Sunday 8th June 2025

Culture

‘Love in the face of hate’: A closer look at ‘Blood Wedding’

Emma Nihill Alcorta is the director of a new adaptation of the Spanish masterpiece Blood Wedding, running at the Oxford Playhouse. With flamenco rhythms and Spanish soul, our passionate ensemble...

Duplicity, infidelity and loyalty in ‘Crocodile Tears’

“An Italian summer romance that goes wrong” – this is how Crocodile Tears was...

Review: The Great Gatsby – ‘Indulge the extravaganza’

Sophia Eiden’s production of Simon Levy’s script of The Great Gatsby is an undoubted...

Barry Lyndon – Kubrick’s ultimate antifilm?

Barry Lyndon has always been dismissed within Kubrick’s filmography. While he is a filmmaker...

Long Day’s Journey Into Night review

I walked into the Wyndham Theatre’s production of Long Day’s Journey Into Night by Eugene O’Neill half-expecting a night at the London Theatre like...

Film around the world – Turkey’s Atıf Yılmaz

Atıf Yılmaz was a Turkish film director. Until his death in 2006, he was extremely prolific and directed films across every decade of Turkish...

The Christ Church Picture Gallery review

The Christ Church Picture Gallery has free entry for Oxford students. It offers a chance to view one of the most impressive college art collections, with pieces spanning the 14th to 18th centuries

Men used to go to war – now they DJ

Why are so many people becoming DJs? This recent obsession has taken the world – and now Oxford – by storm. Love it or...

Matchstick Cats

Mark and Trev were surrounded on the bed of the truck by old wooden beams and bits of furniture – debris of a life...

The rise of genre fluidity: Is this the death of genre as we know it?

My favourite genre of music: a question I’ve found becoming increasingly difficult to answer over the years, and it’s only now that I’m discovering...

Memory and Narrative in Miguel Gomes’ Tabu

"Now approaching the 50th anniversary of the Carnation Revolution, I return to Miguel Gomes’ 2012 feature Tabu."

The Achilles Trap: Saddam Hussein, the United States, and the Middle East 1979-2003 by Steve Coll review

Tyrants should only be brought down by their own people; they become martyrs when brought down by foreigners.

Frank Auerbach’s Charcoal Portraits review: Self-Portrait of a Stranger

The Griffin Catalyst Exhibition, The Charcoal Heads, shows the early career of Frank Auerbach and the creation of his portraits in the 1950s and...

Post Diagnosis

"You could tell no one, And it would come anyway."

‘The Godfather: Part II’ at fifty

The Godfather: Part II is a film about gangsters. It is also a film about corruption, power, betrayal, succession, revenge, religion, marriage, generational change,...

An Enemy of the People review: ‘Tragic but thought provoking’

Ibsen has re-entered the drama scene with the current production of his classic play An Enemy of the People at the Duke of York...

Cherwell Introduces: Menu3

Joining me this week, are four members of Menu3: Nicole 2nd year biochemist/lead singer, Jude 2nd year chemist/bass player, Dan music student/drummer, and Marcus...

“Extremely vulnerable”: Review of The Sun King

It is difficult to imagine the stiflingly intimate space of the Burton Taylor transformed into a wide beach overlooking the expanse of the sea:...

Bruegel to Rubens at the Ashmolean review: ‘Intimate and eye-opening’

"It was a pleasure to return to Oxford during the vacation to visit the Ashmolean’s new exhibition, which showcases some of the best drawings of the great Flemish artists of the 16th and 17th centuries."

Bust?: Saving the Economy, Democracy and our Sanity by Robert Peston and Kishan Koria- Review

"So long as we have an economic system geared towards the accumulation of wealth rather than the acquisition of it, inequalities will continue to widen"

The Oxford Revue: A Room with Revue

'a simple and clever production which ranks as one of the most enjoyable shows I've seen all year'

All Of Us Strangers Review – A Haunting Exploration of Love in all its Forms

"In All Of Us Strangers, writer-director Andrew Haigh leads us by the hand into a dreamlike, introspective world. "

Ode to a Nearly Beloved

"As though through tracing paper, I etch your features onto faces of strangers I’ll never know."

‘Bittersweet, immersive and profoundly moving’ – Perfect Days Review

"I don’t think I’ve ever felt so ‘in the moment’ while watching a film as I did with Perfect Days"

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