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UrbanObserver
Saturday, April 26, 2025
Oxford's oldest independent student newspaper, est. 1920
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Culture
The lost art of the intermission, and why the film industry needs to bring it back
Last month, Brady Corbet’s The Brutalist was one of the most-discussed films at the Oscars, with its award-winning cinematography, score, and direction rightfully generating great critical acclaim. Equally, though,...
Film
Ruby Tipple
-
A review of The Crux: Djo turns music into a profession
In his new album, The Crux, Djo, aka Joe Keery, perfectly inhabits and evokes...
Music
Tom Cockburn
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40 years after the miners’ strike, James Graham’s ‘This House’ still has a lot to offer
‘Humphrey: ‘If the right people don’t have power, do you know what happens? The...
Theatre
Thomas Armstrong
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Persuading the public: The play as propaganda
The play as propaganda has a long history. From the regime-affirming productions of Hieron,...
Theatre
Nancy Gittus
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Latest
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First night review: Rosencrantz and Guildenstern Are Dead
O'Reilly Theatre 3rd Week Tues - Sat
First Night Review: A Doll’s House
Oxford Playhouse 6-10 May
The Futureheads – “This is not the world”
Monique Davis is underwhelmed by The Futureheads' latest offering
Interview: Mystery Jets
Harry Thompson meets the Mystery Jets.
Video: Wadstock 2008
Interview: Amara Karan
Ruth Banks talks to the self assured star of St Trinian’s and The Darjeeling Ltd. about her improbable rise to fame.
Review: Joy Division
Out 2 May
Review: Nim’s Island
Out 2 May
Interview: John Hurt
Ben Williams talks to a cinematic icon.
Neighbourhood Watch: Figment
Sean Lennon digs the fig.
Jack McManus – ‘Either Side of Midnight’
Review by Chris Cooling.
The Loose Salute – ‘Tuned to Love’
Review by Jim Armshaw
Interview: Pendulum
Thomas Barrett speaks to drum and bass stars Pendulum.
Review: The Sabotage Café
Amber Coakes reviews Joshua Furst's new novel.
Gift Exchange
Gift Exchange Ovada Gallery Until 24th May
Review: Kill Your Friends
John Niven’s debut novel draws on the writer’s own experience as an A&R man in the late nineties, but its stab at postmodernism are clumsy.
Review: The Audacity of Ideas
OFS
Review: Rozencrantz and Guildenstern
O'Reilly Theatre
Review: The Nose
BT Studio
Review: God’s Own Country
God's Own Country Ross Raisin 4 stars out of 5
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