Film
Memory and Narrative in Miguel Gomes’ Tabu
"Now approaching the 50th anniversary of the Carnation Revolution, I return to Miguel Gomes’ 2012 feature Tabu."
‘The Godfather: Part II’ at fifty
The Godfather: Part II is a film about gangsters. It is also a film...
All Of Us Strangers Review – A Haunting Exploration of Love in all its Forms
"In All Of Us Strangers, writer-director Andrew Haigh leads us by the hand into a dreamlike, introspective world. "
‘Bittersweet, immersive and profoundly moving’ – Perfect Days Review
"I don’t think I’ve ever felt so ‘in the moment’ while watching a film as I did with Perfect Days"
Hollywood vs. AI – Is this the end?
"the question on everyone’s lips is: is this the end? The end of special effects teams? The end of video creation? The end of filmmaking?"
‘League of Gentlemen’ review – meaningful, powerful and incredibly funny
This revival of the BBC cult classic still packs a punch
Doctor Who: Twice Upon a Time review – ‘the show regenerates, and not a moment too soon’
Peter Capaldi's final turn as the Doctor is over, but was that Christmas special the swansong he deserved?
Transforming light into flesh
Netflix's new series of The Crown entrances with nuanced links between love and photography
Why ‘The Polar Express’ is a creepy Christmas classic
Despite its peculiarities 'The Polar Express' might be the most magical Christmas film of all
Imagining Idris Elba
How the film industry is failing black actors
Disney buys Fox’s entertainment assets for $52.4 billion
How this deal might change your viewing habits forever
TV gets real as Easy returns for a second season
Anna Myrmus examines how creator Joe Swanberg takes this Netflix show to even more unexpected places in season two
Star Wars: The Last Jedi review – ‘unpredictable plot twists and deeper characters’
Hannah Patient finds the new 'Star Wars' adventure far more satisfying than the previous instalment in the franchise
Autism as the ‘North Star’: ‘The A Word’ season 2 review
Catherine Cibulskis discusses the exploration of interpersonal relationships in the latest instalment of the BBC drama
The Christie Mystery
Raffaella Sero considers why Agatha Christie's characters still enthral us in the present day
Spike Lee Doesn’t Have It
Imogen Edwards-Lawrence finds fault with the Netflix reimagining of Spike Lee's classic film
Blockbuster bust-up?
This might be the year when mainstream movies shake up awards season
The Death of Stalin review – ‘it straddles that oh-so-narrow line between repellent and comic’
Christopher Goring enjoys the satire of Iannucci’s warped world behind the Iron Curtain
Adolescent queer love in ‘Call Me By Your Name’
Angelica De Vido finds the rich exoticism of Italy a perfect compliment to this tale of summer homoeroticism
