Culture

Reviving the symposium at the Ashmolean Krasis programme

Dara Mohd, herself a Krasis Scholar, converses with Dr Jim Harris about his object-centred symposium program, Krasis, at the Ashmolean Museum.

Art Dara Mohd -

‘This Room Their Lives’ in Magdalen College’s Waynflete building

Every Magdalen member remembers their first encounter with the Waynflete Building. Sticking out a...

Art Josie Stern -

In More, Pulp aren’t just trading on nostalgia – they’re fresh

In a year where many are talking about one Britpop band in particular –...

Music Tom Cockburn -

Perhaps, Oxford

We met at a Latin meeting hosted by the Oxford Ancient Languages Society at...

The Source Ngoc Diep -

Latest

Not About Heroes review – ‘It is rare to find a student production of such maturity’

Chloe Taylor is impressed and moved by this poignant study of war and poetry

Predicting the most unpredictable Oscars ceremony in years

The 90th Academy Awards features an incredible list of nominees, which makes it nearly impossible to argue what should or will win...

Judge representative films on merit not just diversity

The films of women and POC must be judged meritocratically and not just for their representation

Jubilee review – ‘Funny, self-referential, and visually exciting’

Bertie Harrison-Broninski finds this adaptation of Derek Jarman's original film is a show one that he might be proud of

Ishtar preview -‘Nothing if not entrancing’

An excellently engaging gloss of an intriguing archaic myth

Crocodile preview – ‘This is going to be properly funny’

Nitrous Cow look set to provide a rip-roaring comedy follow-up to their sold out debut 'Lovesong' last term

Protest as performance – Suffragettes take the limelight

Breaking the Fifth Wall festival kickstarts with an illuminating talk

I, Tonya sorely misjudges portraying a serious subject

The Oscar-nominated black comedy pokes fun at a subject which is no laughing matter

How Oxford culture is dominated by the most privileged

The issue is not a simple matter of discrimination but long term deficiencies in cultural upbringing in less privileged students

Phantom Thread is Paul Thomas Anderson’s finest film yet

Daniel Day-Lewis' cinematic swan song as a 1950's fashion designer is simply stunning

#Ending the Silence review – ‘there is nothing quite like it’

Joel Stanley reccomends a captivating performance and an unmissable experience

Down with my Demons review – ‘tensions rise as secrets spill’

A talented cast bring this immersive and exciting piece of new writing to the stage

In Conversation with the Team Behind #Ending the Silence

John Livesey talks to Euton Daley and Amantha Edmead about their latest show at the Old Firestation

The vintage sound of The Vaccines

As they prepare to drop their fourth album, indie-rock sensation The Vaccines tell Susannah Goldsbrough what it's like to be old fashioned rockers in a post-punk world.

Hedda review – ‘stubbornly disturbing and nuanced’

The most anticipated-show of Hilary term lands with both style and substance

Self-publishing can counter literary elitism

Self-publishing is not a new phenomenon in the literary world; authors ranging from Marcel Proust to Beatrix Potter self-published books that are now integral...

The C-Bomb review – ‘the perfect antidote for those mid-term blues’

Delphine Chalmers is charmed by this self-assured, intelligent, and funny piece of student writing

“There is always more that can be done”

Oxford is still some way from addressing its mental health problem, writes Abby Ridsdill-Smith

Iraq is not a twentieth century Crusade

Oxford historian Christopher Tyerman delivers a polemic speech against rhetorical comparisons between the war on terror and the crusades

The Shape of Water – an odd romance makes perfect sense

Jonnie Barrow finds many parallels to modern issues despite The Shape of Water's period setting

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Culture

Reviving the symposium at the Ashmolean Krasis programme

‘This Room Their Lives’ in Magdalen College’s Waynflete building

In More, Pulp aren’t just trading on nostalgia – they’re fresh

Perhaps, Oxford

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