Thursday 19th June 2025

Film

What can office workers learn from The Secret Life of Walter Mitty?

"The character Walter Mitty was first brought to life in James Thurber’s short story The Secret Life of Walter Mitty, published in a 1939 issue of The New Yorker."

I’m Still Here: An exploration of memories

"I’m Still Here follows a mother and her family as they deal with the disappearance of the father at the hands of a military dictatorship."

The Oxford Cinema & Café: A profile

"The opening of The Oxford Cinema & Café marks a new chapter in Oxford’s cinema scene: a move further towards independent cinema."

The Case for Reincarnated Romances

"Reincarnation romance films are sometimes silly, mostly melodramatic, but always overlooked as a subgenre."

Evil Dead Rise: Brutal, Bloody, Bonkers.

'Spirits are unleashed, souls are possessed, and jumpscares are aplenty.'

Guardians of the Galaxy 3

'If you’ve been sitting at home with your cork board and red string, becoming the next Hercule Poirot trying to work out how on earth the MCU fits together nowadays, give this intergalactic film a try.'

The Identity Crisis of Everything Everywhere All At Once

'In an alternate universe, you are not an Oxford student reading Cherwell. In another alternate universe, you are a pinata hanging from a tree. In yet another alternate universe, you have hot dogs for fingers.'

Female Rage: Too normal to be so rare

'A quick glance at the TikTok search results for ‘female rage’ tells a very interesting story - women, shouting and expressing their anger without shame, presented as though this is something shocking.'

The Super Mario Bros. Movie – A review

'This movie will make you feel like you’re sitting back at whichever Nintendo console you first met that little, moustached man.'

Normalising transgression: A review of Joyland.

'In Joyland, queerness becomes banal, and patriarchy is revealed to be futile.'

Review of PAMFIR: ‘A raw and unpretentious thriller’

The sounds of heavy breathing and rustling form the first few seconds of Pamfir, the debut feature film of Ukrainian director Dmytro Sukholytkyy-Sobchuk. These...

Top 10 Films for a Trouble-Free Trinity

'For every bit of stress, there’s a summer day, an approaching sense of closure and a long sprawling summer to keep us going.'

Everything Everywhere All At Once: A Review

"EEAAO is a boundary-breaking, deeply entertaining film that deserves all 11 of its Oscar nominations and more."

In Conversation with “Women Behind the Wheel”

"...we wanted to combine the idea of us as two women traveling along this road... while using our journey as a vehicle or an opportunity to meet local women and gain access to their stories."

Get Your Scream On: The best scares of 2022!

"From homicidal robotic dolls to surreal nightmare dreamscapes, there’s something here for everyone."

International Queer Cinema

"International cinema displays queer lives in all their diversity and beauty, in a range of contexts far wider than we can see in Hollywood."

Éric Rohmer: A French Director’s Refreshing Simplicity

"His films are not as stunning, nor impressive, as might be those of his Nouvelle Vague contemporaries, but peacefully pleasant."

Netflix’s Disappointing Monsters

"As the latest season of Stranger Things demonstrates... not all practical effects are made equal."

Glass Onion Review: Those ‘Knives’ Need Sharpening

Beatrice Ricketts considers whether the latest mystery film from Netflix lives up to Agatha Christie's novels.

Surrealist Film Review: Fellini’s 8½

"It is where Fellini blurs the lines between fantasy and reality that he has produced an authentic filter of a man’s consciousness."

Films to romanticise Oxford

Films, and art in general, hold a unique ability to capture beauty, allowing us to see the grandest settings or the most every day places with awe and wonder.

A Clockwork Orange: “Kubrick’s masterclass of surrealism, disillusion and delinquency”

A Clockwork Orange remains an absolute classic to this day... It represents the best of Stanley Kubrick’s vision and surrealism, and marks itself as completely unique. These types of movies represented a mental workout for the viewer, a way to leave the cinema bamboozled and desperately craving for a rewatch.

Before Midnight: ‘Linklater manages to paint a picture of love that feels real, without sacrificing any sense of beauty or magic’. 

'Before Midnight, then, beautifully and honestly draws Linklater’s Before trilogy to a fitting conclusion. As a meditation on love and relationships it reminds us that it’s not always plain sailing, but that this doesn’t erase or dampen our past experiences.' Josh McGrane evaluates the final instalment of Richard Linklater's beloved 'Before' trilogy.

No guts, no glory : the Bones and All premiere

"Bones and All...will undeniably spark conversation, introspection and philosophical debate"

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