Culture

‘Scenes With Girls’ and complicated female friendships

'Scenes with Girls' deserves to be seen as one of Labyrinth Productions’ (Rosie Morgan-Males and Emily Cullinan) most impressive accolades.

Culture Charlie Bailey -

‘The Moro Affair’: Astonishingly original, but not quite a story

The acting in 'The Moro Affair' was superb across the board, with Harriet Wilson’s Pope as a standout, and Rosie Sutton’s direction was flawless.

Culture Ian Coates -

‘Music can be everything’: Aurora Orchestra’s Jane Mitchell on the narratives around classical music

The Aurora Orchestra, who are playing at Oxford’s Schwarzman Centre on the 19th June, are best known for performing their orchestral repertoire from memory.

Culture Lilia Goldstein -

The ‘Obsession’ Obsession

'Obsession' is a taste of what the next generation of filmmakers looks like.

Culture Willow Jopp -

Latest

Christmas adverts: capitalist emotional blackmail or festive escapism?

Although spreading Christmas cheer, making viewers laugh and cry, and even tackling social and environmental issues are all well and good, the ultimate aim of Christmas adverts is to make more money for the company.

The Tragedy of King Richard the Second – ‘stripped-down Shakespeare’

The timing of many lines elicits genuine laughter from the audience; in these interesting times we live in, such a take feels intensely necessary.

Jersey Boys Review – ‘the drama falls flat’

The lead actors march around on stage like four dads thrown together on a charity tour of the YMCA.

The Cellar Forever – Why The Cellar’s survival is integral for the Oxford music scene

The Cellar is matching listener with artist and artist with opportunity, but more than anything it is bringing music back to the forefront of nights out.

Silent Night Review – ‘a story very relevant to our time’

The multilingual reimagining of the Christmas Truce at Leeds Town Hall feels particularly timely

The Bookshelf: Charlotte Brontë’s ‘Villette’

In the first of our blog series on your favourite books and poems, Jenny Scoones finds the passionate love and faith in Bronte’s later, lesser-known novel to rival the author's more canonical works

Milkman by Anna Burns: a pertinent portrait of life during the Troubles

An exploration of Anna Burns' The Milkman and its chilling relationship to the violence of the Troubles.

Frantz: a wrenching tale of remembrance

The French-German film Frantz, however, has gone unnoticed by many English-speaking viewers, despite being one of the most powerful films released to explore the after-effects of World War I.

Film Firsts: Nothing gets lost in translation with my first foreign film

Beyond even the sprawling shots of the Indian landscapes, Hirani’s film achieves the quality of epic.

Dirty Dancing Review – ‘gives fans exactly what they want’

Maxim Mower enjoys a touring production of Dirty Dancing at the New Theatre, which he says will satisfy lovers of the 1987 movie.

“After three hours in an Omniplex I am, at least, still alive” – livestreaming from theatre to cinema

Dorothy McDowell sees potential in livestreaming theatre, but it still fails to reach a mainstream audience

True West Review – ‘this is truly sweet suburban silence’

Sam Shepard's play explores the tensions behind the American Dream.

Poetry in motion: the nature of lyrics

Should lyrics be given the same respect as poetry?

Armitage’s Gawain: translating in wylde wayeȝ

"Translation is not without flaws – it cannot help but alter authorial voice, although the degree to which this takes place is certainly not consistent."

The Winter’s Tale review – atmospheric and otherworldly

Nicole Jashapara is charmed by this production's aesthetic and comic performances

Auditioning – what it’s actually like

Beata Kuczynska provides a look behind the curtain at the highs and lows of the auditioning process

The Admirable Crichton Review – ‘a light-hearted antidote to eighth week’

Simone Fraser finds Corpus Christi Owlets' new production to be effective comic relief in eighth week.

The natural world: unconventional spaces for art

"The natural world enhances both creator’s and viewers’ experiences of the art in a way that the setting of a gallery could not."

Blood Brothers Review – ‘truly exceptional theatre’

Katie Sayer is wowed by the quality of a touring production of the 1983 musical.

When and why did Netflix movies get so good?

Prestige talent is coming to Netflix in moves that may revolutionise cinema as we know it

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Culture

‘Scenes With Girls’ and complicated female friendships

‘The Moro Affair’: Astonishingly original, but not quite a story

‘Music can be everything’: Aurora Orchestra’s Jane Mitchell on the narratives around classical music

The ‘Obsession’ Obsession

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