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UrbanObserver
Saturday 16th May 2026
Oxford's oldest independent student newspaper, est. 1920
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Film
The Devil is Sponsored by Dior: ‘The Devil Wears Prada 2’ in review
In the world of The Devil Wears Prada 2, there is one thing that could have never existed: The Devil Wears Prada.
Culture
Ruya Oral
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Toni Servillo shines in thoughtful assisted dying drama: ‘La Grazia’ in review
Does Big Tobacco sponsor Paolo Sorrentino’s films? Almost certainly not, but their money would be worse spent elsewhere.
Culture
Finlo Cowley
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Hail Agnes full of grace: ‘Hamnet’ and the perfect mother figure
Buckley swept this year’s award season for her performance as Agnes in Hamnet, Chloé Zhao’s adaptation of the Maggie O’Farrell book of the same name.
Culture
Ruya Oral
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In sickness, health, and wrongdoing: ‘The Drama’ in review
CW: Gun violence. “What’s the worst thing you’ve ever done?” is the driving question of...
Film
Siena Tracey
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Peter Capaldi’s Doctor—interstellar success or time to regenerate?
Christopher Goring takes a spoiler-filled look back at Peter Capaldi's tenure as the Doctor as his final season in the role begins
John Cleese to speak at Oxford Union
British actor John Cleese, known for his on-screen comedy and cavalier internet presence, is to speak at the Union on 20 April.
‘Clique’: the dark side of your summer internship
Alice Robinson finds BBC3's new drama a compelling stylised watch
‘Ghost in the Shell’: A mind-numbing bore
Jonnie Barrow takes on the forgettable remake of an anime classic
Balliol to battle Wolfson Cambridge superstar Monkman in University Challenge final
Jack Hunter assesses the teams' chances and this series' strongest memes ahead of Monday’s historic showdown against internet celebrity Eric Monkman
‘Logan’: his heart is bigger than his bite
Charles Britton is impressed with Hugh Jackman’s last hurrah as the most famous X-Man
Can we trust the new episode of ‘Rick and Morty’?
Jack Allsopp examines the hit sci-fi cartoon's latest instalment, and asks what new developments mean for the future of the show [MAJOR SPOILERS]
Review: ‘Free Fire’
Nancy Epton finds Ben Wheatley's latest picture unashamedly violent and highly quotable, yet ultimately shallow
Intersectional feminism triumphs in ‘Hidden Figures’
Izzy Smith examines the racial issues at play in the Oscar-nominated film, 'Hidden Figures'
Review: “Get Out”
Jonnie Barrow lavishes praise on this recently-released horror masterpiece.
Marvel’s Netflix universe is going badly wrong, and it’s the writing that’s to blame
Christopher Goring takes a look at Netflix’s increasingly troubled corner of the Marvel Cinematic Universe in a spoiler-filled examination of how everything went off the rails
Live-action ‘Beauty and the Beast’ is a ‘dose of weaponised nostalgia’
Jonnie Barrow examines whether the recent live-action remake of 'Beauty and the Beast' is worth your time...
Is The Nightly Show an expensive insult to the British public?
Theo Davies-Lewis takes a look at the critically-panned talk show’s place in ITV’s schedule
Netflix to present Orson Welles’ lost masterpiece
Claire Leibovich discusses Netflix's resurrection of Orson Welles' unfinished final film
“When a film depends on siamese stories in the way this one does, it is often hard to keep the whole thing alive”
John Maier finds Tom Ford's re-released second film 'Nocturnal Animals' stylish but confused
Review: ‘T2 Trainspotting’
Louise Howland finds an addictive energy in sequel to cult classic Trainspotting
Zoom In: How to steal our jobs as Film and TV editors
Shivani Ananth and Katie Sayer tell you how to take over their legacy
Moonlight: a transcendent spectacle
Jonnie Barrow delights in Barry Jenkins' mesmeric exploration of identity
89th Academy Awards: Predictions
Oliver Barlow and Jonnie Barrow speculate which films will win big at the Oscars
What to watch in the time of Trump
Tilly Nevin praises a new generation of political comedy in a ‘post-truth’ era
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