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Books

Defiance: Racial Injustice, Police Brutality, A Sister’s Fight for the Truth by Janet Alder

At Oxford’s Wesley Memorial Church, Janet Alder offered a harrowing and unflinching account of resilience in the face of systemic injustice.

Review: Making the Weather: Six Politicians Who Shaped Modern Britain by Vernon Bogdanor

Six essays are included here, one for each Carlylean “great man”, covering biographical and ideological context as well as political analysis.

A literary map of Oxford

Look no further for the perfect afternoon dawdle, as you chase the ghosts of literary greats through the town.

Should we judge a book by its cover?

Maybe we need to start giving a chance to the books we wouldn't usually take a second glance at. 

Reinventing the epistolary novel

It looks like, then, the epistolary novel isn’t dying out completely—just reinventing itself.

‘Ah, bitter chill it was!’: John Keats, the winter Romantic

If these next months feel dreary and dark, as they undoubtedly will, do seek solace in the strange, mysterious world of Romantics.

Wings and Words: why you should read Grief Is The Thing With Feathers

Recalling the first time I read Grief, on a thankfully empty train, I’m very glad no one was present to witness what must have been a harrowing and confusing parade of expressions as I progressed. It’s a few hours I will never regret.

Best Reads of 2020

Hamnet — Maggie O’Farrell The subtle majesty of Hamnet, Maggie O’Farrell’s eighth novel,would have been welcome in any year, but it was a particular blessing...

A swing of the pendulum: the horror literature that’s making its way up

"Modern academics are reexamining genre fiction, helped by a number of critical movements breaking down literary elitism, and there’s a world of horror which is intelligent, complex and, most importantly, terrifying."

Cherwell Recommends: Bildungsroman

"Are we destined to become who we are as adults, or are we formed by our experiences on the way? It happens to all of us, but the process of growing up continues to fascinate writers, artists, and filmmakers, for it surrounds the struggle to forge an identity in a chaotic and often harsh environment."

Forgive me, Katherine Mansfield, for I have sinned.

"The essay I would go on to write, and, reader, the article I had drafted and readied for this very publication, would, I see now, have Mansfield, alongside pretty much every other writer of fiction, willing to cross both space and time in order to beat me around the head with a copy of Crime and Punishment."

Cherwell Recommends: Memoir

"Memoir is an exploration of the complex layers of human memory: fallible, emotional and moulded by subsequent reflection. Like life itself, memoir is messy - but all the more enjoyable for it."

Atmospheric autumn reads: ‘Cemetery Boys’

"The novel shows us a utopian vision in which our ghosts can be cathartically released, in which rebirth and renewal is possible."

Cherwell Recommends: Feminist Fiction

"Each of this week’s recommendations demonstrate that female voices are far more nuanced and diverse than fiction has traditionally led us to believe."

Identity and Identicality in Brit Bennett’s The Vanishing Half

"Tender and thought-provoking, The Vanishing Half offers a reflection on whether a person can choose who they are. In a world where Stella and Desiree represent black and white, Bennett embraces the grey area of personal, racial, and gendered identity."

Cherwell Recommends: Historical Fiction

"This week’s recommendations each represent a unique “texture of lived experience” to perfection, proving that historical fiction is a genre full of excitement and experimentation, and one that also demands to be taken seriously."

Review: Midnight Sun

"Even as a firm member of Team Edward, 756 pages of Edward tormenting himself over a girl is fundamentally tedious."

The power of perspective: how the narrative lens can transform a story

"The authority of the white and male point of view is undermined when voices that have been silenced for so long are finally given the opportunity to speak out, and to tell the story anew. This process of re-reading applies, perhaps most crucially, to history itself."

A Prize of One’s Own: do we really need the Women’s Prize for Fiction?

”Since the prize’s inception, it has faced backlash from women and men alike, with accusations of misandry thrown at the gender criterion and with some critics suggesting that the prize is patronising and belittling to the women that win it.”

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