Culture

“What is a good life?”: The Standard of Living in review

“What is a good life?” This axiological question, asked earnestly in the opening lines of James Graham’s The Standard of Living – playing at Theatre Royal Haymarket until December 12 – is often overlooked by the fractured and hyper-specialised discipline of economics.

Culture Eoin Ware -

Diverse voices: ‘Inshallah, Madonna, Inshallah’ by Miljenko Jergović

‘When he created Earth and these lands upon it, when he divided people into...

Books Abigail Riley -

Art as protest on university campuses

CW: rape. This week, Cornell University has made headlines as prosecutors reopened an investigation into...

Art Lara Solie-Tuluie -

Good grief! Why do we feel for the death of fictional people?

Whether it’s a mild sniffle or full-blown tears, I always end up feeling a bit ridiculous about the whole ordeal when it’s over. I mean, it’s not real, is it? Why do I waste my grief on things that haven’t happened, that will never happen?

Culture Jas Mauj -

Latest

Review: ‘Tis Pity She’s a Whore – ‘A drama of extremes’

John Ford’s ‘Tis Pity She’s a Whore, working within the already violent genre of the revenge tragedy, has to be one of the most...

Advert for a Girl

Girl, 22. Average height, Average weight. Average-sized, father-figure shaped hole 2 inches left of lower sternum. Needily accommodating Selflessly self-deprecating Outsize ego easily compactable To fit all inferiority complex related needs. Available for...

Review: Endgame – ‘Nothing is funnier than unhappiness’

The play invites us to laugh at our powerlessness in the face of an apocalyptic fate.

A literary map of Oxford

Look no further for the perfect afternoon dawdle, as you chase the ghosts of literary greats through the town.

Should we judge a book by its cover?

Maybe we need to start giving a chance to the books we wouldn't usually take a second glance at.

Blood is compulsory: The films of Martin McDonagh

In these uncertain times, his films speak to us more than any traditional morality tale could.

Papicha, power, and cinematic patriotism

How can we say that Papicha is Algerian, if the film was banned without any explanation in the country shortly before its release?

Review: NUTS – ‘a harrowing portrait of deceit and desire’

NUTS works in its ability to keep the audience on edge, waiting for the delicately thin emotional facades the characters have built to come crashing down.

“Mummy said I’m pretty”: Nepo babies on the runway

What positive changes are the people born into this system going to advocate for?

‘The Pink City’: Ten generations of Jaipur gems

Cherwell visited the Choudhary family's prestigious jewellery collection, now almost 300 years old.

Lessons From A Taiwanese Coaster

I woke up in a world Where everything was beautiful, And nothing hurt.

Ovid meets modern identities in Sap

This will certainly be a loose retelling of Ovid’s Daphne and Apollo, but a dutiful one nonetheless.

Oxford’s first Hip-Hop Society breaks it down

As Oxford's newest musical society explores ways to facilitate a much-needed space for hip-hop music, only one question springs to mind; where have they been all this time?

Review: Les Liaisons Dangereuses at the Oxford Playhouse – “Nic Rackow is revelatory”

This new production of Les Liaisons Dangereuses, a glamorous, engrossing period drama, showing at the Oxford Playhouse, is elevated by its stars into one of the great shows of the year.