Culture

The performance of watching: Cinema in the Letterboxd age

While watching Paul Thomas Anderson’s One Battle After Another (2025) a few weeks ago, I found myself asking a rather disturbing question: “I wonder what people on Letterboxd are...

Culture Eve Thomas -

Film festivals should be more pretentious, actually!

Film festivals often get a bad rep. We’ve all heard the stereotype before: they...

Culture Luisa Blacker Espozel -

On the edge of honesty: ‘The Man Who Turned into a Stick’

To rehearse and perform an entire student production before the second week of Michaelmas...

Culture Mair Andrews -

Erotic suspense and trickery: ‘Twelfth Night’ at St Hugh’s

Lovers mismatched, siblings detached, and plans of trickery hatched: it is the time of...

Culture Mary Stillman -

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Preview: Teechers

Charlotte Lennon is entertained by this classic Godber piece

Review: Jake’s Progress

Angus Hawkins is disappointed by the lacklustre music and insincere dialogue of this new musical

Preview: The Truth

Katharine Terrell applauds this funny and engaging comedy

Review: James Vincent McMorrow, O2 Academy

Natasha Frost finds herself close to tears by James Vincent McMorrow, despite misgivings about the venue

From Page to Stage

Victoria Weavil muses on translation in the theatre

Turl Street Arts Festival, 2012

Natasha Frost is delighted by the array of artsy goodies in this year's extravaganza

Review: Freshwoman

Daniel Frampton is left in fits of laughter by this new piece of comedic writing

Preview: The Barefaced Night

Daniel Frampton eagerly awaits the first night of this original and intriguing dance production

Knockin’ on Heaven’s door

Sophie Jamieson talks to the still nervous, but strikingly honest, Rebecca Ferguson

Nightclubbing in Oxford

Cherwell Music talks to the organisers of their favourite Oxford clubnights and events

A Bluffers’ Guide To: Shoegaze

Natasha Frost introduces the scene that celebrates itself

Review: Ital – Hive Mind

Adam Piascik ain't too keen on Ital's debut album on Planet Mu

Review: The Twilight Sad – No One Can Ever Know

Simon Torracinta digs his teeth into The Twilight Sad's third album

Manfred Eicher: Sound, silence and the importance of clarity

In a rare interview, Manfred Eicher, founder of the influential ECM label, talks tradition and production values with En Liang Khong

Milja, Movies and Mephisto

Daniel Frampton interviews Milja Fenger, director of Mephisto showing at the Oxford Playhouse during 6th week

Preview: Chekhov’s Shorts

Barbara Speed is given a tantalising taste of an intriguing production of Chekhov Shorts

The elephant in the room

Viccy Ibbett takes a tour of Indian treasures at the Ashmolean

And the Oscar goes to…?

Georgina Pollard looks forward to the glitter and glamour of the 84th Academy Awards

Decades in Film: the 60s

Emelen Leonard delves into 60s youth culture with a close look at The Graduate.

Review: Phantasm, Magdalen College Chapel

Sam Parsons finds Phantasm's brand of English consort music an absolute pleasure, from beginning to end

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Culture

The performance of watching: Cinema in the Letterboxd age

Film festivals should be more pretentious, actually!

On the edge of honesty: ‘The Man Who Turned into a Stick’

Erotic suspense and trickery: ‘Twelfth Night’ at St Hugh’s

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