Music

In More, Pulp aren’t just trading on nostalgia – they’re fresh

In a year where many are talking about one Britpop band in particular – cough, cough, Oasis – the often-forgotten band of the same era, Pulp, have stolen the...

Music Tom Cockburn -

Bonding, identities, and connections through music

The feeling is both shared and unique to that moment

Culture Maya Mukherjee -

The cantatas of Bach with New Chamber Opera

Recently, students from the University of Oxford have blessed the city with several performances...

Music Samuel Oliver-Sherry -

Review: Bush! The Musical – ‘Is our actors singing?’

While the genre of historical musical theatre centred around US politicians may be dominated...

Music Milo Man -

Latest

Villians Review – ‘Pop songs with rock sensibilities’

Queens of the Stone Age don't quite live up to their high standard, writes Rowan Janjauh

A beautiful, entrancing mess of an album – with a piercing social critique

Clementine produces an sophomore album far from easy listening, writes Clara Dijkstra

Crete’s mountain musician of mystery

Jonathan Egid sheds light on one of Crete's most intriguing characters

The music of Latin American revolution

Daniel Antonio Villar explores the legacy of the Nueva Trova

A unique and uncomfortable experience

Lil Peep is our greatest living icon, writes Joe Bavs

Ignore the naysayers, opera is for everyone

Many have dismissed opera as unaffordable and elitist – they are missing out, writes Jack Pepper

Feel good indie for the oncoming winter

Superfood’s outlook on the alternative scene is refreshingly optimistic, says Charlie Hackforth

Sad and Loud, Ryan Adams Live

Thomas Athey reports on an eventful show at The Sage

‘It’s even kind of morale boosting, in a Lana kind of way’

Nicola Dwornik praises Lana Del Rey's latest subtle reinvention

‘A nuanced and complex musical creation’

Thomas Athey finds Public Service Broadcasting's 'Every Valley' has many peaks

Oxford can’t afford to lose clubs like Cellar

The planned closure of Cellar is a warning sign of our city's creeping gentrification

Houghton Festival 2017 Review

The brand new Houghton Festival impresses, delights and transcends the music it focuses on all together.

Hannah Kessler: “Music is an incredibly therapeutic thing”

Lily Begg discusses subverting the male gaze, empowerment and juggling Oxford life with up and coming musician Hannah Kessler

Grief pushes music to its conceptual limits

Mount Eerie's 'A Crow Looked at Me' may seem like an abstract experiment, but with its personal context it is deeply affecting

“A fresh and beautiful contemporary jazz repertoire”

Ela Portnoy is overwhelmed by The Oxford Gargoyles' a capella performance at the Edinburgh Festival Fringe

“U2 still deserves a place at the forefront of modern rock”

For Calum Bradshaw , U2 can still deliver a world class performance

Gangster rap with glimmers of uniqueness

Big Fish Theory is a refreshing spin on modern rap music that shows there is plenty of talent and potential within Vince Staples

Awkward singing and timely rain from Radiohead in Manchester

Thomas Athey finds last minute venue changes are easily overcome by Radiohead

Edinburgh Fringe: In the Pink preview

Thomas Athey looks ahead to Oxford's acapella efforts at the Edinburgh Fringe

“Unapologetically Blink-182”

Abby Ridsdill-Smith is a fan of the band's deluxe edition of 'California'

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Music

In More, Pulp aren’t just trading on nostalgia – they’re fresh

Bonding, identities, and connections through music

The cantatas of Bach with New Chamber Opera

Review: Bush! The Musical – ‘Is our actors singing?’

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