Music

A review of The Crux: Djo turns music into a profession

In his new album, The Crux, Djo, aka Joe Keery, perfectly inhabits and evokes peak 70s McCartney. At the same time, he seamlessly drifts between the sonics of ELO...

Music Tom Cockburn -

Fontaines DC and the (re) rise of indie Sleaze

I recently took to my finsta to post a story claiming that the Fontaines...

Culture Kiaya Phillips -

Death of the Album, rise of the playlist

The album, once the definitive artistic statement in music, is being increasingly overshadowed by...

Culture Gabriella Ofo -

Mac Miller grapples with mortality on ‘Balloonerism’

When the 'D' rings out from the organ on the dream-like second track of...

Culture Ferdy Al-Qassab -

Latest

Lily Allen’s No Shame Refusing Remorse

A review of Lily Allen's latest album

Cage the Elephant: Social Cues

Since forming in 2006, Cage the Elephant have managed to dance from one end of the rock spectrum to the other with little hesitation,...

James Blake: Finding Himself In Someone Else

He has candidly burst from the shell of self-doubt, willing to share his emotions with us, the fans, and his love with his significant other.

Lady Gaga is not a receptacle for your pain

It's been almost two years since the release of Chris Moukarbel's documentary about the pop icon super-star Lady Gaga, a.k.a. Stefani Germanotta. Gaga: Five...

Talkin’ ’bout a Revolution: The Sound of Protest Art

Tracy Chapman’s appearance at the 1988 Nelson Mandela tribute concert transformed her career. The political turmoil surrounding Apartheid was transposed onto Chapman’s performance; songs...

Coldplay heating up

The death of being embarrassed about playing Coldplay in the shower

Lust for Life: Lana Del Rey

A genre in herself, Lana’s sleepy Hollywood aesthetic and tragic love songs have earned her success in the indie pop scene. Under her...

NoFriendz: “Show up next time Oxford, you bastards”

Meet NoFriendz - they may not be your favourite band yet, but they probably deserve to be.

August’s Here Already

Newly formed supergroup August Greene use their music to bring to life the African American experience.

Cambridge carnage creators conquer Oxford

Cellar continues to be a goldmine of underground musical talent

David Bowie: The art of getting on a bit

The life of Ziggy defied expectation.

Death and the maiden

An exploration of Verdi and the orchestra

Listening to Music on Repeat

Why shuffle is simply no longer an option

Math Roberts discusses his new song cycle ‘What Comes After’

How did 'What Comes After' come about, is it a new piece or have you had it in the pipeline for a while? The idea...

Fame, fortune and failure

Debunking the Unk: the curious tale of Curtis Adams

Music and the Comeback Kids

Molly Innes discusses the art of the comeback, the “reunion” cash cow, and throwback culture

The rise of lo-fi

What makes imperfections so attractive?

Review: Shostakovich 7 with the Oxford University Orchestra

Peter Stark conducts a moving performance of Shostakovich 7 with the Oxford University Orchestra

Interview: renowned opera singer Iestyn Davies

Cambridge, choirs, colleges and everything else

Classical music’s illusions

Lauren Hill discusses the captivating, and yet illusory effects of performing music at a point where music education is under threat

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Music

A review of The Crux: Djo turns music into a profession

Fontaines DC and the (re) rise of indie Sleaze

Death of the Album, rise of the playlist

Mac Miller grapples with mortality on ‘Balloonerism’

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