Culture

Peacocks

Their grounds abut a large colonial on Staten Island: Five or six of them Swaggering along verdant lawns, Brick walkways, man-made ponds – Such bravado. What pretty boys! Pets of somebody, clearly. They preen each...

The Source Rory Maguire -

All in a day’s Work.txt: Metatheatre’s extremes

For £5 (and a 42p booking fee), I found myself in a room full...

Theatre Jessica Phillips -

What I learned from Tracey Emin about regeneration

CW: Abortion I left the Tate Modern’s latest headline show, Tracey Emin: A Second Life,...

Art Willow Jopp -

In sickness, health, and wrongdoing: ‘The Drama’ in review

CW: Gun violence. “What’s the worst thing you’ve ever done?” is the driving question of...

Film Siena Tracey -

Latest

From Page to Stage

Victoria Weavil muses on translation in the theatre

Turl Street Arts Festival, 2012

Natasha Frost is delighted by the array of artsy goodies in this year's extravaganza

Review: Freshwoman

Daniel Frampton is left in fits of laughter by this new piece of comedic writing

Preview: The Barefaced Night

Daniel Frampton eagerly awaits the first night of this original and intriguing dance production

Knockin’ on Heaven’s door

Sophie Jamieson talks to the still nervous, but strikingly honest, Rebecca Ferguson

Nightclubbing in Oxford

Cherwell Music talks to the organisers of their favourite Oxford clubnights and events

A Bluffers’ Guide To: Shoegaze

Natasha Frost introduces the scene that celebrates itself

Review: Ital – Hive Mind

Adam Piascik ain't too keen on Ital's debut album on Planet Mu

Review: The Twilight Sad – No One Can Ever Know

Simon Torracinta digs his teeth into The Twilight Sad's third album

Manfred Eicher: Sound, silence and the importance of clarity

In a rare interview, Manfred Eicher, founder of the influential ECM label, talks tradition and production values with En Liang Khong

Milja, Movies and Mephisto

Daniel Frampton interviews Milja Fenger, director of Mephisto showing at the Oxford Playhouse during 6th week

Preview: Chekhov’s Shorts

Barbara Speed is given a tantalising taste of an intriguing production of Chekhov Shorts

The elephant in the room

Viccy Ibbett takes a tour of Indian treasures at the Ashmolean

And the Oscar goes to…?

Georgina Pollard looks forward to the glitter and glamour of the 84th Academy Awards

Decades in Film: the 60s

Emelen Leonard delves into 60s youth culture with a close look at The Graduate.

Review: Phantasm, Magdalen College Chapel

Sam Parsons finds Phantasm's brand of English consort music an absolute pleasure, from beginning to end

One to Watch: Big Hat

The vast majority of ex-sixth form bands are usually very bad. Big Hat, says Natasha Frost, are quite the reverse

Press Preview: The Blind Spot

Alex Sheppard is entertained by this piece of new writing, though it's no royal flush.

Review: Cabaret

There are two ways to a reviewer’s heart: a brilliant production, and free wine. Unfortunately, Joshua Phillips received neither.

Review: Vagina Monologues

Claire Harrill feels that, whilst there are many well observed moments, this production of the Vagina Monologues could have benefitted well from a little more rehearsal

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Culture

Peacocks

All in a day’s Work.txt: Metatheatre’s extremes

What I learned from Tracey Emin about regeneration

In sickness, health, and wrongdoing: ‘The Drama’ in review

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