Friday 17th April 2026

Culture

Bridging Communities: Vocatio:Responsio’s Liverpool Tour

Vocatio:Responsio, meaning Call:Response in Latin, is an early music ensemble founded and directed by the Merseyside-based violinist Samuel Oliver-Sherry, a current third year music student at St Anne’s College....

‘Comedy is very deceptive’: Seán Carey on ‘Operation Mincemeat’

As a history student, you occasionally come across stories so strange they feel almost fictional. Operation Mincemeat is one of them.

‘People are so hungry to create together’: Lisa Ko on going analogue, crafting, and writing the future

It’s 11:02am in New York when Lisa Ko appears on the video call. In Oxford, the sun is almost down.

How 2025’s biggest films made their mark through music

The recent Oscar nominations have allowed us to reflect on how fundamental musical scores are to film, and the highlights of last year’s film soundtracks.

The Paradise Bangkok Molam International Band – Planet Lam review

"An exemplary of the international force of genre-bending, experimental music, this album represents a kind of music in which boundaries are transgressed and influences intermingled, creating an intensely enjoyable, diverse listening experience."

Dahl in the Dock; or, the publishing industry and its consequences 

"Modern editors aim to unanchor texts from their historical moorage."

The Source, HT23, Week 5

Featuring poetry from Nicole Gibbons and Charlotte Lai.

‘Originality is overrated, but we do it anyway’ Creativity in Cosplay

"There is something freeing in making art which has no commercial value"

Everything Everywhere All At Once: A Review

"EEAAO is a boundary-breaking, deeply entertaining film that deserves all 11 of its Oscar nominations and more."

Sam Smith’s Gloria is Queer, Controversial Perfection

"For the queer community as a whole, this album is a welcome addition to queer culture"

‘This House’: An Interview with the Cast and Crew

"As a play which I suppose relishes the grubby reality of politics instead of just putting politicians in the pillory for their inconsistencies and failures, it’s one that really appreciates it."

Frankenstein and Me

"The important ethical issues and imaginative storytelling are more than enough to stimulate your mind in the middle of a dreary academic workload."

The Death and Resurrection of Z-Library

"Z-Library opened up doors for people who were barred by too many locked doors."

In Conversation with “Women Behind the Wheel”

"...we wanted to combine the idea of us as two women traveling along this road... while using our journey as a vehicle or an opportunity to meet local women and gain access to their stories."

Of Libraries, With Love

"Here we are in a city of libraries, and it is never enough."

Backstage interview: the creatives behind Bare

"So few shows put a queer love story in the spotlight, it’s really relatable and it’s so empowering to see it take centre stage."

The 2023 Golden Globes: A Fashion Analysis

"As the first of the awards shows of the season, the Golden Globes are the perfect opportunity to dress boldly and make a statement."

The Source, HT23 Week 3

"You are lost and found, and lost again"

Deuteronomy Review: Breath-taking, Heart-stopping, Terrifying

"I will be back tomorrow, and the day after; because if I never see Deuteronomy again it will be the tragedy of my life."

Get Your Scream On: The best scares of 2022!

"From homicidal robotic dolls to surreal nightmare dreamscapes, there’s something here for everyone."

My Favourite Childhood Book: Anne of Green Gables

"Anne is such an iconic figure in children’s literature that I’m sure many relate to my enjoyment of her character"

Review: Thamesis

"Jones’ performance was a joy to watch, and under Aspden’s expert direction they have a highly successful show on their hands."

International Queer Cinema

"International cinema displays queer lives in all their diversity and beauty, in a range of contexts far wider than we can see in Hollywood."

Review: Play House and Definitely the Bahamas 

"The problem of changing from one play to the other, without an interval or blackout, was one Lawrence dealt with very competently"

Follow us