Thursday 30th April 2026

Books

Why you should spring clean your bookshelf this Trinity

In the Northern Hemisphere, astronomers mark the beginning of spring on the date of the spring equinox. This year, it falls on the 20th of March. For Oxonians, spring...

‘People are so hungry to create together’: Lisa Ko on going analogue, crafting, and writing the future

It’s 11:02am in New York when Lisa Ko appears on the video call. In Oxford, the sun is almost down.

Translating Oxford into Urdu

It’s a different emotion whenever I read the Urdu language. I’m not a native speaker, nor have I actively pursued learning the language, but as someone who finds solace in reading shayari (Urdu poetry), I wanted to follow it even in Oxford.

Well-educated, fairly bred, but without money: Gissing’s ‘Collected Short Stories’

Hassan Akram reviews the Collected Short Stories of George Gissing, edited and introduced by Pierre Coustillas.

Wings and Words: why you should read Grief Is The Thing With Feathers

Recalling the first time I read Grief, on a thankfully empty train, I’m very glad no one was present to witness what must have been a harrowing and confusing parade of expressions as I progressed. It’s a few hours I will never regret.

Best Reads of 2020

Hamnet — Maggie O’Farrell The subtle majesty of Hamnet, Maggie O’Farrell’s eighth novel,would have been welcome in any year, but it was a particular blessing...

A swing of the pendulum: the horror literature that’s making its way up

"Modern academics are reexamining genre fiction, helped by a number of critical movements breaking down literary elitism, and there’s a world of horror which is intelligent, complex and, most importantly, terrifying."

Cherwell Recommends: Bildungsroman

"Are we destined to become who we are as adults, or are we formed by our experiences on the way? It happens to all of us, but the process of growing up continues to fascinate writers, artists, and filmmakers, for it surrounds the struggle to forge an identity in a chaotic and often harsh environment."

Forgive me, Katherine Mansfield, for I have sinned.

"The essay I would go on to write, and, reader, the article I had drafted and readied for this very publication, would, I see now, have Mansfield, alongside pretty much every other writer of fiction, willing to cross both space and time in order to beat me around the head with a copy of Crime and Punishment."

Cherwell Recommends: Memoir

"Memoir is an exploration of the complex layers of human memory: fallible, emotional and moulded by subsequent reflection. Like life itself, memoir is messy - but all the more enjoyable for it."

Atmospheric autumn reads: ‘Cemetery Boys’

"The novel shows us a utopian vision in which our ghosts can be cathartically released, in which rebirth and renewal is possible."

Cherwell Recommends: Feminist Fiction

"Each of this week’s recommendations demonstrate that female voices are far more nuanced and diverse than fiction has traditionally led us to believe."

Identity and Identicality in Brit Bennett’s The Vanishing Half

"Tender and thought-provoking, The Vanishing Half offers a reflection on whether a person can choose who they are. In a world where Stella and Desiree represent black and white, Bennett embraces the grey area of personal, racial, and gendered identity."

Cherwell Recommends: Historical Fiction

"This week’s recommendations each represent a unique “texture of lived experience” to perfection, proving that historical fiction is a genre full of excitement and experimentation, and one that also demands to be taken seriously."

Review: Midnight Sun

"Even as a firm member of Team Edward, 756 pages of Edward tormenting himself over a girl is fundamentally tedious."

The power of perspective: how the narrative lens can transform a story

"The authority of the white and male point of view is undermined when voices that have been silenced for so long are finally given the opportunity to speak out, and to tell the story anew. This process of re-reading applies, perhaps most crucially, to history itself."

A Prize of One’s Own: do we really need the Women’s Prize for Fiction?

”Since the prize’s inception, it has faced backlash from women and men alike, with accusations of misandry thrown at the gender criterion and with some critics suggesting that the prize is patronising and belittling to the women that win it.”

‘The knack of living’: Pond by Claire-Louise Bennett

"Pond is the exemplary proof that ‘the knack of living’ lies in attending to such ‘small matters’ as the number of spoonfuls of sugar added to a cup of coffee."

Will there be a COVID-19 novel?

"After months of quarantining, of Zoom calls and empty supermarket shelves, it feels foolish to suggest we’ll emerge from this crisis as the same people as we were when we entered it. Consequently, our writing must also change."

Review: The Silent Patient

"If you’re looking for a good book, I’d give this one a miss, but I will it give it one thing- The Silent Patient is accidentally hilarious."

Literature festivals of the future

"As idyllic as it sounds to vanish for a few days to the literary haven of Hay-on-Wye, for many, financial and geographic constraints curtail the prospect of reaching the so-called ‘Woodstock of the mind’."

Avonlea Revisited: what children’s classics offer for adult readers

"Revisiting these childhood classics gives us an important reminder for these definitely non-normative times: seek happiness in the unlikeliest places. Love is patient, love is kind, but it is also a little shy and very, very funny."

Review: The Places I’ve Cried in Public

"The book tackles abusive relationships in a way that allows younger (and older) readers to realise the many forms abuse can take."

Friday Favourite: The Cairo Trilogy

“A historical allegory that mirrors political events through the livelihood of the Al-Jawad family, it is a seminal work of modern Arabic literature and is crucial to understanding Egypt’s modern history, society and culture.”

Follow us