Culture

The lost art of the intermission, and why the film industry needs to bring it back 

Last month, Brady Corbet’s The Brutalist was one of the most-discussed films at the Oscars, with its award-winning cinematography, score, and direction rightfully generating great critical acclaim. Equally, though,...
Film Ruby Tipple -

A review of The Crux: Djo turns music into a profession

In his new album, The Crux, Djo, aka Joe Keery, perfectly inhabits and evokes...
Music Tom Cockburn -

40 years after the miners’ strike, James Graham’s ‘This House’ still has a lot to offer

‘Humphrey: ‘If the right people don’t have power, do you know what happens? The...
Theatre Thomas Armstrong -

Persuading the public: The play as propaganda

The play as propaganda has a long history. From the regime-affirming productions of Hieron,...
Theatre Nancy Gittus -
Latest

First night review: Rosencrantz and Guildenstern Are Dead

O'Reilly Theatre 3rd Week Tues - Sat

First Night Review: A Doll’s House

Oxford Playhouse 6-10 May 

The Futureheads – “This is not the world”

Monique Davis is underwhelmed by The Futureheads' latest offering

Interview: Mystery Jets

Harry Thompson meets the Mystery Jets.

Video: Wadstock 2008

Interview: Amara Karan

Ruth Banks talks to the self assured star of St Trinian’s and The Darjeeling Ltd. about her improbable rise to fame.

Review: Joy Division

Out 2 May

Review: Nim’s Island

Out 2 May

Interview: John Hurt

Ben Williams talks to a cinematic icon.

Neighbourhood Watch: Figment

Sean Lennon digs the fig.

Jack McManus – ‘Either Side of Midnight’

Review by Chris Cooling.

The Loose Salute – ‘Tuned to Love’

Review by Jim Armshaw

Interview: Pendulum

Thomas Barrett speaks to drum and bass stars Pendulum.

Review: The Sabotage Café

Amber Coakes reviews Joshua Furst's new novel.

Gift Exchange

Gift Exchange Ovada Gallery Until 24th May

Review: Kill Your Friends

John Niven’s debut novel draws on the writer’s own experience as an A&R man in the late nineties, but its stab at postmodernism are clumsy.

Review: The Audacity of Ideas

OFS

Review: Rozencrantz and Guildenstern

O'Reilly Theatre

Review: The Nose

BT Studio

Review: God’s Own Country

God's Own Country Ross Raisin 4 stars out of 5
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