Culture

From cloisters to concrete: Oxford’s architectural evolution

As a proud member of one of Oxford’s younger colleges – one that didn’t make it into the set of Saltburn – the magnetic pull of the old Oxford...

Adolescence: Can TV spark radical change in young men?

Adolescence is just another example of art acting as a conversation piece. The recent...

Hand over Heart

"So bite the heel that walked you home in the rain"

Oxide Radio is a breath of fresh, musical air

"This free station is worth a listen"

‘After Life’: A review

After Life was an understated joy – a brilliant, bittersweet highlight of Week 7.

“In here, it’s just pretending…”: ‘Posh’ and the brilliance of impersonation.

At the end of it all, the audience are left in the wake of their destruction, while tellingly, most of the boys have left the scene, unscathed. 

Films to romanticise Oxford

Films, and art in general, hold a unique ability to capture beauty, allowing us to see the grandest settings or the most every day places with awe and wonder.

A Clockwork Orange: “Kubrick’s masterclass of surrealism, disillusion and delinquency”

A Clockwork Orange remains an absolute classic to this day... It represents the best of Stanley Kubrick’s vision and surrealism, and marks itself as completely unique. These types of movies represented a mental workout for the viewer, a way to leave the cinema bamboozled and desperately craving for a rewatch.

A Night Under the Stars: Reviewing Enclosure

The programme for Mostly Moss Productions' Enclosure reads: “In this time of crisis hold each other closer. In community with each other, and with...

Delightful, witty and well-rendered: ‘Blithe Spirit’ in review

In something of a swan song for Oxford’s A2 Productions, on the 9-12th November, they took to the Keble O’Reilly Theatre for their production of...

“Staying in the trouble” at Oxford

“Staying with the trouble”. This was a quote from feminist geographer and all-round academic queen Donna Haraway (2016), cited in Elwood and Leszczynski’s (2018)...

Before Midnight: ‘Linklater manages to paint a picture of love that feels real, without sacrificing any sense of beauty or magic’. 

'Before Midnight, then, beautifully and honestly draws Linklater’s Before trilogy to a fitting conclusion. As a meditation on love and relationships it reminds us that it’s not always plain sailing, but that this doesn’t erase or dampen our past experiences.' Josh McGrane evaluates the final instalment of Richard Linklater's beloved 'Before' trilogy.

The Duchess of Malfi: A Review

"Evocative performances, convoluted script, limited visual resources"

Narcissus : a review

"It is perhaps unsuprising that a play names after a boy who falls in love with himself should be as self-indulgent as ...Narcissus is."

A rogue Vogue cover: Drake and 21 Savage’s IP gamble

What appears to have happened here is a calculated risk – a legal roll-of-the-dice for a (potentially larger) commercial gain.

‘Women You Know’: Review

"I laughed, I tried but failed to cry, and had an overall nice time spending my Wednesday evening listening to these two women."

No guts, no glory : the Bones and All premiere

"Bones and All...will undeniably spark conversation, introspection and philosophical debate"

‘Blithe Spirit’: In conversation with A-squared Productions

'Blithe Spirit', running at the Keble O’Reilly theatre from the 9th – 12th November will be A2 productions final Oxford show after successes such...

Breakwater : Oxford’s first student feature-film in forty years

"Recently, our primary filming location burnt down"

I Hope You Fall In Love And I Hope It Breaks Your Heart

"Pasoori is more than just a catchy hit which broke out of Pakistan; it’s a beautiful and progressive statement of social and cultural values."

Things Forough Farrokhzad taught me 

"She taught me never to be ashamed of living a bold life"

‘Maurice’ : A review

"It is the perfect choice for the start of term with the potential for all of us to find a piece of ourselves"

Don’t Worry Darling – Review

'You get the impression that is was intended to be a feminist statement - but a statement of what ?'

Why Isn’t Dystopian Fiction Fun Anymore?

"I wonder if the dystopian novels that we read...are really so far off from our own reality"