Film

Please, no more biopics!

A few weeks ago, Sam Mendes announced his casting for the Beatles biopics he aims to release in 2028. As I recall from conversations among friends and a torrent...
Film David Percival -

Going Dreamy: The Singular Will of David Lynch

In a behind-the-scenes clip from David Lynch’s final project, Twin Peaks: The Return, a...
Film Arthur Meynell -

Missing the plot of ‘Wuthering Heights’: Is the book always better?

Sophie Price discusses Emerald Fennell's upcoming film adaptation of Withering Heights, examining how much film adaptations can get away with changing.
Culture Sophie Price -

A review of Day 2 of the Oxford University Short Film Festival

The Oxford University Short Film Festival took place at the end of last term...
Culture Tomas Overton -
Latest

Everything Everywhere All At Once: A Review

"EEAAO is a boundary-breaking, deeply entertaining film that deserves all 11 of its Oscar nominations and more."

In Conversation with “Women Behind the Wheel”

"...we wanted to combine the idea of us as two women traveling along this road... while using our journey as a vehicle or an opportunity to meet local women and gain access to their stories."

Get Your Scream On: The best scares of 2022!

"From homicidal robotic dolls to surreal nightmare dreamscapes, there’s something here for everyone."

International Queer Cinema

"International cinema displays queer lives in all their diversity and beauty, in a range of contexts far wider than we can see in Hollywood."

Éric Rohmer: A French Director’s Refreshing Simplicity

"His films are not as stunning, nor impressive, as might be those of his Nouvelle Vague contemporaries, but peacefully pleasant."

Netflix’s Disappointing Monsters

"As the latest season of Stranger Things demonstrates... not all practical effects are made equal."

Glass Onion Review: Those ‘Knives’ Need Sharpening

Beatrice Ricketts considers whether the latest mystery film from Netflix lives up to Agatha Christie's novels.

Surrealist Film Review: Fellini’s 8½

"It is where Fellini blurs the lines between fantasy and reality that he has produced an authentic filter of a man’s consciousness."

Films to romanticise Oxford

Films, and art in general, hold a unique ability to capture beauty, allowing us to see the grandest settings or the most every day places with awe and wonder.

A Clockwork Orange: “Kubrick’s masterclass of surrealism, disillusion and delinquency”

A Clockwork Orange remains an absolute classic to this day... It represents the best of Stanley Kubrick’s vision and surrealism, and marks itself as completely unique. These types of movies represented a mental workout for the viewer, a way to leave the cinema bamboozled and desperately craving for a rewatch.

Before Midnight: ‘Linklater manages to paint a picture of love that feels real, without sacrificing any sense of beauty or magic’. 

'Before Midnight, then, beautifully and honestly draws Linklater’s Before trilogy to a fitting conclusion. As a meditation on love and relationships it reminds us that it’s not always plain sailing, but that this doesn’t erase or dampen our past experiences.' Josh McGrane evaluates the final instalment of Richard Linklater's beloved 'Before' trilogy.

No guts, no glory : the Bones and All premiere

"Bones and All...will undeniably spark conversation, introspection and philosophical debate"

Breakwater : Oxford’s first student feature-film in forty years

"Recently, our primary filming location burnt down"

Don’t Worry Darling – Review

'You get the impression that is was intended to be a feminist statement - but a statement of what ?'

The Economics of Pride

“It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife.” The...

Ten years of the Dark Knight trilogy

It’s been 10 years since the trilogy that shaped my entire life came out.

Booksmart and the art of growing up

They find themselves together – still best friends, still ambitious and imperfect and stressed.

Love Without Words: The Quiet Storytelling of Heartstopper

Rare for the teen drama genre, the show, much like its sketched source material, is taciturn like an actual shy teenager.

Oxford Student Film Review: The Pacifist

The Pacifist was put together by a team of recently graduated University College students. Matthew Hardy (2018, English) wrote the screenplay and collaborated on direction with Jack Rennie (2017, PPL).

Local Hero: a modest masterpiece

What is the first thing that springs to mind when I ask you about the connection between a red phone box in the Scottish highlands, a crackpot oil multimillionaire from Houston, and a jaded and cynical negotiator who ends up trapped between the two colliding worlds?
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