Culture

Diverse voices: ‘Inshallah, Madonna, Inshallah’ by Miljenko Jergović 

‘When he created Earth and these lands upon it, when he divided people into believers and infidels, the crescent moon and the cross, the good Allah made us all...

Art as protest on university campuses

CW: rape. This week, Cornell University has made headlines as prosecutors reopened an investigation into...

Good grief! Why do we feel for the death of fictional people?

Whether it’s a mild sniffle or full-blown tears, I always end up feeling a bit ridiculous about the whole ordeal when it’s over. I mean, it’s not real, is it? Why do I waste my grief on things that haven’t happened, that will never happen?

The rise of the pop girlie: Marketing mediocrity or feminism in action?  

“GIRLS INVENTED PUNK ROCK, NOT ENGLAND”: so reads the iconic green T-shirt of Sonic Youth legend Kim Gordon. The slogan stands in defiance of an unfortunate truth in the music industry: femininity and credibility often exist in contention with one another.

Short and Sweet

Benjamin McEvoy reviews the short films at the Leeds International Film Festival

Where the Wild Things Are

Patrick Thorpe interviews Wild Beasts singer Hayden Thorpe

Review: Hugo

Jacob Williamson is touched by Martin Scorsese's unexpected offering

Review: Moneyball

Jacob Williamson is impressed by this intelligent sports film

Limp Pens

Christy Edwall considers the quirks of literary anti-prizes in general, and the 2011 Bad Sex in Literature Award in particular.

Review: South Pacific

James Blythe is swept away by this production at Oxford's New Theatre

Review: An Island

En Liang Khong follows Danish band Efterklang's move into cinema

Review: Curling King

Joseph Newall takes a look back at his film of the year, the Norwegian 'Kong Curling'

Review: My Week with Marilyn

Jacob Williamson is charmed by a hazy portrait of the cultural icon

Review: The Vaccines, O2 Academy

Harry Scholes expresses his disappointment at The Vaccines sell-out gig on 29th November

First Night Review : The Browning Version

Finola Austin finds Anna Stelle’s production of The Browning Version by Terence Rattigan to be an enjoyable night out but let down by the details.

First Night Review : Kafka’s Dick

Kafka’s Dick is a delightfully surreal dive into the life of the eponymous author.

First Night Review : Broken Stars

Julian Bubb-Humfryies sees 'a competant and thoughtful production' at the Wadham Moser Theatre.

Oxford Book Club

Michelle Cancellier on her recent visit to the Oxford Book Club

A fishy phenomenon

Fay Lomas pays tribute to a daring Oxford artistic feat

Better to be Popular than right

A review of Oxford alumnus Gareth Russell's new young adults' novel 'Popular'

Review: Brian Eno & Rick Holland – Panic Of Looking

Natasha Frost is bored, bothered and bewildered by Brian Eno's latest EP

Review: King Krule – King Krule

Hotly tipped seventeen year old Archy Marshall's debut EP is well received by Natasha Frost

Review: Atlas Sound – Parallax

Jake Hills examines Bradford Cox's latest album under his Atlas Sound moniker, his first full-length release since Deerhunter's Halcyon Digest

Flesh and noise: meeting S.C.U.M.

Isabel de Berrié talks flesh, shoegaze and sleeping rough in Venice with the quintet's Thomas Cohen

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