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Cherwell Introducing: Phoebe Blue

Joining me this week is the radiant Phoebe Blue, a 2nd year classicist at Balliol, singer-songwriter, and bassist. Meeting me on a blustery Saturday afternoon outside the Ashmolean, Phoebe...

Artificial insights: Decoding diversity and redefining art history with AI

In the age of AI-enhanced art, the possibilities for creativity and cultural exchange are limitless—and inclusive.

War, Peace and Writing

Throughout history, art has left an indelible cultural impact on humanity’s collective understanding of...

Review: ‘Long Day’s Journey Into Night’

I walked into the Wyndham Theatre’s production of Long Day’s Journey Into Night by...

Film around the world – Turkey’s Atıf Yılmaz

Atıf Yılmaz was a Turkish film director. Until his death in 2006, he was...

Faulkner’s As I Lay Dying: Tracing the Atmospheres of the 1918 Influenza Pandemic

'When the pandemic hit Ontario, William Faulkner was a cadet in the Canadian Royal Air Force. Writing home to his parents, he would bemoan the lengthiness of his base’s lockdown, and the protracted sense of time it engendered.'

Interview: ‘A Night of Queer Music’ at Holywell

Deborah Acheampong (Producer) in conversation with Adrienne Knight (Musical Director), Katie Kirkpatrick, and Eliza Hogermeer (both singers) on Vanguard Productions' upcoming show 'A Night of Queer Music', a dramatic music concert, at the Holywell Music Room, on the 30th and 31st of May.

Guardians of the Galaxy 3

'If you’ve been sitting at home with your cork board and red string, becoming the next Hercule Poirot trying to work out how on earth the MCU fits together nowadays, give this intergalactic film a try.'

Embracing the Echoes: The Significance and Allure of Literary Retellings

'The concept of reimagining an existing story is relatively new in the context of storytelling, emerging more prominently in recent years.'

Inside the Oxford fashion scene: the Fashion Gala designers

'I spoke to some of the Fashion Gala designers, who told me about their background in the world of fashion and design, their pieces for this year’s gala, and where they find their inspiration.'

The shift towards online thrift: a guide

'It is okay to deliberately buy fast-fashion second-hand since it is already in circulation and will not constitute to financially supporting unethical practices. Honestly, the longer it avoids landfill the better.'

Interview: ‘The Mandrake of Machiavelli’ at Exeter College

An interview with Kian Moghaddas (Director), Matilda Piovella (Assistant Director), and the cast of 'The Mandrake', the Exeter College Garden Play.

Between Love and Hate: The Strokes’ Guide to Staying Together

'US-based pop-rock band The Strokes have encountered just about all of rock’s common killers. And yet, 22 years on from their first album, they are still here – and reportedly working on a seventh.'

The White Stuff and its Discontents

'Increasingly, then, the heritage bequeathed to us in these museums is not just trapped in glass, but also in a host of moralising, ‘problematising’ and, ultimately, infantilising, narratives that are in their nature more political than educational.'

‘Ornamented choral what?’ – your favourite early sacred music like you’ve never heard it before

'What is ‘polyphony’? I hear you cry. Why is it ‘choral’ and what makes it ‘ornamented’?'

The Identity Crisis of Everything Everywhere All At Once

'In an alternate universe, you are not an Oxford student reading Cherwell. In another alternate universe, you are a pinata hanging from a tree. In yet another alternate universe, you have hot dogs for fingers.'

Female Rage: Too normal to be so rare

'A quick glance at the TikTok search results for ‘female rage’ tells a very interesting story - women, shouting and expressing their anger without shame, presented as though this is something shocking.'

‘Women, Scorned’: Exploring Feminine Rage in Art

'Feminine rage is all the rage. It’s everywhere.'

Review: A Poet and A Scholar.

'The audience of Kian Moghaddas’ A Poet and a Scholar was in hysterics pretty much the entire way through.'

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