Friday 8th August 2025

Culture

Just like the movies: An American’s notes on her Oxford year

Oxford occupies a mystical, almost fantastical place within the American psyche – so much so that when I told my peers I’d be studying abroad, they had me promise...

Reading Oxford books in Oxford

For those who have not even set foot in Oxford, the city still lives...

Netflix’s city of dreaming Americans: My Oxford Year, reviewed

If not taken too seriously, Netflix’s new movie My Oxford Year is a surprisingly...

Lacking Latin: Ceremonial mistakes in My Oxford Year

My Oxford Year, a new Netflix rom-com, has received considerable attention. Yet as a...

Gyaldem Sugar Review – ‘the night shined but failed to sparkle’

The much anticipated ACS Gyaldem Sugar night fails to land due to a frustrating pace and lack of women artists

Walk Like Natives review – ‘A flash-mob blending into the crowd’

A secret piece of theatre, taking place in central London, is a pure celebration of joy.

Remembering Wallace: Biography and Memory

'The End of the Tour' is a powerful biopic, but by all accounts it gets David Foster Wallace wrong. Does that matter?

The Flick review – ‘a little theatrical masterpiece’

Flick is an exceptional production that brings a thin script to vivid life

Commercialism kills artistic legacy

Jumping on the mourning bandwagon serves the market rather than the dead icon’s memory

Labyrinth preview – ‘an impressive blend of exciting text and creative movement’

Tom Mackie finds himself anything but lost in this psychomaniacal retelling of the Theseus and Ariadne myth

The Flick preview – ‘there’s even going to be popcorn’

Bertie Harrison-Broninski is impressed by this witty and elegiac homage to the silver screen

Lady Bird paints a perfect picture of female adolescence

Exploring Greta Gerwig’s stunning directorial debut

Not About Heroes review – ‘It is rare to find a student production of such maturity’

Chloe Taylor is impressed and moved by this poignant study of war and poetry

Predicting the most unpredictable Oscars ceremony in years

The 90th Academy Awards features an incredible list of nominees, which makes it nearly impossible to argue what should or will win...

Judge representative films on merit not just diversity

The films of women and POC must be judged meritocratically and not just for their representation

Jubilee review – ‘Funny, self-referential, and visually exciting’

Bertie Harrison-Broninski finds this adaptation of Derek Jarman's original film is a show one that he might be proud of

Ishtar preview -‘Nothing if not entrancing’

An excellently engaging gloss of an intriguing archaic myth

Crocodile preview – ‘This is going to be properly funny’

Nitrous Cow look set to provide a rip-roaring comedy follow-up to their sold out debut 'Lovesong' last term

Protest as performance – Suffragettes take the limelight

Breaking the Fifth Wall festival kickstarts with an illuminating talk

I, Tonya sorely misjudges portraying a serious subject

The Oscar-nominated black comedy pokes fun at a subject which is no laughing matter

How Oxford culture is dominated by the most privileged

The issue is not a simple matter of discrimination but long term deficiencies in cultural upbringing in less privileged students

Phantom Thread is Paul Thomas Anderson’s finest film yet

Daniel Day-Lewis' cinematic swan song as a 1950's fashion designer is simply stunning

#Ending the Silence review – ‘there is nothing quite like it’

Joel Stanley reccomends a captivating performance and an unmissable experience

Down with my Demons review – ‘tensions rise as secrets spill’

A talented cast bring this immersive and exciting piece of new writing to the stage

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