Culture

Caught between grief and hope: ‘On Some Far Shore’ reviewed

Fresh off the back of Our House and Macbeth, Cross Key Productions presents an original three-hander focused on the complexities of grief and young love. Produced by Madi Boutcha...
Culture Melissa Eddon -

The road to reckoning: ‘The Slip’ reviewed

Sharp, unsettling, and emotionally intelligent, 'The Slip' is a striking showcase of the ambition and talent behind Wide Eyes Productions, while establishing Wyatt as a writer-director to watch.
Culture Leo Jones -

How an Oxford undergraduate made a name in choral music

When he arrived at Oxford, he expected his future to lie primarily in orchestral music. Instead, it was choral music that transformed his direction.
Culture Anish Vedantham -

‘Scenes With Girls’ and complicated female friendships

'Scenes with Girls' deserves to be seen as one of Labyrinth Productions’ (Rosie Morgan-Males and Emily Cullinan) most impressive accolades.
Culture Charlie Bailey -
Latest

Ovid meets modern identities in Sap

This will certainly be a loose retelling of Ovid’s Daphne and Apollo, but a dutiful one nonetheless.

Oxford’s first Hip-Hop Society breaks it down

As Oxford's newest musical society explores ways to facilitate a much-needed space for hip-hop music, only one question springs to mind; where have they been all this time?

Review: Les Liaisons Dangereuses at the Oxford Playhouse – “Nic Rackow is revelatory” 

This new production of Les Liaisons Dangereuses, a glamorous, engrossing period drama, showing at the Oxford Playhouse, is elevated by its stars into one of the great shows of the year. 

Reinventing the epistolary novel

It looks like, then, the epistolary novel isn’t dying out completely—just reinventing itself.

Review: Beetlejuice, Beetlejuice

Burton’s famous gift for mixing the dark and eerie with the fun and satirical shines through once again.

Oxford Horror Soc, un-earthed

The Oxford Horror Soc, led by Izzy Reese, is Oxford’s first and only society dedicated to the on-screen horror genre.

The com(m)e(n)t

Scrunching it into a ball,  you toss it atmospheric, out of sight. 

Candles

Dreams are made of candles, pinpricks of a deeper light.

Charity shop pirates: Is second-hand shopping as sustainable as we think?

We're applying a more-is-more attitude to what ought to be a sustainable resource.

The sounds of student protest

Their monopoly on the sonic space means that they are in charge of disseminating information to the public. In other words, they were not walled off. 

Lights, camera, Liaisons

It will undoubtedly be the one of the most all-out, technically spectacular shows that Oxford student drama has seen in a long time.

Review: May We Be Forgiven by A.M Homes

Weird and wonderful. Heavy at times, strange throughout, but uplifting to the end. An incredible read.

The best books I read this summer

In a desperate attempt to extend the holiday, here are the best books I read this summer...

‘Glitz, glamour, pizzazz’: In conversation with The Great Gatsby

This weekend, I sat down with Mina Moniri and Peter Todd, the co-writing/co-directing duo of a brand-spanking new adaptation of F. Scott Fitzgerald’s The Great Gatsby.

Review: The Safe Keep by Yael Van der Wouden

In not necessarily liking Isabel, we are free to understand her, even if this understanding does boil down to something rather simple.

Ticketmaster hurts student concert culture

Competitive, difficult, and opaque. All words associated with the Oxbridge admissions process. More recently, however, they have been used by disappointed Oasis and Coldplay fans in relation to Ticketmaster.

Celebrating two centuries of the National Gallery

Flo Wolter reflects on the impact and legacy of the iconic institution, now in its 200th year.

‘warþ gasric grorn, þær he on greut giswom’ [Fish sad when washed to shore] – The Franks Casket

hronæsbansorrowful, weeping tears of salttaken, hunted, harpoonedfrom my blue lagooncrafted by you into this box. hronæsbancarve me, recalcitrant though I ammay my banhus tell both...

Review: Joker: Folie à Deux

Joker: Folie a Deux is ultimately too disjointed and unnecessary to win Oscars or make headlines.

The Graduate took on generational divides

From its start, The Graduate shows its audience that Ben is alienated from the older generations. At the party his parents throw to celebrate...
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