Friday 8th August 2025

Culture

Just like the movies: An American’s notes on her Oxford year

Oxford occupies a mystical, almost fantastical place within the American psyche – so much so that when I told my peers I’d be studying abroad, they had me promise...

Reading Oxford books in Oxford

For those who have not even set foot in Oxford, the city still lives...

Netflix’s city of dreaming Americans: My Oxford Year, reviewed

If not taken too seriously, Netflix’s new movie My Oxford Year is a surprisingly...

Lacking Latin: Ceremonial mistakes in My Oxford Year

My Oxford Year, a new Netflix rom-com, has received considerable attention. Yet as a...

The rise of the dystopia in a pessimistic world

As the world becomes increasingly hostile we turn to hell in art for comfort

Fighting art with art in Bolzano

In Oxford we argue over the future of the Rhodes statue, but in Italy they have found a new solution

Shazia Mirza: ‘I don’t think about the audience anymore. I just go ahead and do it.’

Acclaimed comedian Shazia Mirza talks Acorn Antiques, ‘snowflakes’ and teaching with Izzy Troth

Yo La Tengo Album Review: Convention and experiments

Indie stalwarts Yo La Tengo subtly surprise on latest effort.

Holidays lead us down the trail of discovery

Cheryl Strayed teaches us the value of taking a break from our everyday lives

Best of Hilary Theatre

Cherwell contributors reflect upon the best student theatre of Hilary Term.

I Slept In These Clothes review – ‘comics to look out for’

Fenella Sentance is thoroughly entertained by the dynamic of Verity Babbs and Chloe Jacob's comedy duo

A Review of Reviewing: of Source-Texts and Slighting

Charles Britton ponders the relationship between a borrowed script and an adapted performance in theatre criticism

I was overcome with a sense of familiarity, intermingled with strangeness

Beth James reflects on the forgotten female modernist poet, Hope Mirrlees

Oxford International Art Fair Review – Open to all

Oxford international arts fair offers a accessible approach to curation for better or worse

13 Review – ‘effectively and enjoyably portrays Bartlett’s broken Britain’

Bertie Harrison-Broninski is impressed by the ambition and scope of this drama of political intrigue and belief

Daemon Voices Lecture Review – Two generations share the same world view

Pullman and Rundell make for an oddly cohesive pair at their talk in Blackwells.

The Blinders Review – The perfect band to play at Cellar

Cellar was made for sweaty, narcotic nights like this.

Masked with laughter

The trustworthy image of the male comedian is chipped away with increasing allegations of sexual abuse

Finding the ‘Homeland’

There are questions of loyalty, identity, and ethics in this long-running show

Summer and Smoke Review – ‘re-staged inventively, but unpretentiously’

Rebecca Frecknall's musical re-imagining of William's play at the Almeida is dazzling

RSC Hamlet Review – ‘This is simultaneous creativity and destruction. To be or not to be.’

John Livesey reflects upon the Basquiat elements of this perceptive RSC production

From Cellar to worldwide fame – an interview with Objekt

TJ Hertz on small venues, diversity in techno and track ID culture.

The Crocodile review – ‘a carefully considered yet hilariously nuts production’

Cesca Echlin is left in fits after a performance of Dostoyevsky's short story

García Marquez makes magical realism realistic

Barney Pite unpacks the "tragic, brutal and cruel" world of Márquez's News of a Kidnapping

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