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Books you can’t sink your teeth into: A brief look into unsolvable manuscripts

If there’s one thing that most people appreciate, it’s a good mystery with a clever solution. It is no accident that Agatha Christie is listed as the Guinness World...

Review: Will Heaven Fall on Us? A Béla Tarr Retrospective

Will Heaven Fall on Us? A Béla Tarr Retrospective, which aired in cinemas this...

Has the romantic comedy lost its charm?

The romantic comedy genre is often criticised for its overreliance on tropes. The romcom...

Palimpsest

This is a secular city, built on holy bones. We’re on the edge of another...

2024 was for the girls: The rapid success of female artists

The last nine months of pop can perhaps be summed up in one word:...

Experimental Theatre Club

Words Words Words

Preview: Twelfth Night

An intriguing reinterpretation of a Shakespeare classic

Preview: Yesterday

Mark Barclay sees potential greatness for this piece of new writing

In Defence Of: Spring Breakers

Tom Barrie defends Selena Gomez and her murderous streak

Cinema: dead as a dodo?

Sam Joyce on why cinema is in a self-made terminal decline

Review: Mad Max

Toby Scadding enjoys vehicular carnage in this franchise revamp

Top 5 Songs to piss off a finalist

Rachael Griffith presents you with some truly inflammatory songs

Review: Gang Albanii – Królowie życia

Kieran Vaghela delves into the Polish Top 40

The last of the Beat poets

Catherine Kelly reviews Gary Snyder's latest collection

Review: A$AP Rocky – AT.LONG.LAST.A$AP

Tom Barrie isn't surprised by the high quality of A$AP Rocky's latest album

Gogol Bordello: the gypsy-punk band

Eliana Rosenfelder offers up something a little different

Monumental Art: The Chess Game

Anna Zanetti discusses Sofonisba Anguissola’s groundbreaking work

‘Pretty Girls’ and Pop’s Postmodern Moment

Sam Joyce explains how Britney’s ‘Pretty Girls’ is the end of pop postmodernism

Oxford’s part in the rise of the Grrrl Zine

Sam Joyce speaks to the organisers of next week's GRRL zine fair at Freud's about the future of the format

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