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UrbanObserver
Monday 19th January 2026
Oxford's oldest independent student newspaper, est. 1920
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Culture
‘Beautifully we may rot’: ‘Madame La Mort’ in review
In a small, black-painted room on the top floor of a pub in Islington, known as The Hope Theatre, Madame La Mort was staged for the public for the first time.
Culture
Beatrix Arnold
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Damaging detachment: Reflections on the Booker Prize
This Christmas vac, I made up my mind to get out of my reading slump using the Booker Prize shortlist, revealing toxic masculinity as a key theme.
Books
Charlie Bailey
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In defence of the theatrical release
If film, like all art, nourishes itself on its own œuvre, I don’t think we can afford to sever the association between the cinema and the film.
Culture
Nora Miles
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Falling out of Louvre
In spite of recent events, the expected heightened security was nowhere evident.
Art
Beatrix Arnold
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Funny Friends Preview – ‘A roundup of all the best student talent in the country’
Funny friends and frenetic feminisms fuse in this upcoming Playhouse performance
An American Nightmare
The glorification of greed in The Wolf of Wall Street is troubling for Becky Cook
The Lonesome West review – ‘a pressure-cooker of rage and almost-erupting violence’
Practically Peter Production give an impressive rendering of Martin McDonagh's dark comedy
Like A Virgin review – ‘the range of relationship difficulties explored is certainly impressive’
Sam Moore's play about the complexities of relationships finds resonance with audiences of all kinds
Scott Hutchison – ‘he gave expression to the things I could never’
The Frightened Rabbit frontman, who has died aged 36, confided to his listeners the perils of intimacy and loneliness
Beast review – ‘inventive visuals, fine acting, and an original story’
Order and chaos collide in this new, wild independent film
The King of The Fall rises from Starboy’s ashes
Orlaith Fox praises the moody R&B singer's latest offering
Butt Kapinski Review – ‘a masterclass in light-hearted entertainment and audience participation’
Charles Britton is both amazed and horrified by Deanna Fleysher's oddball creation
A Streetcar Named Desire Review – “a play that unpicks toxic masculinity”
The effects of modernisation upon Williams' play
Does ‘Wellington’s Victory’ deserve Beethoven’s name?
A mixture of Beethoven and Marriner, but is it any good?
Don’t know much about history
Who knew history could sound so good?
Review: Brave New World
Cesca Echlin is unsettled by Four Seven Two's evocation of Huxley's World State
The fault in our Fawlty
The show is vulgar, insular, and heavy-handed
Review – “Nell Gwynn”
University College Players capture the extravagance and obscenity of Restoration London in their production of Swale’s 2013 comedy
Changing the course of history
Our reimagination of classic works reflects our new priorities
I Need a Dollar
Cash, Rules, Everything, Around, Music
History through the lens of film: memory, culture and politics
Today's films are altering our perceptions of the past, shaping the relationships of entire nations
No Market For Old Men review – ‘an hour of fast-paced sketch comedy’
Krysianna Papadakis finds a lot of nuance in Oxford Revue's latest sketch show
The Writer review – ‘jumping out at you in wild, exciting, provocative vitality’
Hickson tries one formal experiment after another and each time brings a different gender-dynamic under her lens
Review: Avengers: Infinity War
Tony Stark (Robert Downey Jr) donned his iron suit for the first time a whole decade ago, establishing the groundwork for a cinematic universe...
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