When I returned to Oxford this term, just as England teased us with the sixth heat-wave of the year, I found myself at a loose end. With the deadline for two vacation essays still far in the distance, the sun lit up the sign for Soma Surovi Jannat’s Ashmolean Now exhibition, Climate Culture Care.
“What is a good life?” This axiological question, asked earnestly in the opening lines of James Graham’s The Standard of Living – playing at Theatre Royal Haymarket until December 12 – is often overlooked by the fractured and hyper-specialised discipline of economics.
A highlight of the exhibition, The Marvels of the East, details how people in the East were thought to have no heads, with their eyes and mouths instead believed to reside in their chests.
West Side Story has stood the test of time not just because of its artistic mastery, but because of its universal message. As the show’s choreographer Jerome Robbins once said, the show is about intolerance all over the world, not just in 1950s New York. In many ways, the show is more relevant today than it ever has been.
"The tomb of François de Sarra, carved around 1400, shows toads eating the man’s eyes and mouth, while worms crawl out of holes in his arms."
Olivia Hicks explores the tropes and meanings of 'Black Death Art'
Although spreading Christmas cheer, making viewers laugh and cry, and even tackling social and environmental issues are all well and good, the ultimate aim of Christmas adverts is to make more money for the company.
The Cellar is matching listener with artist and artist with opportunity, but more than anything it is bringing music back to the forefront of nights out.
In the first of our blog series on your favourite books and poems, Jenny Scoones finds the passionate love and faith in Bronte’s later, lesser-known novel to rival the author's more canonical works