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UrbanObserver
Wednesday 2nd July 2025
Oxford's oldest independent student newspaper, est. 1920
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Culture
Reviving the symposium at the Ashmolean Krasis programme
Dara Mohd, herself a Krasis Scholar, converses with Dr Jim Harris about his object-centred symposium program, Krasis, at the Ashmolean Museum.
Art
Dara Mohd
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‘This Room Their Lives’ in Magdalen College’s Waynflete building
Every Magdalen member remembers their first encounter with the Waynflete Building. Sticking out a...
Art
Josie Stern
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In More, Pulp aren’t just trading on nostalgia – they’re fresh
In a year where many are talking about one Britpop band in particular –...
Music
Tom Cockburn
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Perhaps, Oxford
We met at a Latin meeting hosted by the Oxford Ancient Languages Society at...
The Source
Ngoc Diep
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I was overcome with a sense of familiarity, intermingled with strangeness
Beth James reflects on the forgotten female modernist poet, Hope Mirrlees
Oxford International Art Fair Review – Open to all
Oxford international arts fair offers a accessible approach to curation for better or worse
13 Review – ‘effectively and enjoyably portrays Bartlett’s broken Britain’
Bertie Harrison-Broninski is impressed by the ambition and scope of this drama of political intrigue and belief
Daemon Voices Lecture Review – Two generations share the same world view
Pullman and Rundell make for an oddly cohesive pair at their talk in Blackwells.
The Blinders Review – The perfect band to play at Cellar
Cellar was made for sweaty, narcotic nights like this.
Masked with laughter
The trustworthy image of the male comedian is chipped away with increasing allegations of sexual abuse
Finding the ‘Homeland’
There are questions of loyalty, identity, and ethics in this long-running show
Summer and Smoke Review – ‘re-staged inventively, but unpretentiously’
Rebecca Frecknall's musical re-imagining of William's play at the Almeida is dazzling
RSC Hamlet Review – ‘This is simultaneous creativity and destruction. To be or not to be.’
John Livesey reflects upon the Basquiat elements of this perceptive RSC production
From Cellar to worldwide fame – an interview with Objekt
TJ Hertz on small venues, diversity in techno and track ID culture.
The Crocodile review – ‘a carefully considered yet hilariously nuts production’
Cesca Echlin is left in fits after a performance of Dostoyevsky's short story
García Marquez makes magical realism realistic
Barney Pite unpacks the "tragic, brutal and cruel" world of Márquez's News of a Kidnapping
Gyaldem Sugar Review – ‘the night shined but failed to sparkle’
The much anticipated ACS Gyaldem Sugar night fails to land due to a frustrating pace and lack of women artists
Walk Like Natives review – ‘A flash-mob blending into the crowd’
A secret piece of theatre, taking place in central London, is a pure celebration of joy.
Remembering Wallace: Biography and Memory
'The End of the Tour' is a powerful biopic, but by all accounts it gets David Foster Wallace wrong. Does that matter?
The Flick review – ‘a little theatrical masterpiece’
Flick is an exceptional production that brings a thin script to vivid life
Commercialism kills artistic legacy
Jumping on the mourning bandwagon serves the market rather than the dead icon’s memory
Labyrinth preview – ‘an impressive blend of exciting text and creative movement’
Tom Mackie finds himself anything but lost in this psychomaniacal retelling of the Theseus and Ariadne myth
The Flick preview – ‘there’s even going to be popcorn’
Bertie Harrison-Broninski is impressed by this witty and elegiac homage to the silver screen
Lady Bird paints a perfect picture of female adolescence
Exploring Greta Gerwig’s stunning directorial debut
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