Culture

It’s a bird, it’s a plane, it’s theatre: Defining the ill-defined

It has been 93 years since the first performance of Bertolt Brecht’s The Good Person of Szechwan at Schauspielhaus in Zurich. Many critics cite Brecht as the pioneer of...

Theatre Amy Lawson -

Authenticity and the pop genre: Slayyyter’s ‘WOR$T GIRL IN AMERICA’

Originality could be dead in pop music. The genre is so self-referential that it...

Music Val Michael -

Why you should spring clean your bookshelf this Trinity

In the Northern Hemisphere, astronomers mark the beginning of spring on the date of...

Books Elizabeth Bourn -

Does ‘Euphoria’ no longer speak to our generation?

Should I have been watching Euphoria’s first season as an innocent, bright-eyed 14-year-old? Probably...

Culture Emma Heagney -

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Cherwell's photo team document this year's May Day mayhem

Review: Marcus Foster Live

Francesca Wade is impressed by the rock ballads of Robert Pattinson's best mate

Review: Ashmolean Late and Pots and Plays

Operas, poetry, audio plays and two very intense DJs - Rebecca Tatlow reports on one of her favourite nights out in a long time

Review: Call of the Wild

May Anderson reviews the much anticipated stage adaptation of Jack London's novel, Call of the Wild, and is far from disappointed

Entering the Cult of Beauty

Laetitia Weinstock spends a sensuous evening indulging her senses at the opening of the V&A's new exhibition

Review: Jenny Hval – Viscera

The Norwegian singer draws out highly eroticized soundscapes on her latest recording, writes Cherwell's Music Editor, En Liang Khong

Review: Fleet Foxes – Helplessness Blues

Thomas May explores Robin Pecknold's new depths on Fleet Foxes' sophomore outing

From Rags to Rubble

Rebecca Tatlow explores three different versions of a classic - Prokofiev’s Cinderella

Review: Nine Type’s of Light

Patrick Scott reviews TV On The Radio's latest musical offering

Review: Scream 4

Mark Shand reviews the Scream franchise's latest instalment

Big budgets, scanty scripts

Harry Tuffs reviews what is possibly Hollywood's worst offering since SATC 2

Review: Spurious

Tom Cutterham finds out it's still grim up North after reviewing Spurious, Lars Iyer's first novel derived from his blog of the same name

Heracles to Alexander the Great

Cherwell visits the Ashmolean's first major exhibition since its refurbishment

Interview: Portico Quartet

Cherwell catches up with saxophonist Jack Wylie and drummer Duncan Bellamy at their East London home

Review: Cardenio

Much to her surprise, Rebecca Tatlow thoroughly enjoys the recent reimagination of Shakespeare’s lost play put on as part of the RSC 50th Birthday Season at The Swan in Stratford-upon-Avon

Review: A C Grayling at the Oxford Literary Festival

Tian Yi Zheng reviews A. C. Grayling's visit to the Oxford Literary Festival where he talks about his new work, The Good Book: A Secular Bible

Etcetera announces competition winners

Cherwell's literary supplement, Etcetera, announces the winners of their first Freestyle Writing Competition

Review: ‘Initiate: An Oxford Anthology of New Writing’

Ella Sands reviews 'Initiate', the first anthology of work by graduates of Oxford's MSt in Creative Studies

Tom Cutterham and Ella Sands talk to Dr Clare Morgan, director of Oxford's MSt in Creative Writing, about how the course has been instrumental in encouraging students to start writing more than just essays

Review: The Pigeon Detectives Live

Penny Sarchet reviews the Oxford leg of the Pigeon Detectives' comeback tour following the recent release of their new album, 'Up, Guards And At 'Em!'

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Culture

It’s a bird, it’s a plane, it’s theatre: Defining the ill-defined

Authenticity and the pop genre: Slayyyter’s ‘WOR$T GIRL IN AMERICA’

Why you should spring clean your bookshelf this Trinity

Does ‘Euphoria’ no longer speak to our generation?

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