Who gets to make art, who gets to see it, and whose art history gets told? Oxford’s artistic identity may seem firmly established: the Ashmolean’s collections, the portraits and...
The thematic potency and the overall success of Lighthouse Productions’ iteration of Anton Chekhov’s 'The Seagull' all came together in a great and terrible revelation.
In her penultimate blog, Phosile Mashinkila enters the final stages in putting on Noughts and Crosses, including some inventive marketing in the form of G & Ds ice cream! Noughts and Crosses will be performed in 7th Week at the Simpkins Lee theatre.
Guitarist Dave Konopka desribes the ‘totally shitty’ recording process of the remarkable Gloss Drop and looks towards the New York three-piece’s future with Tom May