Culture

Inarticulacy in part and in whole: ‘Father Mother Sister Brother’ in review

When I heard that Jim Jarmusch had released a new anthology film, I fondly remembered watching Night on Earth (1991) some years ago.

Culture Freddie Lewis-Hedley -

On Geese and the Cult of the Fake Fan

Great statistics could be drawn up about how often men in Oxford will want to talk to me about Geese.

Culture Val Michael -

Booksmaxxing and the illusion of being “disgustingly educated”

If you are as chronically online as I am, then it is more than...

Books Victoria Corfield -

Blood will have blood: Cross Keys Productions’ ‘Macbeth’

Shakespeare revivals must tread a fine line: too often they turn into one-actor vehicles or experiments, or shipwreck upon the squall of their adaptation.

Culture Arun Lewis -

Latest

Preview: Bunny

Heather Young is impressed by this funny yet provocative monologue

Focus on… the Turl Street Arts Festival

Georgina Wilson talks to the organisers of this annual festival of arts

Preview: The Last Tutorial

Rose Courteau previews a production that makes no claim to subltety

Review: Dull Roots Spring Rain

An ambitious production that deserves to be seen

It’s going to be MAD

The directors of 5th weeks modern American drama (MAD) festival talk to Cherwell about what we can expect

Review: The Aleph

Reasonable acting cannot save this tedious script

Review: Patrick Wolf @ The Church of St. John the Evangelist

Brigitta Summers and Luke Barratt spend an unconventional evening in a church

Is the Revue back from the dead?

James Fennemore investigates signs of a resurrection in Oxford's comedy scene.

Review: Zero Dark Thirty

Alexandra Sutton is thoroughly impressed by this controversial drama.

Once upon a time in Utah…

Nick Hilton looks ahead to the Sundance Festival, levelling the playing field for indie film

Review: Gags (Oxford Revue)

The Oxford Revue are back in town

Bueller… Bueller…

Amy Rollason twists and shouts for Hacked Off Film’s 80s cinematic experience.

Longing and Urbanity

Nadia Brent documents feelings of deep yearning for a life without limits

Photo Competition Winner – ‘Snow’

Congratulations to Nadia Brent, winner of our third competition!

Focus on… Dance in Oxford

Tess Colley talks to Emily Romain from Dream Again Dance Co.

Preview: Dull Roots, Spring Rain

Chloe Bond leaves this contemporary dance piece intrigued and frustrated

Review: The Joy Formidable – Wolf’s Law

Daniel Sperrin is underwhelmed by this latest offering from the Welsh rockers

Review: Foxygen – We Are The 21st Century Ambassadors of…

Mischa Frankl-Duval finds this release enjoyable if derivative

A book to tear you apart

Huw Fullerton reviews 'Unknown Pleasures'

Preview: The Aleph

Georgina Wilson is impressed by this tense, sci-fi play

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Culture

Inarticulacy in part and in whole: ‘Father Mother Sister Brother’ in review

On Geese and the Cult of the Fake Fan

Booksmaxxing and the illusion of being “disgustingly educated”

Blood will have blood: Cross Keys Productions’ ‘Macbeth’

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