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UrbanObserver
Monday, March 3, 2025
Oxford's oldest independent student newspaper, est. 1920
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Sam Joyce
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Cinema: dead as a dodo?
Sam Joyce on why cinema is in a self-made terminal decline
‘Pretty Girls’ and Pop’s Postmodern Moment
Sam Joyce explains how Britney’s ‘Pretty Girls’ is the end of pop postmodernism
Oxford’s part in the rise of the Grrrl Zine
Sam Joyce speaks to the organisers of next week's GRRL zine fair at Freud's about the future of the format
Review: Clouds of Sils Maria
Sam Joyce is beguiled by Olivier Assayas' cerebral, sublime new film
Review: Mariah Carey – #1 to Infinity
Sam Joyce is wary of this rehash of greatest hits
In Defence Of: The Canyons
Sam Joyce argues to free this Lindsay Lohan vehicle from its trainwreck reputation
Review: Snoop Dog – Bush
Sam Joyce is delighted to see Snoop and Pharrell reunited
Tumblr: Where aesthetics meets activism
Sam Joyce discusses the impact of social media on the modelling industry
In Defence Of: Jennifer’s Body
Sam Joyce defends Megan Fox's quasi-feminist horror-comedy
Where cannes we go from here?
Sam Joyce explains why the currently ongoing Cannes Film Festival is suffering from an identity crisis
In Defence Of: Marie Antoinette
Sam Joyce argues Sofia Coppola's pastel-coloured teen movie has been unfairly maligned
Review: Toro y Moi – What For
Sam Joyce is impressed by a subtle new direction from Toro Y Moi
Review: Lost River
Ryan Gosling loses himself beneath his influences, in his stylish but messy directorial debut, Sam Joyce writes
Review: Still Alice
An Oscar-winning Julianne Moore is left in search of a film, in this Alzheimer's drama
Review: Mommy
Sam Joyce finds Xavier Dolan's latest oedipal family drama to be a revelation.
Gerard’s Way of getting things done
Sam Joyce talks comics and new solo LPs with My Chemical Romance's frontman
Review: Mortdecai
Sam Joyce thinks that Mortdecai is another nail in the coffin of Johnny Depp’s career
Redesigned junction is “an accident waiting to happen”
Cycling safety groups have warned of confusing signs at newly opened Hythe Street junction
Review: Charli XCX – Sucker
Sam Joyce finds Charli XCX's 'Sucker' a refreshing pop offering with all the sugary sweet trimmings
Why the two-part finale is not as new as you think
Sam Joyce argues that the split finale is a relic of cinema's past
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