Culture

Form, function, and art in the cultural weight of architecture

With roughly 55% of the world’s population living in cities, the urban world – the brainchild of architects – has become what most people recognise as home. Studies have...

Art Larissa Chan -

The cantatas of Bach with New Chamber Opera

Recently, students from the University of Oxford have blessed the city with several performances...

Music Samuel Oliver-Sherry -

Review: Crocodile Tears – ‘Techno-futuristic, but why?’

There is a lot to like about Natascha Norton’s Crocodile Tears. Female lead Elektra...

Theatre Peter Chen -

Review: ART – ‘Charm, jazz, and friendship at its wittiest’

ART is charming. Centred around long-time friends Yvan (Ronav Jain), Marcus (Rufus Shutter) and...

Theatre Lara Machado -

Latest

Review: “Get Out”

Jonnie Barrow lavishes praise on this recently-released horror masterpiece.

Marvel’s Netflix universe is going badly wrong, and it’s the writing that’s to blame

Christopher Goring takes a look at Netflix’s increasingly troubled corner of the Marvel Cinematic Universe in a spoiler-filled examination of how everything went off the rails

Live-action ‘Beauty and the Beast’ is a ‘dose of weaponised nostalgia’

Jonnie Barrow examines whether the recent live-action remake of 'Beauty and the Beast' is worth your time...

Is The Nightly Show an expensive insult to the British public?

Theo Davies-Lewis takes a look at the critically-panned talk show’s place in ITV’s schedule

Friendship, Feminism and Fun(damental Rights)

India Parker talks to Jess Bollands, the President of the Oxford Belles, about the enormous success of their latest music video

Netflix to present Orson Welles’ lost masterpiece

Claire Leibovich discusses Netflix's resurrection of Orson Welles' unfinished final film

Chuck Berry – “One of the greats”

Will Cowie pays tribute to the late Chuck Berry

“When a film depends on siamese stories in the way this one does, it is often hard to keep the whole thing alive”

John Maier finds Tom Ford's re-released second film 'Nocturnal Animals' stylish but confused

“Injections of humour amidst the Beckettian existential angst”

Emily Lawford is impressed by Leveaux’s revival of Tom Stoppard's meta-theatrical tragicomedy Rosencrantz and Guildenstern Are Dead

The Shins – Heartworms review

Akshay Bilolikar finds a confident and valedictory wisdom in the Shins' fifth effort

Review: ‘T2 Trainspotting’

Louise Howland finds an addictive energy in sequel to cult classic Trainspotting

Online discoveries through the Oxford Book Club

Ellie Duncan chats to the editors of the Oxford Book Club's new website

Circa Waves – Different Creatures review

Matt Roller deems the sophomore effort from Circa Waves to be refreshing, but inane

Spotlight: DFO

Will Cowie on those three magic letters

Tiny words: on the art of small talk

Ellie Duncan ruminates on the place of everyday interaction in literary writing

Faces, forgotten and faded

Jonathan Egid visits Christ Church Picture Gallery’s disappointingly small Forgotten Faces exhibition

“Love and humanity scattered amid the horror”

Emily Lawford enjoys a genuinely frightening production of Macbeth

Home is where the art is: Rod Jordan

Sophie Jordan ventures past her grandfather’s notecards only to come back to them

‘Deeper than the Abyss’: Resisting the Holocaust

Sam Sussman reviews Peter Hayes' new book, 'Why? Explaining the Holocaust'

A word from the stalls

Miriam Nemmaoui speaks to a tipsy audience member at Suzy Cripps’ 'The Optimists'

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Culture

Form, function, and art in the cultural weight of architecture

The cantatas of Bach with New Chamber Opera

Review: Crocodile Tears – ‘Techno-futuristic, but why?’

Review: ART – ‘Charm, jazz, and friendship at its wittiest’

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