Culture

How an Oxford undergraduate made a name in choral music

When he arrived at Oxford, he expected his future to lie primarily in orchestral music. Instead, it was choral music that transformed his direction.

Culture Anish Vedantham -

‘Scenes With Girls’ and complicated female friendships

'Scenes with Girls' deserves to be seen as one of Labyrinth Productions’ (Rosie Morgan-Males and Emily Cullinan) most impressive accolades.

Culture Charlie Bailey -

‘The Moro Affair’: Astonishingly original, but not quite a story

The acting in 'The Moro Affair' was superb across the board, with Harriet Wilson’s Pope as a standout, and Rosie Sutton’s direction was flawless.

Culture Ian Coates -

‘Music can be everything’: Aurora Orchestra’s Jane Mitchell on the narratives around classical music

The Aurora Orchestra, who are playing at Oxford’s Schwarzman Centre on the 19th June, are best known for performing their orchestral repertoire from memory.

Culture Lilia Goldstein -

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Music without borders : Misogyny and Bollywood

Jeevan Ravindran exposes the contradictions within Hindi cinema

“A fascinating interpretation of Racine’s masterpiece”

Louisa Cotterhill is left stunned by 'Phèdre', a modern rendition of an ancient tragedy

“Precisely the kind of theatre I would like to see more of in Oxford”

Charles Britton is besotted with the potheads in 'Garden'

“Its clear, accessible acting makes intelligible a foreign tongue”

Martin Newman is captivated by the Oxford Italian Play, 'Mistero!'

“Pleasingly thoughtful and thought-provoking”

Natasha Burton previews 'Rewritten' at the Michael Pilch Studio

Evoking emotion and rejecting repression through art in the Middle East

Joseph Botman makes a case for the importance of the humanities in contemporary society

The extraordinary life and lenses of Robert Capa

Katherine Wood discusses the twentieth century’s greatest war photographer

The human desire for an easy explanation

Joseph Botman makes a case for the irrelevance of individuals in history

“It kept me hooked right until the final denouement”

Harry Hatwell applauds Playlliol's rendition of 'A View from the Bridge'

A new era of repressive state censorship dawns over Russian art

Anoushka Kavanagh dispels the religious disguises of violations on creative and political freedom

What can horror movies do to terrify us more?

Calum Bradshaw terrifies himself in the name of student journalism

Old and new fused in ‘Alien: Covenant’

Jonnie Barrow examines the influences of Ridley Scott’s latest horror

Dispatches: Gentrified graffiti on the streets of Stokes Croft

Altair Brandon-Salmon explores differing responses to Banksy as a graffiti artist

A day in the life of… a stage manager

Lucy Coupe gives her perspective on why stage managing is the perfect extra-curricular activity

“A marathon-style theatrical whirlwind”

Harry Hatwell is blown away by 'Angels in America' at the West End

A tempestuous tribute to a perplexing artist

Anoushka Kavanagh is confronted by an ouevre permeated by emotional and creative conflict in Giacometti’s retrospective at the Tate Modern

“A woman sitting alone, doing nothing”

Tilly Nevin reviews Mary Ruefle’s stunning and startling new collection 'My Private Property'

Class and conflict in the works of Leonora Carrington

Priya Khaira-Hanks explores the surrealist's attempt to come to terms with her class identity

“A fierce accomplishment”

Will Austin is absorbed in 'Reigen', a revival of Arthur Schnitzler’s controversial sexual drama

“A moving and engaging performance… beyond the level of most student drama”

Freddie Crowley is impressed by the professionalism and intensity of the dystopian drama POMONA at the Keble O'Reilly this week

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Culture

How an Oxford undergraduate made a name in choral music

‘Scenes With Girls’ and complicated female friendships

‘The Moro Affair’: Astonishingly original, but not quite a story

‘Music can be everything’: Aurora Orchestra’s Jane Mitchell on the narratives around classical music

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