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Books

A literary map of Oxford

Below is the perfect afternoon dawdle, chasing the ghosts of literary greats through the town.

Should we judge a book by its cover?

Maybe we need to start giving a chance to the books we wouldn't usually take a second glance at. 

Reinventing the epistolary novel

It looks like, then, the epistolary novel isn’t dying out completely—just reinventing itself.

Review: May We Be Forgiven by A.M Homes

Weird and wonderful. Heavy at times, strange throughout, but uplifting to the end. An incredible read.

The best books I read this summer

In a desperate attempt to extend the holiday, here are the best books I read this summer...

Best Reads of 2020

Hamnet — Maggie O’Farrell The subtle majesty of Hamnet, Maggie O’Farrell’s eighth novel,would have been welcome in any year, but it was a particular blessing...

A swing of the pendulum: the horror literature that’s making its way up

"Modern academics are reexamining genre fiction, helped by a number of critical movements breaking down literary elitism, and there’s a world of horror which is intelligent, complex and, most importantly, terrifying."

Cherwell Recommends: Bildungsroman

"Are we destined to become who we are as adults, or are we formed by our experiences on the way? It happens to all of us, but the process of growing up continues to fascinate writers, artists, and filmmakers, for it surrounds the struggle to forge an identity in a chaotic and often harsh environment."

Forgive me, Katherine Mansfield, for I have sinned.

"The essay I would go on to write, and, reader, the article I had drafted and readied for this very publication, would, I see now, have Mansfield, alongside pretty much every other writer of fiction, willing to cross both space and time in order to beat me around the head with a copy of Crime and Punishment."

Cherwell Recommends: Memoir

"Memoir is an exploration of the complex layers of human memory: fallible, emotional and moulded by subsequent reflection. Like life itself, memoir is messy - but all the more enjoyable for it."

Atmospheric autumn reads: ‘Cemetery Boys’

"The novel shows us a utopian vision in which our ghosts can be cathartically released, in which rebirth and renewal is possible."

Cherwell Recommends: Feminist Fiction

"Each of this week’s recommendations demonstrate that female voices are far more nuanced and diverse than fiction has traditionally led us to believe."

Identity and Identicality in Brit Bennett’s The Vanishing Half

"Tender and thought-provoking, The Vanishing Half offers a reflection on whether a person can choose who they are. In a world where Stella and Desiree represent black and white, Bennett embraces the grey area of personal, racial, and gendered identity."

Cherwell Recommends: Historical Fiction

"This week’s recommendations each represent a unique “texture of lived experience” to perfection, proving that historical fiction is a genre full of excitement and experimentation, and one that also demands to be taken seriously."

Review: Midnight Sun

"Even as a firm member of Team Edward, 756 pages of Edward tormenting himself over a girl is fundamentally tedious."

The power of perspective: how the narrative lens can transform a story

"The authority of the white and male point of view is undermined when voices that have been silenced for so long are finally given the opportunity to speak out, and to tell the story anew. This process of re-reading applies, perhaps most crucially, to history itself."

A Prize of One’s Own: do we really need the Women’s Prize for Fiction?

”Since the prize’s inception, it has faced backlash from women and men alike, with accusations of misandry thrown at the gender criterion and with some critics suggesting that the prize is patronising and belittling to the women that win it.”

‘The knack of living’: Pond by Claire-Louise Bennett

"Pond is the exemplary proof that ‘the knack of living’ lies in attending to such ‘small matters’ as the number of spoonfuls of sugar added to a cup of coffee."

Will there be a COVID-19 novel?

"After months of quarantining, of Zoom calls and empty supermarket shelves, it feels foolish to suggest we’ll emerge from this crisis as the same people as we were when we entered it. Consequently, our writing must also change."

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