Culture

Caught between grief and hope: ‘On Some Far Shore’ reviewed

Fresh off the back of Our House and Macbeth, Cross Key Productions presents an original three-hander focused on the complexities of grief and young love. Produced by Madi Boutcha...
Culture Melissa Eddon -

The road to reckoning: ‘The Slip’ reviewed

Sharp, unsettling, and emotionally intelligent, 'The Slip' is a striking showcase of the ambition and talent behind Wide Eyes Productions, while establishing Wyatt as a writer-director to watch.
Culture Leo Jones -

How an Oxford undergraduate made a name in choral music

When he arrived at Oxford, he expected his future to lie primarily in orchestral music. Instead, it was choral music that transformed his direction.
Culture Anish Vedantham -

‘Scenes With Girls’ and complicated female friendships

'Scenes with Girls' deserves to be seen as one of Labyrinth Productions’ (Rosie Morgan-Males and Emily Cullinan) most impressive accolades.
Culture Charlie Bailey -
Latest

Déjà view: Seen it all before?

Antz and A Bug's Life, Deep Impact and Armageddon, Kick-Ass and Hanna: similarities in themes and plot demonstrate Hollywood's inability to go beyond trends

Review: Shostakovich by Florestan Trio and Susan Gritton

One of the most exciting ensembles on the British classical music scene's final recording is a difficult yet fascinating listen

Review: w h o k i l l by tUnE-yArDs

Singer-songwriter Merrill Garbus' solo project tUnE-yArDs yields another album of sonic potpourri; jarring yet irresistible

What Doherty did next…

Cherwell saw Pete Doherty of Pete Doherty infamy at the O2 Academy, and was pleasantly surprised by both his punctuality and his performance

Diving in at the shallow end

Is the short story a lesser genre? Ella Sands recommends some conveniently brief gems.

First past the postmodern

The latest round-up of contemporary British art, In the Days of the Comet, proposes to show us ‘alternative ways of thinking about the here and now’ yet only seems to confuse and irritate

Aphra

Harriet Baker reveals all about this pioneering female playwright

Review: The Man with a Flower in his Mouth

Wake up and smell the coffee: Josephine Sarchet discovers that Metta Theatre’s Pirandello performance in a café is more than just a gimmick

Taking Wadstock

Penny Sarchet tells us what its like to play with a funk soul ensemble at Oxford University's annual festival event.

Week in Pictures (2)

This week, Amelia Cox shares moments captured during her trip to Holland - and there's not a windmill in sight

Week In Pictures (1)

Joseph Caruana goes back home to Malta to bring us some splendid colour and light

May Day, May Day!

Cherwell's photo team document this year's May Day mayhem

Review: Marcus Foster Live

Francesca Wade is impressed by the rock ballads of Robert Pattinson's best mate

Review: Ashmolean Late and Pots and Plays

Operas, poetry, audio plays and two very intense DJs - Rebecca Tatlow reports on one of her favourite nights out in a long time

Review: Call of the Wild

May Anderson reviews the much anticipated stage adaptation of Jack London's novel, Call of the Wild, and is far from disappointed

Entering the Cult of Beauty

Laetitia Weinstock spends a sensuous evening indulging her senses at the opening of the V&A's new exhibition

Review: Jenny Hval – Viscera

The Norwegian singer draws out highly eroticized soundscapes on her latest recording, writes Cherwell's Music Editor, En Liang Khong

Review: Fleet Foxes – Helplessness Blues

Thomas May explores Robin Pecknold's new depths on Fleet Foxes' sophomore outing

From Rags to Rubble

Rebecca Tatlow explores three different versions of a classic - Prokofiev’s Cinderella

Review: Nine Type’s of Light

Patrick Scott reviews TV On The Radio's latest musical offering
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