Film

The ‘Obsession’ Obsession

'Obsession' is a taste of what the next generation of filmmakers looks like.

Culture Willow Jopp -

Nonsense and sensibility: Adapting Austen for the screen

It is a truth universally acknowledged that not all Jane Austen adaptations are created equal.

Culture Abigail Christie -

OUFF’s ‘The Oxford Tales’: Celebrating student filmmaking at Oxford

It’s no secret that Oxford has long been an idealised location for film sets; official-looking SUVs with blacked-out windows and attendants in high vis parading up and down Catte Street and around the Rad Cam are a not-unfamiliar sight.

Culture Amy Lawson -

Oxford on-screen: Historical atmosphere and fantasy worlds

Ideally, we should strike a balance; an awareness of the reality of life at Oxford can co-exist with an appreciation of its grand architecture and historical atmosphere.

Culture Siena Tracey -

Latest

Review: Beetlejuice, Beetlejuice

Burton’s famous gift for mixing the dark and eerie with the fun and satirical shines through once again.

Oxford Horror Soc, un-earthed

The Oxford Horror Soc, led by Izzy Reese, is Oxford’s first and only society dedicated to the on-screen horror genre.

Review: Joker: Folie à Deux

Joker: Folie a Deux is ultimately too disjointed and unnecessary to win Oscars or make headlines.

The Graduate took on generational divides

From its start, The Graduate shows its audience that Ben is alienated from the older generations. At the party his parents throw to celebrate...

Dame Maggie Smith’s Oxford beginnings, from Mansfield to McGonagall

Now nearly a month since the news of the actress’ death, aged 89, we can reflect on Smith’s extraordinary career and her connections to the city that started it all.

Review: Will Heaven Fall on Us? A Béla Tarr Retrospective

Will Heaven Fall on Us? A Béla Tarr Retrospective, which aired in cinemas this summer, confirms the status of the Hungarian director as an...

Has the romantic comedy lost its charm?

The romantic comedy genre is often criticised for its overreliance on tropes. The romcom is, after all by, designed to be light and fun....

Film around the world: Japan’s Harakiri

It is not The Godfather or The Shawshank Redemption or any Hollywood epic that is the highest rated film on the app ‘Letterboxd’ (a...

Denis Villeneuve’s Dune

In 1984, shortly after the epic finale to the (original) Star Wars trilogy was in theatres, David Lynch’s Dune treated audiences to, in the...

Film around the world: Germany’s The Lives of Others

I’m sure that those of us who studied A-Level German back in the day (not so long ago, if you’re a first-year reading this)...

Film around the world: Italy’s Suspiria

The first time I heard about Suspiria, I was nine and my babysitter was telling me I couldn’t watch it, shouldn’t even - that...

Film around the world – Turkey’s Atıf Yılmaz

Atıf Yılmaz was a Turkish film director. Until his death in 2006, he was extremely prolific and directed films across every decade of Turkish...

Memory and narrative in Miguel Gomes’ Tabu

"Now approaching the 50th anniversary of the Carnation Revolution, I return to Miguel Gomes’ 2012 feature Tabu."

‘The Godfather: Part II’ at fifty

The Godfather: Part II is a film about gangsters. It is also a film about corruption, power, betrayal, succession, revenge, religion, marriage, generational change,...

All Of Us Strangers Review – A Haunting Exploration of Love in all its Forms

"In All Of Us Strangers, writer-director Andrew Haigh leads us by the hand into a dreamlike, introspective world. "

‘Bittersweet, immersive and profoundly moving’ – Perfect Days Review

"I don’t think I’ve ever felt so ‘in the moment’ while watching a film as I did with Perfect Days"

Hollywood vs. AI – Is this the end?

"the question on everyone’s lips is: is this the end? The end of special effects teams? The end of video creation? The end of filmmaking?"

Poor Things – Review

Includes some spoilers Poor Things takes place in a world only Yorgos Lanthimos could create. Like the rest of his oeuvre, the film is full...

The Roaring Twenties

"The Roaring Twenties (1939), freshly remastered this year in 4K, is the last and greatest gangster film of the 1930s."

To fall in love in just ‘One Day’: Review

"One Day, like Normal People, has touched me in a way that very few other programmes have."

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Film

The ‘Obsession’ Obsession

Nonsense and sensibility: Adapting Austen for the screen

OUFF’s ‘The Oxford Tales’: Celebrating student filmmaking at Oxford

Oxford on-screen: Historical atmosphere and fantasy worlds

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