freeze
Haute Kosher
Hysterical Histories
Off The Rails
Pens, Paper, and Panic
Features
Innovation
Business & Finance
Science & Technology
Lifestyle
Food
Rusty Kate
Profiles
Sport
Search
UrbanObserver
Saturday, February 22, 2025
Oxford's oldest independent student newspaper, est. 1920
Facebook
Instagram
Twitter
News
Opinion
Features
Profiles
Culture
Books
Film
Fashion
Theatre
Music
Art
Lifestyle
Sport
Print Editions
More
About
Puzzles
Search
News
Opinion
Features
Profiles
Culture
Books
Film
Fashion
Theatre
Music
Art
Lifestyle
Sport
Print Editions
More
About
Puzzles
Search
Natasha Frost
Author's Latest
Search
Review: King Charles, Jericho Tavern
Natasha Frost spends a cosy evening in at the Jericho Tavern
Review: The New Men – Take to the Skies
Natasha Frost is pleasantly surprised by the choral students gone rogue
Kreayshawn: in the beginning
Natasha Frost talks to the 'faceless + RAPBITCH' YouTube sensation Natassia Zolot and asks, can girls rap?
One to watch: Clean Bandit
Natasha Frost introduces a new classical/hip hop/electronica band
Review: Brian Eno & Rick Holland – Panic Of Looking
Natasha Frost is bored, bothered and bewildered by Brian Eno's latest EP
Review: King Krule – King Krule
Hotly tipped seventeen year old Archy Marshall's debut EP is well received by Natasha Frost
Review: DRC Music – Kinshasa One Two
Damon Albarn's latest project, fusing Western electronica with the traditional music of the DRC, is a patchy but rewarding listen, writes Natasha Frost
Review: Patrick Wolf, O2 Academy
Natasha Frost describes Patrick Wolf's captivating recent performance at Oxford's O2 Academy on 31st October
Review: M83 – Hurry Up, We’re Dreaming
Natasha Frost tackles the hefty double album from one-man stadium-shoegaze pop sensation Anthony Gonzales (M83).
Review: James Blake – Enough Thunder EP
Natasha Frost takes a look at
Enough Thunder
, the new EP from ‘post-dubstep’ sensation James Blake
Review: CANT – Dreams Come True
Natasha Frost dissects the first solo release from Grizzly Bear bassist and producer wunderkind Chris Taylor
Review: Beirut – The Rip Tide
Natasha Frost takes a look at Beirut’s first album in four years. Is the Balkan-folk-pop formula still a winning one?
1
2
Page 2 of 2
Follow us
Facebook
Instagram
Twitter