Saturday, March 1, 2025

Culture

Fontaines DC and the (re) rise of indie Sleaze

I recently took to my finsta to post a story claiming that the Fontaines DC’s Radio One Live Lounge cover of Lana Del Ray’s ‘Say Yes To Heaven’ should...

Julie review – Free shots, toxic relationships, immersive theatre

My ticket to see Julie resembled an invite to a birthday party, promising a...

Who is Oxford’s Coffee Shop Artist? In conversation with Julia Whatley

Julia sees herself as the conduit through which an artistic vision is realised. Where does this vision come from? “Somewhere else.”

The Goat Review: ‘raw, absurdist, and honest’

Clarendon Productions brings The Goat, or Who is Sylvia? (Edward Albee) to the Michael...

WATCH3WORDS: Black Bear – Funny.Stifling.Psychodrama.

'Claustrophobic, erratic, and prickly all at once, Black Bear is an experiment in film which entangles its audience deep in its intellectual web.'

Lost City

The undulating sands stretch out,  a vast expanse, sweltering under the gaze of the sun as it burns its way across the sky, dunes flowing like currents,  tides on...

Dunkirk: the unknown soldier on screen

'The emptiness should be engulfing. Instead, when Nolan’s films work, they are spectacular.'

Fantasy: medieval European influences and alternatives

Faeries, elves, centaurs, wizards, dragons. In its purest form, fantasy is one of the most ancient literary genres, and fantastical elements can be found...

Interview: Alexandra Andrews, author of Who is Maud Dixon?

Alexandra Andrews’s psychological thriller, Who is Maud Dixon?, tests the limits of fiction. Literally. The novel begins in media res: Florence Darrow wakes up...

Preview: “These Quicker Elements” by George Rushton

"These Quicker Elements is a remarkably polished piece of student drama. The acting is captivating throughout, managing to make a very simple set-up consistently captivating, and the script strategically reveals little gems of narrative information throughout its twists and turns while also speaking to bigger questions of memory, self-perception, and relationship dynamics." Ahead of its performance on Friday, 7th May, Katie Kirkpatrick previews "These Quicker Elements" by George Rushton.

Pop-Classical Fusion: Alexander Joseph’s Für Elise Reimagined

"It is prefaced: “What if Beethoven’s Für Elise… Had been written by Ludovico Einaudi?”... ‘Reimagining’ Beethoven in the style of Einaudi would entail a translation of Beethoven’s ‘classical’ harmonies into the more accessible language of modern film/popular music, potentially downsizing the role of melody and musical form in favour of communicating a more homogeneous ‘background’ sound." Yundi Li discusses the role TikTok and other new media play in changing dialogues of genre fusion.

Books I’m Reading this Ramadan

'Ramadan is a highlight of the Islamic calendar and involves a month of self-reflection and improvement as well as abstinence from food and water. Gaining knowledge is hugely celebrated within Islam, and with more time on my hands not eating or drinking, this spiritual month is the perfect opportunity to learn something new.'

Review: ‘Justice’ by Justin Bieber – A New Era or Familiar Failings?

"Production is not the greatest sin ‘Holy’ commits. Indeed, I actually really like the gospel piano that kicks the song off, and Justin’s opening verse (“I know a lot about sinners/guess I won’t be a saint”) and pre-chorus (“the way you hold me… feels so holy”), while nothing special, definitely fit and set the mood. Yet, this is immediately ruined by the lyric “Oh God/Running to the altar like a track-star”, which, accompanied by the muddy-too-modern pop bass farting through the timeless instrumentation preceding, wrecks the song beyond all recovery." Raman Handa reviews 'Justice', the latest offering from Justin Bieber.

Review: Oxford Mind Comedy Gala

"There were two questions heading into the night: how much money could the crowd raise, and how well have the comedians adapted their acts to fit the online format? Both questions were answered emphatically, as the audience raised over £3000." Noah Cohen-Greenberg and Owen Foster review the Zoom comedy fundraiser, Oxford Mind Comedy Gala

Black Lives Playlist: Track One Preview

"Adapting to online technology was a necessity but I also felt that recent events provided a long-due kick in the backside to get narratives about Black experiences into the Oxford drama scene. Sure, we have ‘inclusive casting’, but this inclusivity isn’t currently extending into the voices being produced as far as it should." James Newbery interviews Sam Spencer about his upcoming project.

Rethinking the Oscars

With cinemas closed amidst the COVID-19 pandemic, it is no surprise that many typical filmgoers haven’t seen the nominated films this year. However, as...

Stop worrying about antiheroines when the real evil is still at large

The rise of antiheroines stresses essentially the same thing every wave of feminist movement attempts to accentuate, that a woman’s refusal to be suppressed and abused by patriarchy is always less threatening, when what they’re rebelling against is still prevalent

The absurdity of adult animation

I propose that we start considering animation as the art form it is:one that allows for the pushing of boundaries and the creation of beautiful nonsense.

Review: ‘The Picture of Dorian Gray’ – A Portrait of Theatre in the Digital Age?

"Like the portrait tapping into the existence of its sitter in the original Wilde story, so is this year’s Dorian sucked into his online ego." Eleanor Zhang discusses the virtual production of Oscar Wilde’s enduring story of vanity, desire and self-deception.

Intermedial connections: Reimagining music in literature

"One of my favourite parts of Chinua Achebe’s masterpiece, Things Fall Apart, is a ferociously intense public wrestling scene. It buzzes with an ever-moving pulse, choreographed by the beating of drums. They rise with the intensity of the fighting, and older men 'remembered the days when they wrestled to its intoxicating rhythm.'" Jimmy Brewer explores how Kerouac, Proust and Achebe capture the experience of live music in their works.

Half Brit No Brit

'I hear you loudly in your echo chamber: ‘We’re in the most tolerant land of them all’ But the least racist is still racist.'

C’est La Vie: the importance of multilingual representations in art and literature

Some hidden gems of the artistic world lay in works that employ multiple languages in a purposeful manner. Algerian singer-songwriter Khaled intertwines both Arabic...

In and Out of Love: A Biblio-Biography

It feels weird to be writing about books again. I used to consider myself a huge bookworm, often getting through multiple books in a...

Cherwell Recommends: University Reads

Trinity 2021 will see at least a significant portion of the student body return to ‘normal Oxford’, a loose collection of memories, activities, and...

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