Culture

‘Pour summer in a glass’: retracing Dandelion Wine

“You did not hear them coming. You hardly heard them go. The grass bent down, sprang up again. They passed like cloud shadows downhill ... the boys of summer,...

The Source Cici Zhang -

Reviving the symposium at the Ashmolean Krasis programme

Dara Mohd, herself a Krasis Scholar, converses with Dr Jim Harris about his object-centred symposium program, Krasis, at the Ashmolean Museum.

Art Dara Mohd -

‘This Room Their Lives’ in Magdalen College’s Waynflete building

Every Magdalen member remembers their first encounter with the Waynflete Building. Sticking out a...

Art Josie Stern -

In More, Pulp aren’t just trading on nostalgia – they’re fresh

In a year where many are talking about one Britpop band in particular –...

Music Tom Cockburn -

Latest

Why Don’t We Have Any ‘Mega Popstars’ Anymore?

This August, Billboard released an article asking the question: where have all our mega popstars from the 2000s and early 2010s gone? It was...

How to judge a book by its cover

Let’s be real. You’re in Blackwells looking for a book to read if you’re cool, and buying a mug with a world map on...

‘Oh no, the sky is falling’: This is How We Walk on the Moon Review

A full-moon shaped circle of chairs awaits the audience. We’re directed to stand in the middle of the circle and one by one, characters...

‘The Furnace of Art’ : A Review of Amadeus at the Keble O’Reilly

‘Nowadays all cats appreciate are coloratura,’ Salieri says gravely ‘like the rest of the Public’. This sums up Peter Shaffer’s Amadeus (which is currently...

“The poetry of motion!”: Toad of Toad Hall Review

Toad of Toad Hall A.A Milne’s adaptation of Kenneth Grahame’s 1908 beloved classic The Wind in the Willows, is a testament to throwing responsibilities...

“Immersive and interesting”, King Lear at the Wyndham Theatre

Kenneth Branagh has taken on a new project: directing and starring in the Shakespearean classic ‘King Lear’ this winter at the Wyndham Theatre in...

“Slightly out of joint”: Hamlet Review

That Isaac Asimov’s retelling of a bemused reader’s response to Hamlet – ‘I don’t see why people admire that play so. It is nothing...

Drowning in You

Read the latest from The Source on the theme of relationships, 'Drowning in You'! I feel like I’m drowning as I struggle with your embraceI...

Noah Kahan: Music Sensation or One-Album Wonder?

I know very little about music. A vast amount of my Spotify wrapped includes Taylor Swift (about whom I know a lot), and what...

Feminist Samurai in Netflix’s new “Anime”?: Ōoku: The Inner Chambers Review

This review contains spoilers and mentions of sexual violence. What would society look like if three-quarters of the male population disappeared? Ōoku: The Inner Chambers...

Feel Good Films — British 1950s Comedies

When I'm shattered after a long essay, or brooding over the state of the world, or merely wanting to enjoy a pleasant few hours,...

MARCO SOLO: Manuscripts and Archives at Oxford University

Although unnoticed by many students and tutors alike, a revolutionary new service by the name of MARCO was unveiled last week, taking the archivist...

Decline and fall: How They Broke Britain by James O’Brien – review

"Today, in the wake of Brexit, Britain is once again broken – so argues commentator James O’Brien in his new book, How They Broke Britain."

Is art a form of political propaganda?

Art has been employed throughout history as a political tool to propagate ideas of power and ideology and challenge them. However, art is a...

Innovating Euripides: Medea Opening Night Review

The Oxford Greek Play is a bizarre tradition: an undergraduate foray into Greek tragedy which first occurred in 1880 and has continued triennially ever...

The sweet sticky story of you.

Read the latest from The Source!Content warning: addiction That sticky sweet smell lingers in the air, flickering and dissipating again and again, a smoke cloud...

Happiness, My Passenger

Read the latest from The Source on the theme of Mind. I walk through the woods and I realise it once again. I realise that...

Cabernet

Read the latest from The Source on the theme of relationships! He likes red wine. Gets a bottle of it when he goes out to...

Yevonde: The woman who revolutionised colour photography

“Portrait photography without women would be a sorry business.” (Yevonde Middleton, 1921) I walked into the Yevonde: Life and Colour exhibition at the National Portrait...

Fragile Love

Read the latest from The Source on the theme of identities. Content warning: self-harm, homophobia. She was 15 years old,With empty eyes of sorrow and...

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Culture

‘Pour summer in a glass’: retracing Dandelion Wine

Reviving the symposium at the Ashmolean Krasis programme

‘This Room Their Lives’ in Magdalen College’s Waynflete building

In More, Pulp aren’t just trading on nostalgia – they’re fresh

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