Monday 16th June 2025

Culture

What the book you’re reading says about you

In an institution as prestigious as Oxford, every book you pull out in public is transformed into a portable personality test, a hard launch of your favourite academic, and...

Why romance books should be your post-exam read

With finals in full swing, and prelims just around the corner, Oxford’s libraries are...

Review: Blood Wedding – ‘A lunar eclipse on the stage’

A trembling bride. A distrustful mother. Two murderous rivals vying for a single, wavering...

Review – The Wykehamist: ‘A Saltburn for the other place’

In the underbelly of Hong Kong, a Goldsmith-Sachs Vice President invites a woman back...

‘Rebel against the flesh and bone’ – Love, Gender, and Bodies in Titane

Despite the shocking nature of Titane’s body horror, what lingers with you on viewing are the tender moments, the value of human compassion and the overwhelming sense that it is a tale of love and of family. An ode to Cronenberg's Crash (1996) it may be, yet Titane takes the strange premise that there is a connection between sexuality and cars, and crafts it into a work that explores an extreme form of love without words. Ducournau asks: how far are we willing to go to achieve a meaningful (familial) connection, to love somebody, and where might this kind of love take us? We learn of Alexia/Adrien’s daddy issues early on, and see the character start to deal with them as she learns to bond with Vincent in a fatherly way, as opposed to dealing with her trauma through sex and violence. Vincent, on the other hand, uses Alexia/Adrien to fill the gap left by his missing son, beginning to resolve an issue he had never been able to get over (interestingly set up against the cold attitude of his estranged wife). They bond through increasingly tender moments of intimacy, and through a shared love for dancing, culminating at the climax of the piece - in a finale Ducournau curiously describes as ‘a very happy ending’, though I would personally describe it as biblical, and a little insane.

Two Decades of Mulholland Drive

Mulholland Drive is a film as mysterious and sinister as the workings of Hollywood. Do not be put off if you cannot quite figure out what exactly feels so off about it all the time

‘Persevering through anything’: An interview with the cast and crew of Sweeney Todd

'The most thrilling moment so far was singing the opening ballad as a whole cast with the band for the first time. I’d never felt such a mix of excitement and nerves and awe all at once.'

‘I laughed so much that my face hurt’ – Review: The Jericho Comedy Gala 2022

"At best, I expected a night of mildly diverting entertainment – perhaps an audience member would heckle someone – and at worst, I was bracing myself for two hours of second-hand embarrassment. Anyone who is familiar with Jericho Comedy will already know how wrong I was: I laughed so much at this comedy gala that my face hurt."

Reading for pleasure: Finding what you enjoy

"Reading for fun is not the same as reading a book to study it. This may be obvious to some people, but it took a while for me to realise that my love of Jane Austen books didn’t necessarily mean I would enjoy studying one of them."

‘A masterclass in laugh-a-minute sketches’ – Review: The People vs. The Oxford Revue

It is an amazing skill to have such a carousel of worlds and people played by the same few actors, and yet the show never felt disjointed; it was almost as if the tennis players, the telly-tubbies and the young conservatives were all interconnected.

A tour of foreign literature

The world of foreign fiction is diverse and rich but often underrepresented, which is exactly what we are hoping to change! Our contributors have put forward a collection of some of their favourite books by authors from across the globe. So, enjoy a ‘tour’ through some great recommendations of world literature and maybe you’ll find your next read!

Pythagoras’ Nightmare: Reincarnation, Coldplay and the Music of the Spheres

Don’t get me wrong. The album is upbeat, cheerful, maddeningly optimistic and, at least intermittently, catchy for most of us mortals. But something tells me it’s not quite the empyreal sound Pythagoras would have had in mind.

Ingmar Bergman And The Self-Aware Blockbuster

Don’t worry, this isn’t one of those articles about how superhero blockbusters are awful compared to classic movies. No, I’m here to explore the weird commonality between Ingmar Bergman’s The Magic Flute and modern blockbusters. Linking these different approaches to film will be a strange journey, but at its end lies an intriguing idea: that reality and fiction may be one and the same.

I’m a student… get me out of here!

It is a thought that fills me with me with apprehension. A feeling so confusing that even my stomach does not understand whether to...

New Year’s (Movie) Resolutions

This is the time of year for promises we may not keep. And we’ve got plenty of movie-related resolutions, whether it’s something we always wanted to see but have never found time for, or a new aspect of film that we want to get into.

As the smoke burns down to my fingers

To blink a bloodshot world away And drink in rough, and burn, and heat Until she comes to kiss the dark.

Reading for pleasure: Unrealistic expectations

There used to be three main reasons as to why I would read: firstly, for educational purposes, and as a historian, I can’t avoid this. I didn’t feel like I was even keeping up with the bare minimum of reading for my degree, and I was crossing off hardly any books on those ludicrously long reading lists. How could I allow myself the luxury of reading something for fun? 

The Dark Side Of Coquette

CW: Mentions eating disorders and pedophilia. Lately, we have seen a return to hyper-feminine fashion which encourages all things “girly” and beautiful. Inspired by Paris,...

The 22 Books on my TBR list for 2022

"Here is my list of hopeful reads for the new year. A few are recommendations from friends, whilst others have been sat on bestseller lists for a while. Some are yet to be released and are by new and exciting voices that I think will be popular. In the mix are also some classics that even I don’t know how I’ve avoided for this many years (looking at you, Sylvia)."

Cabaret and Spring Awakening: The Art of Reviving Musicals

"Can we ever justify ticket prices of more than £200 given the theatrical experience involved – or are we just making theatre expensive and inaccessible?"

Back To School: Sex (Re)Education

The well-established mix of humour and honesty that Sex Education brings to these themes is a refreshing approach, and enables an exploration of a huge variety of sensitive issues regarding sexuality, as well as more light-hearted everyday adolescent dramas.

Juggling a degree and career: In conversation with Manmzèl

Maintaining a non-academic hobby alongside an Oxford degree is a challenge. Pressures from tutors, friends and oneself conspire to clog up time that could...

How (Not) To Be A Knight

The Green Knight is a medieval movie for the Internet age. I don’t mean that the titular Green Knight appears to King Arthur’s court...

Night at the Sheldonian: Oxford Millennium Orchestra Play Bruch, Beethoven and Schumann

"Out from the November night an easy orange glow invited me into the Sheldonian. I trotted up creaking stairs to the top floor, into the jaws of death – the jaws of death being an archaically unintuitive seating set up. The seats on the upper stalls are just three big steps – if you arrive late, sidling along the upper rows in front of those already seated requires deft footwork and a lot of 'excuse me's."

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