Culture

Between beer gardens and picnics: Climate Culture Care at the Ashmolean

When I returned to Oxford this term, just as England teased us with the sixth heat-wave of the year, I found myself at a loose end. With the deadline for two vacation essays still far in the distance, the sun lit up the sign for Soma Surovi Jannat’s Ashmolean Now exhibition, Climate Culture Care.

“What is a good life?”: The Standard of Living in review 

“What is a good life?” This axiological question, asked earnestly in the opening lines of James Graham’s The Standard of Living – playing at Theatre Royal Haymarket until December 12 – is often overlooked by the fractured and hyper-specialised discipline of economics.

Diverse voices: ‘Inshallah, Madonna, Inshallah’ by Miljenko Jergović 

‘When he created Earth and these lands upon it, when he divided people into...

Art as protest on university campuses

CW: rape. This week, Cornell University has made headlines as prosecutors reopened an investigation into...

“Unapologetically Blink-182”

Abby Ridsdill-Smith is a fan of the band's deluxe edition of 'California'

Traditional folk music at its experimental best

Ben Ray finds Miranda Sykes’ latest release reaches dizzying new heights

Choose wisely, it’s in your hands

Alice Robinson explores the phenomena of multiple endings

“Exploring what it means to be an intelligent modern woman”

Sîan Bayley finds much to praise in 'Girls Will Be Girls' at the BT Studio

“The biggest student comedy event of the year”: Oxford Revue and Friends

Miriam Nemmaoui chats to Olly Jackson ahead of the Oxford Revue's hotly tipped performance

Communication and confrontation in Brooklyn’s art community

Avery Curran discusses curating Text/ure, Trump, and artistic cataclysm in the US There’s an argument, and it’s a convincing one, that all art is political and, in the interim period between the election and the inauguration it felt truer than ever. There was an atmosphere of displacement and shifting ground. Between daily revelations about suspicious calls to Russia and plans to defund sanctuary cities (of which New York is one), no one seemed to know where they stood.

Pastel pink speculums, embroidered condoms, and art for reproductive freedom

Anoushka Kavanagh explains why protest art is now more important than ever

OxFilm: “An hour—and a £3—very well spent”

Sandy Elliot is impressed by the range of talent on show at the launch of OUFF’s Easter Projects

OxView: Best of Cannes

Kenji Newton runs through his top picks of the 2017 festival

Old and new fuse in ‘Twin Peaks: The Return’

Joe Baverstock-Poppy sees the best of David Lynch at work in the show's revival

Rhetoric and realism in ‘Raphael: The Drawings’

Anoushka Kavanagh is impressed by the Renaissance master’s gift for story-telling and imaginative flare in the Ashmolean’s new exhibition

Music without borders : Misogyny and Bollywood

Jeevan Ravindran exposes the contradictions within Hindi cinema

“A fascinating interpretation of Racine’s masterpiece”

Louisa Cotterhill is left stunned by 'Phèdre', a modern rendition of an ancient tragedy

“Precisely the kind of theatre I would like to see more of in Oxford”

Charles Britton is besotted with the potheads in 'Garden'

“Its clear, accessible acting makes intelligible a foreign tongue”

Martin Newman is captivated by the Oxford Italian Play, 'Mistero!'

“Pleasingly thoughtful and thought-provoking”

Natasha Burton previews 'Rewritten' at the Michael Pilch Studio

Evoking emotion and rejecting repression through art in the Middle East

Joseph Botman makes a case for the importance of the humanities in contemporary society

The extraordinary life and lenses of Robert Capa

Katherine Wood discusses the twentieth century’s greatest war photographer

The human desire for an easy explanation

Joseph Botman makes a case for the irrelevance of individuals in history

“It kept me hooked right until the final denouement”

Harry Hatwell applauds Playlliol's rendition of 'A View from the Bridge'

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