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UrbanObserver
Friday 8th August 2025
Oxford's oldest independent student newspaper, est. 1920
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Culture
Just like the movies: An American’s notes on her Oxford year
Oxford occupies a mystical, almost fantastical place within the American psyche – so much so that when I told my peers I’d be studying abroad, they had me promise...
Culture
Radhika Bhargava
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Reading Oxford books in Oxford
For those who have not even set foot in Oxford, the city still lives...
Books
Ngoc Diep
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Netflix’s city of dreaming Americans: My Oxford Year, reviewed
If not taken too seriously, Netflix’s new movie My Oxford Year is a surprisingly...
Culture
Franca Haug
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Lacking Latin: Ceremonial mistakes in My Oxford Year
My Oxford Year, a new Netflix rom-com, has received considerable attention. Yet as a...
Culture
Honcques Laus
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Don’t know much about history
Who knew history could sound so good?
Review: Brave New World
Cesca Echlin is unsettled by Four Seven Two's evocation of Huxley's World State
The fault in our Fawlty
The show is vulgar, insular, and heavy-handed
Review – “Nell Gwynn”
University College Players capture the extravagance and obscenity of Restoration London in their production of Swale’s 2013 comedy
Changing the course of history
Our reimagination of classic works reflects our new priorities
I Need a Dollar
Cash, Rules, Everything, Around, Music
History through the lens of film: memory, culture and politics
Today's films are altering our perceptions of the past, shaping the relationships of entire nations
No Market For Old Men review – ‘an hour of fast-paced sketch comedy’
Krysianna Papadakis finds a lot of nuance in Oxford Revue's latest sketch show
The Writer review – ‘jumping out at you in wild, exciting, provocative vitality’
Hickson tries one formal experiment after another and each time brings a different gender-dynamic under her lens
Review: Avengers: Infinity War
Tony Stark (Robert Downey Jr) donned his iron suit for the first time a whole decade ago, establishing the groundwork for a cinematic universe...
Review – The House of Bernarda Alba
Ela Portnoy is impressed by this elegant adaptation of the Lorca masterpiece
Student film shows us a new side of Oxford
The OUFF summer showcase shows us the skill and imagination of Oxford’s own
OCTOPUS – Review
Is OCTOPUS, like the Sex Pistols are now, “just” uncontroversial protest? Or does it strike deeper than that?
Travesties review – ‘a very competent production of a fiendishly complicated play’
Roddy Howland Jackson is charmed by a dynamic, absurdist comedy of historic proportions
How do we stage Shakespeare in the digital age?
Efforts to combine the theatrical and the digital are shaping how we experience Shakespeare in the twenty-first century
‘An anthology of divergent styles that promise a skyward trajectory’
Tom Misch’s full length debut shows remarkable maturity, challenging conventional genre boundaries with verve
Lynne Ramsay reminds us that childhood isn’t a fairytale
Coming of age films are lying; our childhoods are anything but perfect
Clean Break – Theatre and the Criminal Justice System
Cesca Echlin talks to Clean Break, the theatre charity offering female offenders a means of expression
A Band With Purpose and Integrity
Shona Galt talks to the lead singer of Little Comets
New world, Old media: the aesthetic revival burns bright in Oxford
Online media may challenge the status quo, but some producers are seeking to up the quality of old media to dizzying heights
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