Culture

The problem with Nolan’s ‘The Odyssey’

Nolan had all the tools for greatness. Instead, to my eternal frustration, his 'Odyssey' will always only be just alright.
Culture Kelly Yu -

‘One Night Only’ (2026) and the death of romance

Romance movies are, on the whole, my favourite movie genre. But good romance movies, like good romantic relationships, are hard to find, and easy to mess up.
Culture Willow Jopp -

Caught between grief and hope: ‘On Some Far Shore’ reviewed

Fresh off the back of 'Our House' and 'Macbeth', Cross Key Productions presents an original three-hander focused on the complexities of grief and young love.
Culture Melissa Eddon -

The road to reckoning: ‘The Slip’ reviewed

Sharp, unsettling, and emotionally intelligent, 'The Slip' is a striking showcase of the ambition and talent behind Wide Eyes Productions, while establishing Wyatt as a writer-director to watch.
Culture Leo Jones -
Latest

The lost art of the intermission, and why the film industry needs to bring it back 

Last month, Brady Corbet’s The Brutalist was one of the most-discussed films at the Oscars, with its award-winning cinematography, score, and direction rightfully generating...

A review of The Crux: Djo turns music into a profession

In his new album, The Crux, Djo, aka Joe Keery, perfectly inhabits and evokes peak 70s McCartney. At the same time, he seamlessly drifts...

40 years after the miners’ strike, James Graham’s ‘This House’ still has a lot to offer

‘Humphrey: ‘If the right people don’t have power, do you know what happens? The wrong people get it. Politicians. Councillors. Ordinary voters.’Bernard: ‘But aren’t...

Persuading the public: The play as propaganda

The play as propaganda has a long history. From the regime-affirming productions of Hieron, tyrant King of Syracuse, to Lucy Prebble’s play The Effect,...

Something is rotten in the state of San Andreas: Grand Theft Hamlet in Hertford

‘Hamlet: “O’, that this too too solid flesh would melt, thaw…” ’ Don’t quite remember this scene from the bard’s masterpiece? You won’t forget it...

The Ghosts She Felt Acutely

This year, with the inaugural Blackwell’s Short Story Prize, Cherwell aimed to reconnect with its roots as a literary magazine in the 1920s, when our undergraduate...

Letter from the Orient

This year, with the inaugural Blackwell’s Short Story Prize, Cherwell aimed to reconnect with its roots as a literary magazine in the 1920s, when our undergraduate...

A Short Sharp Shock to the Skull

This year, with the inaugural Blackwell’s Short Story Prize, Cherwell aimed to reconnect with its roots as a literary magazine in the 1920s, when our undergraduate...

Rhonda May

This year, with the inaugural Blackwell’s Short Story Prize, Cherwell aimed to reconnect with its roots as a literary magazine in the 1920s, when our undergraduate...

Any Blue Will Do

This year, with the inaugural Blackwell’s Short Story Prize, Cherwell aimed to reconnect with its roots as a literary magazine in the 1920s, when our undergraduate...

Splat!

This year, with the inaugural Blackwell’s Short Story Prize, Cherwell aimed to reconnect with its roots as a literary magazine in the 1920s, when...

German Expressionist film: A beginner’s guide

With Robert Eggers’ remake of the classic vampire horror Nosferatu taking the world by storm, now is a great time to look back at...

Shakespeare and the ‘Dark Lady’

Shakespeare is undoubtedly the most well renowned English playwright. Thus, the chance that the bard might have been strongly influenced by a woman, as...

Cherubs Grow On Trees: Atmospheric student filmmaking

Making short films is hard. You have anything between two and 20 minutes to tell a compelling story. As an audience member, they can...

Lessons in censorship: A cautionary tale against Bodleian blacklists 

For some authors, the Bodleian Libraries have not always a safe haven for their work. Although marginalised texts are no longer demarcated with the phi symbol on their spines, with many having re-entered the undergraduate canon, Sophie Price discusses the valuable lessons we can learn from the Bodleian blacklist which remain pertinent today.

Should ‘Orbital’ have won The Booker Prize? 

Laurence Cooke reviews Samantha Harvey's 'Orbital', the winner of the 2024 Booker Prize.

Fontaines DC and the (re) rise of indie Sleaze

I recently took to my finsta to post a story claiming that the Fontaines DC’s Radio One Live Lounge cover of Lana Del Ray’s...

Julie review – Free shots, toxic relationships, immersive theatre

My ticket to see Julie resembled an invite to a birthday party, promising a live DJ and that I would be greeted by ‘partygoers’...

Who is Oxford’s Coffee Shop Artist? In conversation with Julia Whatley

Julia sees herself as the conduit through which an artistic vision is realised. Where does this vision come from? “Somewhere else.”

The Goat Review: ‘raw, absurdist, and honest’

Clarendon Productions brings The Goat, or Who is Sylvia? (Edward Albee) to the Michael Pilch studio, painfully, humorously, and soulfully. Seated in the round,...
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