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UrbanObserver
Thursday 18th June 2026
Oxford's oldest independent student newspaper, est. 1920
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Culture
The ‘Obsession’ Obsession
'Obsession' is a taste of what the next generation of filmmakers looks like.
Culture
Willow Jopp
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Slow down, you crazy child: What Oxford student theatre can learn from garden plays
Student theatre strives to be as professional as possible, but the annual garden play offers something unique: permission to have fun.
Culture
Mair Andrews
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Rap as poetry: ‘The Odyssey’ and the breakdown of the medium
When interviewed on his decision to cast Travis Scott as a bard figure in...
Music
Niamh Hoyland and Val Michael
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Hag, Nag, Harpy, Hen: Olivia Plender’s ‘Little Fennel’s Complaint’
It is the examination of archaic methods and attitudes surrounding women’s bodies, and the idea of the ‘nagging’ woman, which runs through Olivia Plender’s exhibition.
Art
Amy Lawson
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Review: The Rover
A revelatory Robert Pattinson transforms this post-apocalyptic thriller into a nuanced and engaging character drama
Theatre etiquette: The response
Bethan Roberts makes the case for rowdier audiences at the nation's playhouses
Oxford’s culture vultures
Naomi Polonsky takes a look at Oxford alumni known for their cultural endeavours
Review: Dry The River – Alarms In The Heart
Luke Barratt is pleased with the Newbury rockers' difficult sophomore effort
Oxford’s literary ghosts
Naomi Polonsky takes a look at the fictional characters who attended, and perhaps still haunt, Oxford University
Review: The Giver
Cody Gifford delves into the societal implications of Jeff Bridges' novel adaptation, The Giver.
Review: Malevich at the Tate
Naomi Polonsky considers the importance of this Russian artist in 20th century art at the retrospective of his work
Review: The Inbetweeners 2
This second cinematic outing for the Inbetweeners gang does nothing new but still has its funny moments
Is Kickstarter’s time up?
Sam Joyce looks at whether Kickstarter is still a filmmaker's financial saviour.
Interview: Armie Hammer
The Winklevoss twin talks fatherhood, exorcisms and Tom Cruise with Cody Gifford
Review: Hercules
Luke Barratt enjoys Hollywood's latest quasi-classical offering
Review: Hide Your Smiling Faces
This tale of childhood and mortality tugs at the heart strings to hauntingly poetic effect
Review: Phox —Â Phox
Stephen Bradshaw reviews the sun-filled melting pot that is Phox's debut album
The Smiths: Then and Now
30 years on, Cherwell examines the legacy of The Smiths' self-titled album
Review: Morrissey — World Peace is None of Your Business
Ben Wilkinson-Turnbull reviews Morrisey’s new album.
Review: Laurence Clark: Moments of Instant Regret
Rose Sykes find this Edinburgh Preview hilariously close to the bone
Cheltenham Music Festival: A page turner’s view
Joseph Fell takes a behind-the-scenes look at the Cheltenham Music Festival.
Review: Grand Central
Rebecca Zlotowski's film about forbidden love treads beyond just illicit romance and tackles identity, appearance and loyalty
Review: Transformers: Age of Extinction
Robots, sparks and cars all combine to create an incomparably lazy monstrosity
Review: Sex Tape
Lacking severely in humour, Sex Tape is left to fester in its own awkward and unfunny squalor
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