Culture

Seeped in nostalgia: ‘Things I Know To Be True’ reviewed

Lighthouse Productions' 'Things I Know to Be True' had high expectations to meet. Put frankly, they nailed it.

Culture Charlie Bailey -

Well-educated, fairly bred, but without money: Gissing’s ‘Collected Short Stories’

Hassan Akram reviews the Collected Short Stories of George Gissing, edited and introduced by Pierre Coustillas.

Books Hassan Akram -

Let’s go to the movies: Fennec Fox Productions’ ‘The Flick’

After their staging of Company at the Oxford Playhouse earlier this term, Fennec Fox Productions are set to return next week with a run of The Flick (2013) at the Burton Taylor Studio.

Culture Beatrix Arnold -

A deeply Singaporean play: In conversation with ‘Late Company’

OUMSSA Theatre makes their debut with Jordan Tannahill’s Late Company. While the text originated in Canada, OUMSSA Theatre’s take on it is nonetheless entrenched in Singaporean culture.

Culture Jessica Phillips -

Latest

Review: The Fall – Ersatz GB

Ceri Fowler examines the latest offering from post-punk legends The Fall, their 28th studio album

Preview : Peterson

A heartfelt 'modern fairytale' - Peterson is on at the Burton Taylor at 7.30pm,Tues - Sat of 6th week

Battles: vicarious living

Guitarist Dave Konopka desribes the ‘totally shitty’ recording process of the remarkable Gloss Drop and looks towards the New York three-piece’s future with Tom May

Review: Midnight in Paris

Jacob Williamson is ultimately won over by Woody Allen's french fancy

Review: The Rum Diary

Huw Fullerton is entertained but ultimately disappointed by Johnny Depp's latest

The perils of the role of a lifetime

Sasha O’Connor considers the curse of type-casting for Hollywood actors

Review: Antony and Cleopatra

Dan Frampton goes to see a stylish adaptation of Antony and Cleopatra transported to an early 20th century Germany and America.

Let’s talk POSH

James Blythe goes to see Zu Quirke, the director of POSH, to talk about the slick new comedy on at the UNION in 7th Week.

Letters from me to Gareth: Los Campesinos! interview

Gareth Campesinos! talks to Steffan Blayney about love, loss, heartbreak and football on new album, Hello Sadness

Review: OUO Michaelmas Concert

Our classical reviewer finds much to love in this term's OUO concert, featuring works by Mahler and Stravinsky.

Preview: Antony and Cleopatra

Claire Harrill sees a new take on the classical Shakespearean play Antony and Cleopatra

Shooting statues

Jessica Goodman brings Florence's statues alive

Review: Radcliffe Residency

Katy Wright describes an impressive evening of music at the Holywell Music Room

5 Minute Masterclass: Phil Selway

Radiohead’s Phil Selway discusses the practicalities of making a record, from composition through to its marketing

Stravinsky comes to Peckham

It has been accused of irrelevance and elitism, but classical music’s revolution is in the air, writes Cecilia Stinton

A Students’ Tribute to David Foster Wallace

Three years on from his suicide, Cherwell commemorates the life and works of a cult literary genius

Cherwell Music presents Mixer: October 2011

Cherwell Music's run-down of last month's best music, featuring new tracks by Mazzy Star, Tom Waits, and The Field.

Horror’s Final Destination

In a Cherwell Film post-Halloween special, Joseph Newall finds himself despairing at the horror genre

Review: Paranormal Activity 3

Nathan O'Neill is more disappointed than chilled by the horror sequel

Siobhan Dunlop examines the terrors and tropes of the horror genre

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Culture

Seeped in nostalgia: ‘Things I Know To Be True’ reviewed

Well-educated, fairly bred, but without money: Gissing’s ‘Collected Short Stories’

Let’s go to the movies: Fennec Fox Productions’ ‘The Flick’

A deeply Singaporean play: In conversation with ‘Late Company’

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