Monday 11th May 2026

Music

Authenticity and the pop genre: Slayyyter’s ‘WOR$T GIRL IN AMERICA’

Catherine Garner, known as Slayyyter, has been chasing fame for almost ten years now. She started out making ‘lo-fi pop’ from her bedroom closet, before bursting onto the music scene in 2019 with a string of electro-pop tracks
Culture Val Michael -

Bridging Communities: Vocatio:Responsio’s Liverpool Tour

Vocatio:Responsio, meaning Call:Response in Latin, is an early music ensemble founded and directed by...
Culture Evelyn Lambert -

How 2025’s biggest films made their mark through music

The recent Oscar nominations have allowed us to reflect on how fundamental musical scores are to film, and the highlights of last year’s film soundtracks.
Culture Ruaridh McEwen -

Why I only run to classical music, and you should too

I decided on a whim to put on Gershwin instead of my usual playlist. It was life changing.
Culture Evelyn Lambert -
Latest

A bombastic celebration of Europe, sexual freedom, and gelato

Phoenix’s unabashedly optimistic latest album is hard to dislike

My album of the year: Leonard Cohen’s valediction

The Canadian's swansong ranks among his greatest albums

2017: The year of Jack Antonoff

Few producers expose the emotions of female artists like the man who has come to define pop

Five playlists for all your vac moods

Tunes to help you survive the different stages of the Winter vacation

Melodrama Review: honest without being embarrassing

A considered and uncontrived album that makes even the drama of a hangover seem profound

‘Revival’ review – mature and compelling as ever

The rap god still lives up to his legacy

Why do we love anti-Christmas songs?

Lydia Stephens ponders why melancholic Christmas songs like 'Fairytale of New York' and 'Last Christmas' are often the most successful

This Old Dog review – ‘Convincing signs of newfound maturity’

Ollie Webb reflects on 'one of the best albums of 2017' - Mac DeMarco’s This Old Dog, which explores themes of old age and his relationship with his father.

Is it possible to release too much music?

Maxim Mower discusses the current trend of constant releases in Hip-Hop

In conversation with Matt Maltese

Ollie Braddy discusses 'brexit pop' and the London music scene with singer-songwriter Matt Maltese

Lucy Rose enraptures and comforts her audience in Oxford

Ollie Braddy reflects on an atmospheric evening of intricate vocals set against the backdrop of a 19th century church

Memorable sax solos and individual flair at the Varsity jazz-off

If this show was about demonstrating the very best they can do, then Oxford delivered

Ten years on, Burial’s ‘Untrue’ is still dripping with raw emotion

Joe Bavs reminisces on an experimental classic

Julien Baker ‘Turn out the lights’ review – rawness and painstaking detail

Julien Baker exposes the harsh realities of her mental health struggles, writes Ollie Braddy

The ‘new’ jazz must be seen as well as heard

The latest offering from the 'new' Jazz scene is an innovative success, writes Harriet Davis

In The Aeroplane Over The Sea – “experimental and weird”

Barney Pite reexamines one of indie rocks most enigmatic classic albums

Why the Sgt. Pepper’s show cannot be missed

Kenji Newton is impressed with the Oxford Beatles' recreation of the classic album

Villians Review – ‘Pop songs with rock sensibilities’

Queens of the Stone Age don't quite live up to their high standard, writes Rowan Janjauh

A beautiful, entrancing mess of an album – with a piercing social critique

Clementine produces an sophomore album far from easy listening, writes Clara Dijkstra

Crete’s mountain musician of mystery

Jonathan Egid sheds light on one of Crete's most intriguing characters
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