Monday 2nd March 2026

Culture

Lighthouse Productions on ‘Things I Know To Be True’

Fresh from the success of their debut production, Lighthouse Productions are set to deliver their second show: Andrew Bovell’s Things I Know to Be True (2016).

A masterclass in devising: ‘Noether’

This original play tells the story of the mathematician Emmy Noether and her struggles with the misogyny of her male peers against the backdrop of the rising Nazi state.

In defence of academic writing

In my year out before my postgraduate degree, I made the momentous decision to start writing fiction. I’d recently got back into reading novels, and thought becoming a novelist would be an ideal way to commit my name to posterity.

“Everything is political!”: How The Hot Mess Project is reviving Oxford’s creative communities

If you’ve been online recently, browsing in search of something to fill an empty...

A Bluffers’ Guide To: Shoegaze

Natasha Frost introduces the scene that celebrates itself

Review: Ital – Hive Mind

Adam Piascik ain't too keen on Ital's debut album on Planet Mu

Review: The Twilight Sad – No One Can Ever Know

Simon Torracinta digs his teeth into The Twilight Sad's third album

Manfred Eicher: Sound, silence and the importance of clarity

In a rare interview, Manfred Eicher, founder of the influential ECM label, talks tradition and production values with En Liang Khong

Milja, Movies and Mephisto

Daniel Frampton interviews Milja Fenger, director of Mephisto showing at the Oxford Playhouse during 6th week

Preview: Chekhov’s Shorts

Barbara Speed is given a tantalising taste of an intriguing production of Chekhov Shorts

The elephant in the room

Viccy Ibbett takes a tour of Indian treasures at the Ashmolean

And the Oscar goes to…?

Georgina Pollard looks forward to the glitter and glamour of the 84th Academy Awards

Decades in Film: the 60s

Emelen Leonard delves into 60s youth culture with a close look at The Graduate.

Review: Phantasm, Magdalen College Chapel

Sam Parsons finds Phantasm's brand of English consort music an absolute pleasure, from beginning to end

One to Watch: Big Hat

The vast majority of ex-sixth form bands are usually very bad. Big Hat, says Natasha Frost, are quite the reverse

Press Preview: The Blind Spot

Alex Sheppard is entertained by this piece of new writing, though it's no royal flush.

Review: Cabaret

There are two ways to a reviewer’s heart: a brilliant production, and free wine. Unfortunately, Joshua Phillips received neither.

Review: Vagina Monologues

Claire Harrill feels that, whilst there are many well observed moments, this production of the Vagina Monologues could have benefitted well from a little more rehearsal

Press Preview: Never Say Never

Jack Powell is nonplussed by this new adaptation.

Review: Under the Mask – OAM

Henry Asson unmasks the Oxford Art Movement

Review: Messiah Man

Daniel Frampton is disappointed by a chaotic and under rehearsed performance of Messiah Man at the Burton Taylor

Review: Wit

Daniel Frampton is impressed by a moving and thought provoking production

Press Preview: Orpheus in the Underworld

Claire Harrill is delighted by this witty operetta.

Review: Of Montreal – Paralytic Stalks

James Black expresses some misgivings about Of Montreal's latest release

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