Wednesday 15th April 2026

Culture

Bridging Communities: Vocatio:Responsio’s Liverpool Tour

Vocatio:Responsio, meaning Call:Response in Latin, is an early music ensemble founded and directed by the Merseyside-based violinist Samuel Oliver-Sherry, a current third year music student at St Anne’s College....

‘Comedy is very deceptive’: Seán Carey on ‘Operation Mincemeat’

As a history student, you occasionally come across stories so strange they feel almost fictional. Operation Mincemeat is one of them.

‘People are so hungry to create together’: Lisa Ko on going analogue, crafting, and writing the future

It’s 11:02am in New York when Lisa Ko appears on the video call. In Oxford, the sun is almost down.

How 2025’s biggest films made their mark through music

The recent Oscar nominations have allowed us to reflect on how fundamental musical scores are to film, and the highlights of last year’s film soundtracks.

Interview: John Hurt

Ben Williams talks to a cinematic icon.

Neighbourhood Watch: Figment

Sean Lennon digs the fig.

Interview: Pendulum

Thomas Barrett speaks to drum and bass stars Pendulum.

Review: The Sabotage Café

Amber Coakes reviews Joshua Furst's new novel.

Gift Exchange

Gift Exchange Ovada Gallery Until 24th May

Review: Kill Your Friends

John Niven’s debut novel draws on the writer’s own experience as an A&R man in the late nineties, but its stab at postmodernism are clumsy.

Review: The Nose

BT Studio

Review: God’s Own Country

God's Own Country Ross Raisin 4 stars out of 5

More chipmunk than Chimera

Angela Cockayne Chimera Mus. of Hist. of Science Until 1st June 1 star out of 5  

Review: The Rose Labyrinth

Sam Losey gets lost in Titiana Hardie's latest work.

Theatrical Thrills

Looking back to Edward II.

In defence of the musical

Swing when you're winning, says Ash Barker.

Review: Spring Quartets

BT Studio 2nd Week Tues - Sat

Interview: Sir Peter Stothard

Daniel Rolle discusses the changing face of journalism with the editor of the TLS.

Tindersticks – ‘The Hungry Saw’

Daniel Rolle reviews "The Hungry Saw".

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