Culture

‘Love in the face of hate’: A closer look at ‘Blood Wedding’

Emma Nihill Alcorta is the director of a new adaptation of the Spanish masterpiece Blood Wedding, running at the Oxford Playhouse. With flamenco rhythms and Spanish soul, our passionate ensemble...

Theatre Emma Nihill Alcorta -

Duplicity, infidelity and loyalty in ‘Crocodile Tears’

“An Italian summer romance that goes wrong” – this is how Crocodile Tears was...

Theatre Phoebe Davies -

Review: The Great Gatsby – ‘Indulge the extravaganza’

Sophia Eiden’s production of Simon Levy’s script of The Great Gatsby is an undoubted...

Theatre Peter Chen -

Barry Lyndon – Kubrick’s ultimate antifilm?

Barry Lyndon has always been dismissed within Kubrick’s filmography. While he is a filmmaker...

Film Ruby Tipple -

Latest

Top Five Must-See ‘Coming of Age’ Films

"‘Coming of age’ isn’t just an umbrella term for drippy films caught up in teenage drama"

Upcoming Trinity Theatre – a guide

Cherwell Theatre takes a look at the most exciting shows for the term ahead

Reversed: A Memoir

'One of the striking points the memoir illustrates is the level of abuse children with learning disabilities face, from teachers and others' says Kurien Parel

‘She is the one controlling the play’- Rufus Norris’ Macbeth

Norris’ production is a moving theatrical piece that allows Lady Macbeth to be the puppeteer she has so desperately always wanted to be.

The Making of Pray it Doesn’t Rain

Nabeela Zaman addresses the surge of homelessness in Oxford in her documentary Pray it Doesn't Rain.

Isle of Dogs – a minefield of toxic stereotypes

While Wes Anderson's trademark charms are present, they fail to conceal a problematic portrayal of both Japanese culture and female characters

Charmed Lives British Museum review – “you can almost feel the sea breeze darting across your face”

Place is the essence of this exhibition, which celebrates the beauty of Greece and its impact on the life and work of three famous bon vivants

RSC Macbeth Review: ‘technical wizardry fails to bring any tension or magic’

Dodgy directoral decisions and acting leaves one foreseeing a dark future for this unconvincing RSC production

Civilisations Review: Repeating the same mistakes

Simon Schama, Mary Beard, and David Olusoga; the terrible trio chosen to update the BBC relic Civilisations have fallen foul of all the usual potholes. Tasked with modernisation they haven't quite pulled it off.

TEDDY Review – ‘Music is a point of connection between then and now’

Laura Plumley reflects on a musical pursuit of the American Dream

The past is the future of TV

Reviving your favourite shows is no easy feat, but that's not stopping many networks from trying...

Kacey Musgraves basks in newfound light on her latest album, Golden Hour

On her new project, Kacey Musgraves opts for the personal over the political

‘Sacred Elements and Secular Sentiments’ – Daniel Caesar: Freudian

Exploring the religious undertones of one of 2017's most celebrated albums

The Ferryman Review – ‘bursting with intergenerational energy and tragic potency’

Jez Butterworth and Sam Mendes' present a tale of a family riven by personal loss and political upheaval

The Great Wave Review – ‘a complete clash of cultures, identities, and outlooks’

Indhu Rubasingham's revealing production about a dark part of Japanese cultural history is relevant and immensely human

Is Fresh Meat still fresh?

Seven years after its original release, does Fresh Meat still reflect our current university experience?

Netflix and Cannes

Was the decision to ban Netflix from competing for awards at the Cannes Film Festival justified?

Playlist: Sounds of Spring

Celebrate new life with this new playlist

Travel writing remains unrivalled

The art form which continues to provide the greatest insight into other cultures

Patriotism and Chilean Poetry

Bridget McNulty discusses Hugh Ortega's debut collection and Chilean identity

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Culture

‘Love in the face of hate’: A closer look at ‘Blood Wedding’

Duplicity, infidelity and loyalty in ‘Crocodile Tears’

Review: The Great Gatsby – ‘Indulge the extravaganza’

Barry Lyndon – Kubrick’s ultimate antifilm?

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