Sam Joyce
In Defence Of: Jennifer’s Body
Sam Joyce defends Megan Fox's quasi-feminist horror-comedy
Where cannes we go from here?
Sam Joyce explains why the currently ongoing Cannes Film Festival is suffering from an identity crisis
In Defence Of: Marie Antoinette
Sam Joyce argues Sofia Coppola's pastel-coloured teen movie has been unfairly maligned
Review: Toro y Moi – What For
Sam Joyce is impressed by a subtle new direction from Toro Y Moi
Review: Lost River
Ryan Gosling loses himself beneath his influences, in his stylish but messy directorial debut, Sam Joyce writes
Review: Still Alice
An Oscar-winning Julianne Moore is left in search of a film, in this Alzheimer's drama
Review: Mommy
Sam Joyce finds Xavier Dolan's latest oedipal family drama to be a revelation.
Gerard’s Way of getting things done
Sam Joyce talks comics and new solo LPs with My Chemical Romance's frontman
Review: Mortdecai
Sam Joyce thinks that Mortdecai is another nail in the coffin of Johnny Depp’s career
Redesigned junction is “an accident waiting to happen”
Cycling safety groups have warned of confusing signs at newly opened Hythe Street junction
Review: Charli XCX – Sucker
Sam Joyce finds Charli XCX's 'Sucker' a refreshing pop offering with all the sugary sweet trimmings
Why the two-part finale is not as new as you think
Sam Joyce argues that the split finale is a relic of cinema's past
Awards don’t matter
Sam Joyce argues that movie awards are much ado about nothing
Review: Interstellar
Sam Joyce finds Christopher Nolan's latest film ambitious, if unfulfilling
