Monday 9th June 2025

Culture

‘Love in the face of hate’: A closer look at ‘Blood Wedding’

Emma Nihill Alcorta is the director of a new adaptation of the Spanish masterpiece Blood Wedding, running at the Oxford Playhouse. With flamenco rhythms and Spanish soul, our passionate ensemble...

Duplicity, infidelity and loyalty in ‘Crocodile Tears’

“An Italian summer romance that goes wrong” – this is how Crocodile Tears was...

Review: The Great Gatsby – ‘Indulge the extravaganza’

Sophia Eiden’s production of Simon Levy’s script of The Great Gatsby is an undoubted...

Barry Lyndon – Kubrick’s ultimate antifilm?

Barry Lyndon has always been dismissed within Kubrick’s filmography. While he is a filmmaker...

“U2 still deserves a place at the forefront of modern rock”

For Calum Bradshaw , U2 can still deliver a world class performance

“Charlie Fink is a genius, and ‘Cover My Tracks’ a triumph”

Katie Sayer is enraptured by Charlie Fink's modest yet outstanding new play 'Cover My Tracks'

Gangster rap with glimmers of uniqueness

Big Fish Theory is a refreshing spin on modern rap music that shows there is plenty of talent and potential within Vince Staples

Awkward singing and timely rain from Radiohead in Manchester

Thomas Athey finds last minute venue changes are easily overcome by Radiohead

‘Baby Driver’ dazzles and thrills

Daniel Kodsi reviews 'Baby Driver', an action story that packs a musical punch, with a love story at its heart

‘Spider-Man: Homecoming’ defies expectations as a surprising pleasure

Jonnie Barrow finds the new Marvell instalment provides a fresh take on the stale Spider-Man character

A flawed man with a revolutionary aim

Ethan Croft explores Philippe Girard's admirable Toussaint Louverture: a revolutionary life

Hokusai: Beyond The Great Wave – a man possessed by the Japanese landscape

Becky Cook is awestruck by Hokusai’s ‘The Great Wave’ but says the artist fails to discover anything beyond the masterpiece at the British Museum’s current exhibition

Better Caul Saul: Season Three Reviewed

Nancy Epton draws comparisons between the Netflix prequel and its AMC original, whilst shedding light on the cast beyond the eponymous character

‘A visual masterpiece’

Izzy Smith admires The Cursed Child’s combination of nostalgia and freshness

OxView: Top Horrors

Sandy Elliot runs through his favourite scary movies

Studio 60 on the Sunset Strip – a neglected Sorkin revisited

Becky Cook asks why Aaron Sorkin's Studio 60 on the Sunset Strip was cancelled, after one season on air

Edinburgh Fringe: In the Pink preview

Thomas Athey looks ahead to Oxford's acapella efforts at the Edinburgh Fringe

The science books that every non-scientist should read

Rosalie Wells lists the best science and medicine books to read this summer

“At times refreshingly witty and sharp, and then lets itself down…”

Hugo McPherson is left questioning by 'Arseholes', a new play about Rimbaud and Verlaine

OxView: Best finales

Calum Bradshaw lines up three of the best cinematic finishes

Dispatches: Friends, Ulysses, and the value of a story’s ending

Ellie Duncan considers how endings reflect a need for stories

‘Community’ teaches us all how to say goodbye

Christopher Goring looks back nostalgically at the final episode of the cult postmodernist sitcom

A sense of closure amongst dreaming spires

Sarah Brown reflects on three years at Oxford University as the end draws near

“Intense and enjoyable to watch”

Nina Crisp enjoys an intense and enjoyable performance

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