"In Being Mr Wickham, Lukis and Curzon have had relatively free reign to develop the titular character, given that Austen doesn’t reveal much about Wickham’s past other than his involvement with Darcy."
Beth Proctor discusses the latest left-field adaptation of Jane Austen's classic.
Nowadays, most people think of translation as an impartial, disinterested profession of fluent polyglots. Its history shows otherwise. In 1915, the renowned American poet...
As lockdowns were imposed across the globe, most of us turned to the internet to maintain some semblance of sanity. Within these conditions Hyperpop was able to thrive.
Think of each Census like a point of data on an ever-growing Graph, the more accurate the data and the more standard the points of data, then the more accurate the conclusion can be drawn.
"In a year with little to no available theatrical resources, the production team of Spoon River managed to create a magical experience of many intersecting forms of artistic talent telling important stories. From the editing of the audio file to the curation of the journal, the performance flowed seamlessly from sense to sense."
Literary awards and prizes have been around for centuries, with the first British Award for Literature established in 1919 (The James Tait Black Memorial...
CW: Addiction, rape, homophobia, conversion therapy, depression.
"While the apparent lack of original musicals can feel disheartening, there’s actually a lot of original work out there."
Katie Kirkpatrick looks at the state of new musical theatre.
Imagine, then, that we are surrounded by an endless field of noise- every person, whether they can ‘hear’ or not, is moving through this field of non-musical sound, the raw chaos of natural existence, and that although this chaos may not offer itself as pleasurable, it is necessary, and, for that matter, does not care what people think about it, with the moment of experiencing noise music itself being exposed to a natal image of transcendent noise.
"Ultimately, the album is about the human experience: the joys and monotonies; the passions and anxieties; the connection and solitude". Karan Chandra reviews Weezer's latest record, OK Human.
"Dawson’s lyrics aren’t poems; the music is too important to the cadence and stress of the lines for the words to retain their power without it. Still, they do pass that age-old test which can be used upon a line of verse to distinguish the animating spirit of poetry: they’re often almost impossible to gloss in prose." Oscar Jelley tries to unravel the complexities of Geordie folk singer-songwriter, Richard Dawson.
Whilst Winx Saga is tripping over itself to scream 2020s at us, some of the most successful teen-based Netflix shows – Stranger Things and Sex Education for example – are both doing the opposite
CW: Mentions of alcoholism, substance abuse.
"'Little Oblivions', then, is a battle diary published long after nadir itself, with retrospective editing. The full-band sound makes it extremely listenable, and Baker’s silvery voice is snugly at home amidst metallic textures." Irene Zhang looks at Julien Baker's latest release.
"Arctic Monkeys' sentiment of local identity is perfectly surmised in the closing track ‘A Certain Romance,’; though it bemoans the towns low fashion and ‘kids who scrap with pool cues in their hands,’ it resolves into a statement of "this is our town, our culture, and we’re owning it."" Greg Halliwell looks back at what the Sheffield quartet's debut album meant to Northern music culture, 15 years' on.