In his new album, The Crux, Djo, aka Joe Keery, perfectly inhabits and evokes peak 70s McCartney. At the same time, he seamlessly drifts between the sonics of ELO...
"An exemplary of the international force of genre-bending, experimental music, this album represents a kind of music in which boundaries are transgressed and influences intermingled, creating an intensely enjoyable, diverse listening experience."
We can only hope the decision results in a further backlash against the culture fostered by the Blurred Lines decision and a reduction in the number of frivolous lawsuits against musicians. They are bad for artists, bad for all genres of music, and fundamentally, bad for creativity.
‘Harry’s House’ is a house of several rooms. Of screaming elation, beautiful minutia, and doomed love, all of which make for a complex and emotive listen.