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UrbanObserver
Saturday 17th January 2026
Oxford's oldest independent student newspaper, est. 1920
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Culture
Damaging detachment: Reflections on the Booker Prize
This Christmas vac, I made up my mind to get out of my reading slump using the Booker Prize shortlist, revealing toxic masculinity as a key theme.
Books
Charlie Bailey
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In defence of the theatrical release
If film, like all art, nourishes itself on its own œuvre, I don’t think we can afford to sever the association between the cinema and the film.
Culture
Nora Miles
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Falling out of Louvre
In spite of recent events, the expected heightened security was nowhere evident.
Art
Beatrix Arnold
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The cost of ‘free’: How streaming undermines the value of music
Monthly subscriptions may seem affordable when compared to vinyl, but the cost quickly accumulates.
Culture
Ruaridh McEwen
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Latest
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Review: The 2 Bears – Be Strong
James Shirley runs through The 2 Bears' successful debut album
Review: Leonard Cohen – Old Ideas
Richard O'Brien attends an intimate gig and Q&A session with Leonard Cohen as a preview to his new album, Old Ideas
Tim Hecker: organs, long-form and the death of rave
Harry Scholes talks to Tim Hecker about his latest album, Ravedeath, and his upcoming London concert
Shedding light on film noir
Matthew Perkins continues our Decades in Film feature, with films of the 40s
Review: Goon
Nathan O'Neill enjoys the blood and gore of Michael Dowse's ice-hockey comedy
Review: The Iron Lady
Nicholas Mutch looks at the latest incarnation of Margaret Thatcher
Review: Borgen
Rosie Oxbury takes a look at the internationally acclaimed Danish political drama
Memorialising Mephisto
Jessica Campbell on fascism and foreplay in the second Playhouse production this term
Hotseating The Hothouse
Charlotte Lennon interviews the stars of The Hothouse, Ruby Thomas and Ziad Samaha
Pictures from a beautiful mind
Rachel Savage meets artist Kit Williams to discuss his intricate, outlandish paintings and the inspirations behind his work
Dramatic Decorum and Interval Alcohol Etiquette
James Fennemore and Joshua Philips,the boys behind Brazen Cheek, cast their vote for the G&T
Welcome to the House of Play
Cherwell Stage on the history of Oxford’s most famous theatre
Press Preview: The Man Upstairs
John O'Connor enjoys, but remains unconvinced by, this piece of new writing.
Review: Craig Finn – Clear Heart, Full Eyes
Adam Piascik analyses the high and low points of Craig Finn's first solo album
Review: It’s a Hit
Fen Greatley is disappointed by It's a Hit's whistle stop tour through the musicals of the twentieth century
First night review: Celebration
Barbara Speed attends a darkly comic gathering
Review: M83, O2 Academy
Natasha Frost spends an evening listening to stadium pop in the swamp
Review: Top Girls
Edward Bell spends two and a bit hours completely absorbed in an accomplished performance of an era-defining play
Review: Latin! Or Tobacco and Boys
Charlotte Van Regenmortel is enchanted by a production that is perhaps more Greek than Latin
Review: Spamalot
James Fennemore hails the sheer silliness and stupidity of Spamalot, a musical that will make you 'rejoice to be alive'
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